List of All Articles with Tag 'b'

Adani Ports said it appointed MSKA & Associates as the statutory auditors of the company, effective Aug. 12.

A crack had been discovered in one of the walls on Thursday, an official told local media.

Hundreds of people march in Seoul to protest against plans to release nuclear wastewater into the ocean.

Jurrien Timber made it less than 50 minutes into his Arsenal Premier League debut before being forced to leave the field through injury. With Arsenal leading Nottingham Forest 2-0 after 49 minutes, Timber pulled up sharply off the ball. It was only his second appearance for the Gunners, having playing in the Community Shield win over Manchester City ahead of the start of the season. But concerningly he was unable to finish the match, pulling up and then being forced to leave the field with the injury. It had looked like Timber sustained an issue in the first half following a coming-together with Brennan Johnson, but he was able to re-emerge after the break before having to come off. “The doctors looked at him and they were happy for him to continue, he was as well,” Arteta said when asked if he could have taken Timber off sooner. “Straight away in the first action of the second half he made a movement and it was a bit funny. We took him out straight after and now we have to assess him and see what he has.” The former Ajax defender, who joined the Gunners this summer for £34 million to further bolster their defence, was replaced by Takehiro Tomiyasu, suggesting that Gabriel Magalhaes may also be suffering from an undisclosed injury. Timber was one of a number of summer signings made by manager Mikel Arteta, adding to Kai Havertz from Chelsea, and club record signing Declan Rice from West Ham for £105 million. Arsenal’s start to the campaign was already impacted before the start of play, when kick-off was delayed for half an hour due to a turnstile issue. Read More Why was Arsenal v Nottingham Forest delayed? Arsenal: Thousands of fans stuck outside Emirates Stadium as turnstile issues delay kick-off

Breaking down the five biggest fallers in MLB Playoff probability in the month of August.The MLB Playoffs begin in under two months now, which means it's time for the postseason pushes around the league.But for one reason or another, whether that was a poor trade deadline, negative regr...

Bukayo Saka's offers up further evidence of his world class ability in Arsenal's 2-1 win over Nottingham Forest, bending a superb effort into the top corner for what proved to be the game-winning goal.

Meghan Markle could be set to have another huge Netflix hit on her hands as her and Prince Harry look to adapt the best-selling rom-com novel Meet Me at the Lake for the streaming service. Carley Fortune, the author of the book confirmed the news that Netflix and Meghan and Harry's production company Archewall would be working on the forthcoming film. On Instagram, she wrote: "I never thought I'd be making this announcement, but since I am, it feels fitting that I'm doing it from the cottage where it all began." Sign up to our free Indy100 weekly newsletter "I'm thrilled to confirm that I'm teaming up with Netflix and Archewall productions on the adaptation of Meet Me at the Lake," she continued. "Will and Fern's love story is dear to my heart, and I can't imagine a more perfect partnership. Writing this book was a tremendous personal challenge, and to see it recognized in this way is truly incredible." The book focuses on the relationship between central characters Will and Fern who meet in their 30s and features similar instances to what have befell Harry and Meghan in their lives childhoods, including the death of a parent in a car crash and postpartum struggles. Once the film arrives on the platform it could set another Netflix record for the Royal couple. The story is set in Toronto which is where Meghan was filming the drama Suits when she first met Harry in 2016. Suits also ties into Meghan's relationship with Netflix as the legal show recently set an unprecedented record on the platform after it was made available in the United States. Even though the show ended four years ago it is now the most streamed acquired show in Netflix history having racked up 3.1 billion minutes in just a week. Meghan played the paralegal Rachel Zane in the show but left in 2017 following her engagement to Harry. In addition, the couple's Harry and Meghan documentary which was released in December 2022 is the most streamed documentary in Netflix history which was watched for 81.55 million hours within its first week. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

An iconic Vogue cover, featuring Naomi Campbell, Christy Turlington, Tatjana Patitz, Linda Evangelista and Cindy Crawford in 1990, which capture the age of the Nineties supermodel, has been recreated more than 30 years later. The story, which will appear on the UK and US editions with the cover line: “The Greatest of All Time”, will be missing German model Tatjana Patitz, who died earlier this year. The original photograph appeared on the cover of the January 1990 edition of Vogue and has been reimagined for the 2023 September cover. The four models will appear in the forthcoming four-part Apple TV+ docuseries, The Super Models, as they reflect on the beginnings of their modelling careers in the late Eighties and early Nineties. The show will be premiering on 20 September. The four women, now in their fifties, are often considered to be among the first supermodels to become celebrities and known as household names outside of the fashion industry. Speaking to Vogue, Campbell said of her early days of modelling: “There was a sisterhood there, defined by caring and loyalty: when one is down you pick the other one up.” Elsewhere in the interview, Campbell recalled how her life began to change when she became famous, like when photographers captured her outside a Narcotics Anonymous meeting in 2001. “I was made to feel ashamed of my recovery,” she said. “It wasn’t that I was in hiding, but this is something you talk about when you are ready.” Meanwhile, Evangelista opened up about her own experience with Botox, after trying the CoolSculpting procedure that left her face “disfigured”. “I don’t mind and I never did mind ageing. Ageing gets us to where we want to be, and that’s for me a long life,” she said. “[Makeup artist] Kevyn Aucoin was so afraid of wrinkles and he never got them. I want wrinkles – but I Botox my forehead so I am a hypocrite – but I want to grow old.” Much of the feature focuses on what the four models have overcome and survived in their careers, such as “grunge” and the pre-#MeToo era. All four models said they largely avoided sexual exploitation despite working with photographers who have been accused of sexually inappropriate behaviour with models. Crawford explained she would avoid lots of parties, Turlington said it was down to “luck and grace”, while Campbell said she was taught to “speak up” by her family. “You’d get invited to a party on someone’s yacht and I’d think, ‘What do you even wear on a yacht? What fork do you use?’” said Crawford. “So I would just not go and, yes, I probably missed out on some fabulous opportunities but probably avoided some less than fabulous opportunities as well.” Edward Enninful, outgoing editor-in-chief of British Vogue – he will step down from the role in March to become Vogue’s global creative and cultural adviser – styled all four models for the cover shoot. Writing about the decision to put the four models on the September issue cover in his Editor’s Letter, Enninful wrote: “For such a hallowed moment, my esteemed co-conspirator Anna Wintour – editor-in-chief of American Vogue and Condé Nast’s chief content officer – and I decided there was only one thing for it.” “We had to put the legendary quartet simultaneously on the cover of both British and American Vogues.” You can read the full Vogue cover story here. The Super Models will be available to watch on Apple TV+ from 20 September. Read More Fan who went into labour at Pink concert names newborn son after her Husband ‘ruins’ dinner because of his wife’s typo: ‘The worst kind of control freak’ Woman says her life was ‘blown up’ by viral plane rant where she called passenger ‘not real’ Will the gendered separation in clothing ever cease to exist? All the top models and celebs in Victoria Secret’s new Icons campaign Government urged to remove VAT from period pants

It truly is an exciting time in the NBA. The next generation of basketball is in good hands with the amount of young talent dispersed throughout the league, ready to break out as soon as 2023.LeBron James, Stephen Curry, Kevin Durant, Jimmy Butler, James Harden, and Russell Westbrook, among othe...

UK and French coastguards rescued more than 58 people but two may still be missing, authorities said.

Georgia Stanway stood on her own, isolated in a pocket of space. With her hands in the air, she saw the move before it unfolded. England had been searching for the gaps against Colombia, but going behind only sharpened their focus. After the explosion of Colombia’s goal, England could have lost their heads, but Stanway found hers and then the space. One thumping finish from Alessia Russo later and England were heading towards the semi-finals of the World Cup. Arguably, no one deserves this semi-final more than the Bayern Munich midfielder. Stanway had to be disciplined when Keira Walsh was injured, constrained when Lauren James was given the keys to England’s creative output. With James suspended, Stanway was released. With the bite in midfield to combat Colombia’s physicality, then the cool to pick holes in their defensive shape. Having to play through four games on a yellow card has meanwhile forced Stanway to do it all on a knife-edge, controlling the aggression when one wrong moment would have taken her semi-final away. The Lionesses also had to earn it, in a difficult contest that passed by in waves of England control and frantic Colombia pressure. The atmosphere fed into it: Colombia turned up in their numbers, dominating the 75,000 capacity stadium and its soundtrack; hostile when England had possession, electric when Colombia flew forward, the noise rising further when Linda Caicedo drove them on. England faced the battle they had been expecting. Then Colombia scored and a tournament that has been defined by obstacles was presented with a new one, as England trailed for the first time in the World Cup. But Stanway epitomised how England responded and took to their task. It was a different type of resilience to what England showed at the end, continuing to show, on the ball and off it. She showed her intelligence, baiting Colombia players in and waiting a moment, before releasing it. As a whole, there wasn’t a panic. Lauren Hemp’s equaliser was scrappy, arriving in a mess in the penalty box, but it had been coming. If anything, going behind sharpened England. England’s plan was clear enough: they had their control and build-up, neat passages of play as they found the gaps in Colombia’s shape, threading passes through for Stanway and Ella Toone to turn. England were sharper than against Nigeria, even if the final ball was missing. With James’s two-match ban forcing another rethink for Wiegman, the England manager combined something new with something old. The midfield three returned, with Stanway and Toone deployed as twin eights in front of England’s back five. But Colombia reached the quarter-finals by ensuring those spells do not last for long. Between England’s passing moves, Colombia rattled them and threatened with their quality, thriving off the match being in a scrappy and disrupted state. The South Americans broke England’s passing up and tore whatever momentum they were building down, a series of fouls to pause England’s flow. Then there were the challenges: Ana Guzman barging into Hemp, then leaving an arm on Rachel Daly, Santos pulling Stanway back by the arm. And in those spells England were sloppy, five-yard passes hit straight out of play, allowing themselves to take the safe or easy option, turning down the chance to turn. When Santos’s cross drifted in over the head of Mary Earps, England were faced with the worst. The response was crucial. In the six minutes of added time at the end of the first half, England stuck to how they had set up to play. The way Colombia were positioned allowed England to have those gaps in midfield and there was always a player to find. England had to be patient, to move it quickly enough and have the confidence to do more when they could turn. Hemp everywhere across the frontline, taking pressure off England with bursts downfield, Russo struggling to hold the ball up, but producing the devastating finish when it counted. England dropped deep, perhaps too early, but they did so safe in the knowledge that they had Millie Bright in this form. Bright was faultless as England defended their box, alongside the exceptional Alex Greenwood. It wasn’t the perfect team performance but this tournament has been about finding a way through. England are enjoying it, while Stanway just offers them that bit more. Read More England set up old rivalry on new stage thanks to Alessia Russo magic How many games will Lauren James miss at Women’s World Cup after red card? Who and when do England play next? Lionesses’ route to the World Cup final ahead of semi-final

The bridge that connects Russia to occupied Crimea has previously been attacked at least twice before.