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Joe Rogan said, 'The rematch is 100% the big money, and would be smart to do, wow, Izzy doesn't wanna hug him'

Scotland hosted England in a 150th anniversary of their first-ever meeting; this time around it was the Three Lions who triumphed with a routine and comprehensive 3-1 victory. Phil Foden and Jude Bellingham scored within minutes of each other in the first half, before Harry Maguire turned into his own net to close the gap past the hour mark. Harry Kane wrapped up matters though as England took the bragging rights. Here are the player ratings from Hampden Park. Scotland Angus Gunn - 6. Nothing he could do about either goal, banged past him from close range on both occasions. Massive save from Eze at 2-1 but beaten by Kane one-on-one. Ryan Porteus - 5. Did well in direct duels but struggled to keep pace once England’s runners from deep started showing their movement and ability to swap spaces. Jack Hendry - 7. Important recovery interception to thwart England’s best move on half-hour. Like Porteus, couldn’t get tight enough when the passing started to flow. Kieran Tierney - 6. A few decent moments for Scotland’s attack as he looked to overlap, but couldn’t get close defensively and pulled out of shape for the third in particular. Aaron Hickey - 6. A good outlet at times and looked to be able to beat Tierney at times, but the final pass and cross was lacking. Billy Gilmour - 5. All but ran the game against England a couple of years ago but this time around was swamped in the middle and easily bypassed. Callum McGregor - 6. Hard-working and tried to keep his side moving forward but was also outnumbered and certainly out-passed. Andy Robertson - 4. A nightmare couple of minutes as he played on Marcus Rashford in the build-up to the first then gifted possession inside his own box for 2-0. Caught wrong side of Kane for the third, too, though did deliver the cross for Maguire’s own goal. Scott McTominay - 5. Didn’t offer anywhere near enough, perhaps showing his lack of match fitness. John McGinn - 7. Bustling and energetic, twice going close in the second half with a hammered shot and an attempted header which hit his shoulder. Che Adams - 5. Toiled away without much service in the first half, then when his team tried to push on at the start of the second he was unable to offer hold-up play or movement to aid the attack. Subs: R. Christie 7, L. Dykes 6, L. Ferguson n/a, S. Armstrong n/a. England Aaron Ramsdale - 7. Good footwork for the most part but never really tested as a last line of defence. Kyle Walker - 8. Drilled a half-volley wide in the first half and led the best move on the counter soon after. Definitely tried a shot which turned into an assist for the opener. Marc Guehi - 7. Really solid first half where he made two good interceptions with aerial deliveries and played out nicely. Subbed at the break. Lewis Dunk - 8. Similar to his centre-back partner, was good across the board doing the job which was needed. Kept Che Adams very quiet throughout and made a big block just past the hour mark. Kieran Trippier - 7. Filled in at left-back once more and didn’t get forward to quite as good effect as he can down the right, but ensured the team was balanced and kept possession. Kalvin Phillips - 7. A rare run-out for so many minutes for the Man City man. Technically looked perfectly fine and did his defensive work well for the most part, though some of Scotland’s quicker counters did leave him chasing dust. Declan Rice - 7. Very much stuck to his defensive responsibilities and did them perfectly well. Set a strong platform for the attackers to shine from. Phil Foden - 8. Scored the first and involved in setting up the second. Could have netted earlier too but spooned a shot over, then almost made a third on the brink of half-time. Involved in most of the team’s best work. Jude Bellingham - 9. A hit-and-miss start to the game but was in the right place to lash home England’s second. From that point on he was the best on the park, creative and aggressive throughout and set up Kane with a great turn and through pass. Marcus Rashford - 7. A good outlet in early spells for England but never really had the beating of his man one-on-one or a finishing touch. Really decent link play in quick transitions but a bit lacking inside the box. Harry Kane - 7. A mostly quiet game for the Bayern striker who couldn’t get too involved in most of the best England build-up play. A few dangerous balls from deep or wide, but more would be expected - still found space once, and scored. Subs: H. Maguire 4, E. Eze 6, B. Saka 7, C. Gallagher n/a, C. Wilson n/a. Read More Maguire’s humiliation is complete — Southgate must save him from himself Terrible football or bad luck? Social media debates Harry Maguire’s ongoing struggles Scotland handed lesson on ‘enormous gap’ to England, admits Graeme Souness Bellingham makes centre stage his own as England’s youngest star beats oldest rivals Scotland vs England LIVE: Result and reaction as Kane wraps up Three Lions win England want Newcastle duo amid call-up tug-of-war with Scotland

Libya is racing to bury its dead as bodies pile up in the streets of Derna, the northern coastal city devastated by flooding after a torrential downpour smashed through two dams, washing homes into the sea.

As well as introducing groundbreaking garments for women, Gabrielle ‘Coco’ Chanel embodied her brand in a way no other designer had done before, a new exhibition highlights. Gabrielle Chanel. Fashion Manifesto – at London’s V&A Museum – traces the life and work of the famed French designer, who was born in the Loire Valley in 1883 and taught to sew by nuns in the orphanage to which she was sent aged 11, when her mother died. “Before her, designers weren’t really known,” says Oriole Cullen, curator of modern textiles and fashion and the V&A. “Their names were known, but they weren’t visible figures within society.” Starting out as a seamstress and cabaret singer, before establishing herself as milliner, Chanel later turned her focus to couture fashion and began designing casual clothing for women, inspired by the menswear of the era. “The Chanel brand as it stands [today] is really based on these ideas that she ushered in 100 years ago,” Cullen says, which is where the exhibition title comes from. “The meaning of that is really about a template that Gabrielle Chanel set out at the very beginning of her design career and came back to, reimagined and reinvented throughout her long career of sixty years.” Bringing together nearly 200 outfits, the show features items from the opening of her first millinery boutique in Paris in 1910, to the showing of her final collection, two weeks after she died in 1971. Signature designs on display include little black dresses, tweed suits and quilted leather handbags – the most iconic of which is the 2.55 bag. “The 2.55 has never really gone out of fashion since she designed it in 1955,” Cullen says. “That is fascinating in terms of high fashion, that an object can stay the course for such a long time and still be relevant.” Part of the upper echelons of French society, Chanel initially relied on wealthy lovers, such as French ex-cavalry officer Etienne Balsan and English polo player Arthur Edward ‘Boy’ Capel to fund her boutiques. Later becoming a celebrity in her own right, she amassed a personal fortune, thanks to the success of her fashion, accessories and cosmetics lines. “The perfume Chanel No5 was introduced in 1921, but then introducing make-up in 1924 and skincare in 1927, she was really ahead of her time,” Cullen says. “It’s something she was doing because she was designing for herself.” Chanel is credited with helping to liberate women from the constricting corsets and long skirts that were de rigeur at the turn of the century, and for popularising softer textiles, such as jersey. “She cuts her garments with high armholes, so you can lift your arms over your head,” Cullen continues. “She thinks about fabrics that are practical, and skirt lengths you can move in.” The exhibition – which was originally staged at Paris’s Palais Galliera in 2020 – highlights the brand’s UK and Ireland connections via British Chanel Limited. “This was an umbrella company set up in 1932 to work with an array of British textile manufacturers,” Cullen explains. “From lace in Nottingham, cotton velvets from Manchester, wools from Huddersfield, and also voiles and silks from Carlisle. “One of the other companies she worked with was the Old Bleach Linen Company, which is based in Randalstown in Northern Ireland.” Split into 10 sections, the exhibition concludes with a recreation of the mirrored staircase from Chanel’s Paris atelier. “Gabrielle Chanel used to sit at the top of the stairs when she was having presentations,” Cullen explains. “The models would descend and this faceted mirror would reflect back the audience’s faces to her, so she could read the mood in the room.” Gabrielle Chanel. Fashion Manifesto opens at London’s V&A Museum on September 16. Tickets available at vam.ac.uk/chanel. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live 6 times Kate has worn London Fashion Week designers Pro-gamer Jukeyz ‘died for two minutes’ after cardiac arrest which left him ‘scared to sleep’ Young people not snowflakes or wasters, says curator of rebellious fashion exhibition

The iconic movie portrays the themes of growing up, maturing, experiencing new emotions, and the importance of friendship

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