List of All Articles with Tag 'tec'

iPhone users: Today's the day to update to Apple's latest operating system, iOS17, and unlock a slew of new features that promise to make the iPhone experience more personal and intuitive.

Amazon is set to hire Microsoft's departing product chief Panos Panay, Bloomberg News reported on Monday, citing sources

(Reuters) -Saudi Arabia is in early talks with U.S. electric automaker Tesla to set up a manufacturing facility in the

By Saqib Iqbal Ahmed NEW YORK Options on the newly listed shares of SoftBank's Arm Holdings, the year's

By Diane Bartz WASHINGTON The U.S. Justice Department on Monday questioned a Verizon executive about the company's decision

Israeli Prime Minister Benjamin Netanyahu is set to meet with X owner Elon Musk on Monday, where he is widely expected to confront Musk on his social media platform's handling of antisemitism.

The iPhone is a lot of things. It's a social networking portal, it's a games console – sometimes it's even a phone. For Apple's Jon McCormack, Apple's vice president for camera software engineering, it's "primarily a camera that you can text from". It wasn't always this way. When Steve jobs introduced the iPhone in 2007, he famously described it is an iPod, a phone and an internet communications device; the first iPhone had a camera, new iPhones are cameras. The pictures that first iPhone turned out were more useful than beautiful. Today, however, the iPhone's pictures have grown up, and it is now the most popular camera in the world. Now the question is how sharp the pictures should be, and there has even been some criticism that the pictures it turns out are too sharp, if anything. The iPhone's camera is no longer just a useful addition but is used in professional contexts, and is often given as the main reason to upgrade to new models. The new iPhone 15s, in particular the premium Pro and Pro Max, continue Apple's mission to turn its smartphones into cameras like nothing in the history of photography. They have new image formats, the addition of extra focal lengths, and the iPhone 15 Pro Max even includes a 5x lens that makes use of a "tetraprism" lens that bounces light around inside the phone to add dramatically more zoom without making the phone any bigger. All of that additional hardware works in collaboration with improved software: users no longer have to click into portrait mode, for instance, because the camera automatically captures depth information when taking a picture of people, so that background blur can be added and edited even after the photo has been taken. Apple has also added a host of features that many people are unlikely ever to even look at, let alone use, but are important to professionals. They include the addition of Log encoding and the Academy Color Encoding System – both key to those who need them. Apple also says that the new iPhone has "the equivalent of seven pro lenses", despite really only having three; what they mean is that you can choose different crops, which is in part an attempt to appeal to those professional photographers who stubbornly say that they will only ever work with a 50mm lens, for instance. (Those new lens choices are not only a cropped version of the existing lenses, says McCormack, since the phone also has custom neural networks specifically designed to optimise images at that focal length.) Those complex new features are a reminder that the iPhone is many things to many users: some may simply want to remember important events, or snap pictures of their pets. Others might be truly professional photographers, needing to rely on their iPhone to capture valuable and fleeting events. Some people are, no doubt, both – and Apple is aware that the iPhone has to be both, too. "For us, what we feel is really important – especially since computational photography started to blur the line between hardware and software, and really enable anybody to take stunning shots with minimal effort – is making sure that that tool that we have in your pocket is adapting to your needs," says Maxime Veron, Apple's senior director for iPhone product marketing. "So if you're just trying to take a quick photo of your kids can get out of the way and just allow you to do that. And if you want to create a professionally created Hollywood style video, it can also give you the customisation and the power to do that." McCormack says that Apple builds the camera from "the core belief that everybody has got a story that is worth telling". For some people that story might be their child taking their first steps, captured in a video that will be shared with only a few people. Or it might be a photojournalist taking images that are going to be shared with millions. "Our belief is that your level of technical understanding shouldn't get in the way of you being able to tell that story," he says. High-end cameras have often required their users to think about a whole host of questions before they even get to actually pressing the button to take a picture: "the temperature of light, the amount of light, the direction of light, how fast is the subject moving? What are the skin tones?" notes McCormack. "Every second that you spend thinking about that, and playing with your settings and things like that, are seconds that you are drawn out of the moment," he says. "And what we want to create is this very deep connection between the photographer, the videographer and the moment." He points to the action button on this year's Pro models, which can be programmed to launch the camera with a push. "It's all about being able to say all of this crazy complexity of photography, or videography – Apple's taken that, and understood that, and hidden that from you," he says. "You as a photographer, you get to concentrate on the thing that you want to say, and finding that decisive moment, finding that beautiful framing, that says the thing that you want to say. "But the motivation for all of this and using all of this crazy, great computational photography, computational videography, is that we don't want to distract you from telling the story that you want to tell." That has meant building the iPhone's camera in a way that the features "unfold", he says. "Out of the box, we are going to give you an amazing thing that is going to cover most of your moments, with lots of dynamic range, lots of resolution, zero shutter lag, so you can capture the moment. "But of course, there are folks who are going to look at this and say, you know, I've got a very specific and very prescriptive vision," he says. He points to a variety of new tools that are built into the phone, such as the ProRAW format, which makes huge files and is not especially useful to most – but can be key to someone who really wants to ensure they are able to process every detail of a photograph after it is taken. Those are hidden within settings, there for the people who need them but not troubling those who don't. Veron also notes that many of those extra features are enabled by "an amazing ecosystem of third party partners" who make apps that allow people to get features they are looking for. It is a reminder of just how much is going on as soon as someone takes a picture with the iPhone. First, light travels through one of Apple's three lenses and hits a 48 megapixel sensor – but that's just the beginning of a long process of computational photography that analyses and optimises that image. The picture that is taken is not just the one image, for example: it is actually made up of multiple exposures, with more or less light, that can then be merged into a picture with the full dynamic range. "This year for the first time, we merge them in a larger resolution," says McCormack. It takes one image in 12 megapixels, to give a fast shutter speed and plenty of light, by combining pixels together; then it grabs a 24-megapixel frame, which collects the detail. "Then we register those together and use a custom machine learning model to go and transfer the detail from the 48 over into what has now become a 24." That creates something like the negative in old camera terms, which the iPhone’s processor can then get to work on, using parts of its chip focused on machine learning. "We use the neural engine to go decompose that photograph, bit by bit." It will notice if people have different skin tones, and develop those parts of the image accordingly; hair, eyes, a moving background and more are all taken to pieces and optimised on their own. (The intensity of that process has occasionally led to questions over whether the phone is working too hard to make its images look good.) Then there's yet more work for the camera system. The iPhone uses tonemapping to ensure that images pop on the bright screens of modern iPhones, but also that they still look bright on a compressed image that might be sent around the internet; one of the many changes that smartphones have brought to photography is that, for the first time, the photos are mostly looked at on the same device they were taken with, but that they can also be sent and seen just about anywhere. If the image is taken using night mode, then there's even more work, with new tools that ensure that colours are more accurate. And that isn't even mentioning portrait mode, which when it registers that there is a person (or a pet) in the frame will gather the relevant depth information to ensure that the background can be manipulated later. That whole process – those five paragraphs, and thousands of calculations by the phone – happen within the tiniest moment after pressing the button to take the photo. The phone may look as if it is serenely offering up an image to its users, but it has been busily working away in the background to ensure the picture is as accurate and vibrant as possible. All that work done by the camera and the rest of the device depends on a variety of choices made not only by the iPhone but by Apple, which accounts for the look of the modern iPhone picture – Veron says that its aim in making those decisions is to make "beautiful, true-to-life memories in just one click". McCormack is clearly keenly aware of the responsibility of that task; his vision decides what the world's memories look like. "This is your device that you carry with you all time the time, and we want to be really, really thoughtful of that," he says. That responsibility carries into the design of the camera within the phone: rumours had suggested that this year's model would include a "periscope" design for the long zoom, bouncing the light through the length of the iPhone, but McCormack says that Apple went for the five-way prism to ensure that it could "both retain the industrial design that we want, to just make iPhone feel so good in your hand, but also be able to get that extra focal length". "It is just of one of those crazy things – only Apple is going to do something like that. And I'm really glad that that's the way we think about product." Read More Tim Cook says Vision Pro release is on track: ‘I watched Ted Lasso Season 3 on it’ Apple Store goes offline as Apple opens pre-orders for iPhone 15 Apple to update iPhone 12 after fears over radiation iPhone 12 is not emitting dangerous radiation, Apple says, amid fears of Europe ban France’s iPhone 12 ban could spread across Europe, regulators say Everything Apple killed off at iPhone 15 event

By Stephen Nellis UltraSense Systems, a Silicon Valley startup that makes a chip that can replace mechanical buttons,

The current wave of generative AI tools like ChatGPT will soon be surpassed by “interactive artificial intelligence”, according to AI pioneer Mustafa Suleyman. The co-founder of DeepMind, which was acquired by Google for $500 million in 2014, said the next generation of AI tools will be “a step change in the history of our species”, allowing people to not just obtain information but also order tasks and services to be carried out on their behalf. “The first wave of AI was about classification. Deep learning showed that we can train a computer to classify various types of input data: images, video, audio, language. Now we’re in the generative wave, where you take that input data and produce new data,” Mr Suleyman told MIT Technology Review. “The third wave will be the interactive phase. That’s why I’ve bet for a long time that conversation is the future interface. You know, instead of just clicking on buttons and typing, you’re going to talk to your AI.” This will allow users to ask these AI to perform tasks for them, which they will carry out by talking with other people and interacting with other AIs. “That’s a huge shift in what technology can do. It’s a very, very profound moment in the history of technology that I think many people underestimate,” he said. “Technology today is static. It does, roughly speaking, what you tell it to do. But now technology is going to be animated. It’s going to have the potential freedom, if you give it, to take actions. It’s truly a step change in the history of our species that we’re creating tools that have this kind of, you know, agency.” When questioned about the potential risks of giving artificial intelligence autonomy, Mr Suleyman said it was important to set boundaries for the technology and make sure that it is aligned with human interests. When Mr Suleyman was still working at DeepMind, his colleagues helped develop what became known as a “big red button” that would effectively serve as an off switch for rogue AI. A research paper titled ‘Safely Interruptible Agents’ described how any misbehaving robot could be shut down or overriden by a human operator in order to avoid “irreversible consequences”. Read More 10 ways AI will change the world – from curing cancer to wiping out humanity

Scientist have discovered a fly that... can't fly. In December 2021, the John Midgley and Burgert Muller from the Diversity of Pollinating Diptera in South African Biodiversity Hotspots project went to Lesotho, the only country in the world that has its entire territory located at an altitude of 1,000 metres and higher to see what they could find. At the Afriski mountain resort, they found 51 male specimens of Atherimorpha latipennis (a species discovered in 1956 but whose female had never been described) and a for the first time a female belonging to the same species which couldn't get off the ground. “It’s not unheard of for only the female of a species to be flightless,” says Midgley. “But there were no examples in this fly’s family, let alone its genus.” Martin Hauser, a senior dipterologist at the California Department of Food and Agriculture, who was not involved in the research, told the Guardian: “Active flight has only originated four times in the last three billion years, so it’s always interesting when a species loses the ability to fly. It isn’t super surprising to find flightless species. But it is remarkable when the first case of flightlessness is reported in a family.” Scientists could only make educated guesses about why the female had lost the ability to fly. Despite it being much faster than walking, allowing flies to escape predators. “flight is also costly,” said Midgley. “You have to grow wings, and it uses a lot more energy than walking.” “For the males it is worth flying around and being able to search a larger area for females,” said Hauser. “Even if, while flying, they are exposed to birds and other predators, and risk being blown off the mountain and ending up in a hot valley with no females.” Meanwhile, there are other species that can't fly like ostriches, kiwi and emus. It is thought they evolved to lose flight after the dinosaurs became extinct because there were no predators big enough to hunt them. Fly - you had one job... Sign up to our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

By Paul Sandle LONDON (Reuters) -Britain set out principles designed to prevent generative AI models like ChatGPT from being dominated

Tim Cook has seen “the entire third season of Ted Lasso” on the Apple Vision Pro headset as he confirmed the company’s new and highly anticipated product is set to release on schedule. The headset, announced in June this year, is a virtual reality tool that allows people to see apps projected on top of the room around them. Apple said it allows apps to be “freed from the confines of a display” and mark a shift towards “spatial computing”. During the launch event in June, the tech giant said the headset would cost a whopping $3,499 and be available early next year in the US. In an interview with CBS Sunday Morning, the tech giant’s boss emphatically said the headset, deemed one of Apple’s most important products since the iPhone, is on track for release. Mr Cook was asked whether the product was still set for release in early 2024. The Apple boss replied saying “it is on track”, and added that he was “using it on a regular basis”. “I watched the entire third season of Ted lasso on the Vision Pro,” he said. “And of course there’s some things that I have access to that other people don’t have. “It is more complex and requires innovation not only in development but also in the manufacturing,” he said. Mr Cook also discussed Apple’s environmental initiatives, including plans to power 100,000 homes in Brown County, Texas with clean energy. While announcing the Vision Pro headset, Apple had said the device is the “most ambitious” product it has ever created. The headset has glass on the front and inside and an aluminium frame and a soft band that raps around the head. Apple said during the product’s announcement that its ambitious display is detailed enough to show 4K video natively. With the headset, Mr Cook said users will be able to “interact with digital content just like it’s in your physical space”, and will no longer be “limited by the display”. Apple also announced the new Apple watch last week – its first “totally carbon neutral” product. Read More iPhone 15 and Pro: Apple opens pre-orders for new handset What is USB-C, the charging socket that replaced Apple's Lightning cable? Apple unveils Watch Series 9 with new processor and hands-free features Apple Store goes offline as Apple opens pre-orders for iPhone 15 Apple to update iPhone 12 after fears over radiation iPhone 12 is not emitting dangerous radiation, Apple says, amid fears of Europe ban