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Libya is racing to bury its dead as bodies pile up in the streets of Derna, the northern coastal city devastated by flooding after a torrential downpour smashed through two dams, washing homes into the sea.

China on Tuesday unveiled a plan to deepen integration between the coastal province of Fujian and self-governing Taiwan, touting the benefits of closer cross-strait cooperation while sending warships around the island in a show of military might.

As well as introducing groundbreaking garments for women, Gabrielle ‘Coco’ Chanel embodied her brand in a way no other designer had done before, a new exhibition highlights. Gabrielle Chanel. Fashion Manifesto – at London’s V&A Museum – traces the life and work of the famed French designer, who was born in the Loire Valley in 1883 and taught to sew by nuns in the orphanage to which she was sent aged 11, when her mother died. “Before her, designers weren’t really known,” says Oriole Cullen, curator of modern textiles and fashion and the V&A. “Their names were known, but they weren’t visible figures within society.” Starting out as a seamstress and cabaret singer, before establishing herself as milliner, Chanel later turned her focus to couture fashion and began designing casual clothing for women, inspired by the menswear of the era. “The Chanel brand as it stands [today] is really based on these ideas that she ushered in 100 years ago,” Cullen says, which is where the exhibition title comes from. “The meaning of that is really about a template that Gabrielle Chanel set out at the very beginning of her design career and came back to, reimagined and reinvented throughout her long career of sixty years.” Bringing together nearly 200 outfits, the show features items from the opening of her first millinery boutique in Paris in 1910, to the showing of her final collection, two weeks after she died in 1971. Signature designs on display include little black dresses, tweed suits and quilted leather handbags – the most iconic of which is the 2.55 bag. “The 2.55 has never really gone out of fashion since she designed it in 1955,” Cullen says. “That is fascinating in terms of high fashion, that an object can stay the course for such a long time and still be relevant.” Part of the upper echelons of French society, Chanel initially relied on wealthy lovers, such as French ex-cavalry officer Etienne Balsan and English polo player Arthur Edward ‘Boy’ Capel to fund her boutiques. Later becoming a celebrity in her own right, she amassed a personal fortune, thanks to the success of her fashion, accessories and cosmetics lines. “The perfume Chanel No5 was introduced in 1921, but then introducing make-up in 1924 and skincare in 1927, she was really ahead of her time,” Cullen says. “It’s something she was doing because she was designing for herself.” Chanel is credited with helping to liberate women from the constricting corsets and long skirts that were de rigeur at the turn of the century, and for popularising softer textiles, such as jersey. “She cuts her garments with high armholes, so you can lift your arms over your head,” Cullen continues. “She thinks about fabrics that are practical, and skirt lengths you can move in.” The exhibition – which was originally staged at Paris’s Palais Galliera in 2020 – highlights the brand’s UK and Ireland connections via British Chanel Limited. “This was an umbrella company set up in 1932 to work with an array of British textile manufacturers,” Cullen explains. “From lace in Nottingham, cotton velvets from Manchester, wools from Huddersfield, and also voiles and silks from Carlisle. “One of the other companies she worked with was the Old Bleach Linen Company, which is based in Randalstown in Northern Ireland.” Split into 10 sections, the exhibition concludes with a recreation of the mirrored staircase from Chanel’s Paris atelier. “Gabrielle Chanel used to sit at the top of the stairs when she was having presentations,” Cullen explains. “The models would descend and this faceted mirror would reflect back the audience’s faces to her, so she could read the mood in the room.” Gabrielle Chanel. Fashion Manifesto opens at London’s V&A Museum on September 16. Tickets available at vam.ac.uk/chanel. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live 6 times Kate has worn London Fashion Week designers Pro-gamer Jukeyz ‘died for two minutes’ after cardiac arrest which left him ‘scared to sleep’ Young people not snowflakes or wasters, says curator of rebellious fashion exhibition

The iconic movie portrays the themes of growing up, maturing, experiencing new emotions, and the importance of friendship

Rapper Sean 'Diddy' Combs shares adorable moment with his children at the 2023 MTV VMAs

A fire in a high-rise block kills at eight people and injures dozens in Vietnam's capital.

This is the fourth Nipah virus outbreak in Kerala state since 2018.

John Mayer has announced he will be playing a one-off show in Los Angeles next week to raise funds for a veterans charity

NSYNC reunited at the 2023 MTV Video Music Awards, 10 years after their final public performance at the awards show, and Taylor Swift quizzed the band on what their upcoming career intentions were.

Shares have declined in Asia after falling on Wall Street ahead of a highly anticipated report on U.S. inflation due later in the day

The Princess of Wales will likely keep a close eye on the catwalks this season, as she’s been known to champion clothes from London Fashion Week (LFW) designers. The upcoming season kicks off on September 15 and will see major labels – including Burberry, Richard Quinn and Erdem – debuting their spring/summer 2024 collections. These are just some of the times Kate has worn LFW designers for royal engagements… 1. Erdem For the Commonwealth Day service in Westminster Abbey earlier this year, Kate stepped out in one of her go-to labels: Erdem. Helmed by designer Erdem Moralioglu, the brand is known for its romantic and floral aesthetic. For the service, Kate chose a navy ensemble featuring an all-over white flower print, made up of a peplum blazer with delicate chain detailing on the bodice, and a midi-length skirt. It was a well-chosen look, drawing upon a Commonwealth designer for the event – Moralioglu is originally from Canada. 2. Roksanda As a patron of the All England Lawn Tennis and Croquet Club, Kate is a familiar face at Wimbledon – and in 2022 she attended the iconic event in a sunny yellow dress. The outfit, which had capped sleeves and bow detailing at the shoulder, was from Roksanda – a label known for its vibrant use of colour, helmed by Serbian designer Roksanda Ilincic. 3. Burberry Heritage brand Burberry is one of the most highly-anticipated shows on the London Fashion Week schedule, and Kate is obviously partial to its designs – she has even been spotted in one of the label’s iconic beige trench coats. She brought a bit of Britain to Canada on a 2011 trip, dressing down in an olive Burberry shirt during a visit to Blachford Lake near Yellowknife. 4. Stephen Jones Stephen Jones is often seen as the go-to milliner for the royals – his hats have been worn by the Duchess of Sussex, the late Diana, Princess of Wales, as well as Kate herself. One of Kate’s more experimental fashion moments in a Stephen Jones creation came at the 2011 Epsom Derby, when she wore a beret-style brown straw hat with a bow detailing. 5. Temperley London Many of Kate’s royal engagements require her to wear an evening gown, and she’ll often choose LFW stalwart Temperley London for the occasion. At the National Portrait Gala in 2017, she wore one of creative director Alice Temperley’s designs – a floor-length forest green lace gown with long sleeves and a high neck. 6. Emilia Wickstead Emilia Wickstead is another LFW designer who often features in the Princess of Wales’ wardrobe. Wickstead’s designs are very much in Kate’s wheelhouse: classic and demure cuts, usually in interesting colours or with a quirky twist. Kate wore a lemon midi dress with long sleeves to the National Service of Thanksgiving at St Paul’s Cathedral during the Platinum Jubilee celebrations in 2022, with the elegant dress given an added bit of interest thanks to twisted detailing at the waist. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Pro-gamer Jukeyz ‘died for two minutes’ after cardiac arrest which left him ‘scared to sleep’ Young people not snowflakes or wasters, says curator of rebellious fashion exhibition Meet the man who grows the biggest vegetables in the world

Russia’s main shipyard in Crimea has been struck in a major attack involving 10 cruise missiles, according to Russian officials, with videos overnight appearing to show large explosions at a port in Sevastopol. It comes as Ukraine said it shot down 32 drones out of 44 fired by Russia overnight, with Ukrainian port infrastructure in Odesa described as being the main target. The two sides exchanged heavy air strikes just a couple of hours before Vladimir Putin and North Korea’s Kim Jong-un sat down in Russia’s far east for weapons and trade talks. Follow our Ukraine live blog here The attack on Sevastopol targeted the main facility where Russia builds and repairs ships for its Black Sea Fleet, which has been involved in blockading grain exports from Ukraine. Of a total 10 cruise missiles fired around 3am, seven were downed by Russia’s air defence systems, the country’s defence ministry said. The Russian defence ministry said at least three high-speed boats also targeted the Crimean facility but were destroyed. “As a result of being hit by enemy cruise missiles, two ships under repair were damaged,” the ministry said. The Russia-backed governor of Crimea, Mikhail Razvozhaev, shared a photo from the port as a vessel behind him appeared damaged and an active fire continued to blaze in the background. He said at least 24 people were injured in the strike but did not say if any deaths took place. Videos purporting to show the strike showed three explosions in quick succession in Sevastopol. Russia-backed authorities made the rare confirmation of the successful Ukrainian attacks shortly after local residents in the region posted photos and videos of the shipyard region covered in thick fire. Locals also shared videos of thunderous explosions heard miles away captured on CCTV cameras. The Independent has not verified the authenticity of the videos. There was no immediate comment from Kyiv. Ukraine almost never publicly claims responsibility for attacks inside Russia or on Russian-controlled territory in Ukraine, but has been saying in recent months that destroying Russia’s military infrastructure helps Kyiv’s counteroffensive. Another drone was shot down in Russia’s Tver region, northwest of Moscow, where no casualties were reported, regional authorities said. The Crimean peninsula, illegally annexed from Ukraine by Russia in 2014, has been targeted repeatedly since Russia launched its full-scale invasion of Ukraine in February last year. The Sevastopol shipyard attack appeared to be one of the biggest in recent weeks. The shipyard is of strategic importance to Russia as vessels in its Black Sea Fleet are repaired there. Read More BP boss Bernard Looney resigns over past relationships with colleagues Putin and Kim shake hands for 40 seconds as weapons talks begin – live Higher gas prices likely pushed up inflation in August, though other costs probably slowed