List of All Articles with Tag 'fashion'

While Usher was decked out in red and black polka dots for Paris Fashion Week on Wednesday, it was Erykah Badu who captured attention for her accessory of choice. On 27 September, the “On & On” singer was seated next to Usher and French singer Aya Nakamura at the spring 2024 Marni show in Paris, where Nakamura gave a not-so-subtle reaction to Badu’s oversized, wide rim grey hat with black polka dots. The three celebrities dressed their best for the occasion, as Usher complemented his red and black outfit with matching red sneakers, red gloves, and black sunglasses as well as a silver brooch and necklaces. While Badu’s large hat was the main attraction, the R&B singer also wore a black and yellow patterned suit with a similar checked shirt layered underneath. She completed the look with braids that went all the way down to her feet. As for Nakamura, the French pop singer wore a thigh-high slit dress with various shades of blue, as well as a silver choker and earrings. Prior to the fashion show, Usher performed at La Seine Musicale in France on Monday 25 September. The news comes after it was announced this week that the ”My Boo” singer will be headlining next year’s Apple Music Super Bowl halftime show in Las Vegas. The music megastar, who has won eight Grammys, said he’s looking forward to performing on the NFL’s biggest stage. “It’s an honour of a lifetime to finally check a Super Bowl performance off my bucket list,” Usher said in a statement. “I can’t wait to bring the world a show unlike anything else they’ve seen from me before.” Usher, 44, is currently performing his “Usher: My Way” residency in Las Vegas, which has drawn sold-out shows and rave reviews. He is expected to wrap up his residency in early December, before making his Super Bowl halftime debut in early 2024. Roc Nation founder Jay-Z called Usher the ultimate “artist and showman” and was the person to call him with the good news, according to an interview with radio DJ Zane Lowe on Apple Music 1. “When I got this call, he said: ‘It’s time, it’s magic time. You know, it’s time for you to have that moment,’” Usher recalled Jay-Z telling him over the phone. However, the “I Don’t Mind” hitmaker had no idea what Jay-Z was talking about, and the rapper had to clarify that he was calling about the Super Bowl halftime show. In response, Usher told Jay-Z that he was prepared and excited to do something he’s always dreamed about doing. “Ever since his debut at the age of 15, he’s been charting his own unique course,” Jay-Z said of Usher, who released his debut self-titled album in 1994. In total, he’s released eight studio projects filled with hits, including, “U Got It Bad”, “U Remind Me”, “You Make Me Wanna”, “Nice & Slow” and “Love In This Club”. ​​“Beyond his flawless singing and exceptional choreography, Usher bares his soul,” Jay-Z continued. “His remarkable journey has propelled him to one of the grandest stages in the world. I can’t wait to see the magic.” Read More Dior triumphs with Parisian runway melding women's past and future Balmain’s creative director claims more than 50 of his Paris Fashion Week pieces were ‘hijacked’ Usher to headline the 2024 Super Bowl halftime show in Las Vegas Kim Kardashian wears Chanel Barbie necklace in new Super Bowl ad with Usher Angelina Jolie says she’s figuring out her style as she opens up about being ‘hurt’ Sarah Jessica Parker’s custom 2014 Met Gala dress goes up for auction

Angelina Jolie has admitted that she’s still trying to figure out what her style is, as she opened up about wanting to look “soft” after being “hurt” in the past. The actor, 48, spoke candidly about her fashion sense during a recent interview with Vogue to discuss her new brand, Atelier Jolie. She began by describing how she believes people perceive her based on the clothes she wears. “Sometimes the way you dress says: ‘Don’t mess with me - I’ve got my armour on,’” she said. “But I want a woman to feel safe enough that she can be soft.” The Maleficent star revealed that when she was faced with a difficult time in her life, she was ultimately encouraged to choose clothes that made her look “soft”. “After I went through something where I was hurt, I had a therapist ask if I would try wearing a flowing garment,” she said. “Sounds silly, but I assumed that pants and boots projected a ‘tougher’ look, a stronger me. But was I strong enough to be soft?” While Jolie confessed that she didn’t feel too strong at time, she acknowledged that she’s still figuring out what her style is - despite being hurt in the past. “I felt vulnerable. Now I wonder if I don’t know what my style is because I’m still understanding who I am at 48. I guess I’m in transition as a person,” she added. The Salt star seemingly alluded to some of the personal challenges she faced over the years, including her split from ex-husband Brad Pitt in 2016. “I feel a bit down these days. I don’t feel like I’ve been myself for a decade, in a way, which I don’t want to get into,” she said. Jolie added that she’s in a place in her film career where she’s “only taking jobs that didn’t require long shoots” after spending the last seven years doing “a lot of healing”. She also noted that while she’s “still finding [her] footing”, her work with her fashion brand has offered her a new perspective. “I think part of this has also been therapeutic for me - to work in a creative space with people you trust and to rediscover yourself,” the actor explained. “I’m hoping to change many aspects of my life. And this is the forward-facing one.” In May, Jolie took to Instagram to announce the launch of Atelier Jolie, which she described as “a collective where everyone can create”. “Atelier Jolie is a place for creative people to collaborate with a skilled and diverse family of expert tailors, pattern makers and artisans from around the world,” she wrote in the caption. “It stems from my appreciation and deep respect for the many tailors and makers I’ve worked with over the years, a desire to make use of the high-quality vintage material and deadstock fabric already available, and also to be part of a movement to cultivate more self-expression.” During her interview with Vogue, the Mr & Mrs Smith star spoke candidly about her new career in the fashion industry, noting that her brand is “not really about fashion”. “I don’t want to be a big fashion designer,” Jolie said. “I want to build a house for other people to become that.” Read More Angelina Jolie says her children ‘saved’ her as she opens up about ‘healing’ after Brad Pitt divorce Salma Hayek reveals what she loves most about her friendship with Angelina Jolie Brad Pitt and Angelina Jolie ‘set to try and resolve’ longrunning vineyard dispute Angelina Jolie says her children ‘saved’ her as she opens up about Brad Pitt divorce Salma Hayek reveals what she loves most about her friendship with Angelina Jolie Sarah Jessica Parker’s custom 2014 Met Gala dress goes up for auction

Fashion lovers will soon have the chance to own a custom Oscar de la Renta gown worn by Sarah Jessica Parker at the 2014 Met Gala - for the hefty price of $7,500. The black and white floor-length gown is being auctioned on the luxury fashion label’s resale site, Encore, until Friday 29 September. The dress, made custom for the Sex and the City star, features a black velvet bodice with a v-neckline and petal-like pattern at the bottom. The gown’s ivory skirt also includes a trellis embroidery, complete with Oscar de la Renta’s signature at the train. “When Sarah Jessica came to the office for our first design meeting, she had a binder full of references to share with Oscar. It was a truly special collaboration,” said co-creative director Fernando Garcia in a statement. “And for me, who didn’t ever go to design school, it was the biggest fashion lesson I could have gotten - on the floor of Oscar’s office.” The commissioned piece took 224 hours to make. Nine years later, it was returned to the atelier where it was made to be restored to its original condition. Thirty per cent of proceeds from the sale of the dress will benefit the New York Public Library. In 2014, the And Just Like That star recounted the gown’s design process in an interview with Vanity Fair. “I said to Mr de la Renta, please let me use scarlet embroidery thread, and splash your name across the back. It was my idea. He would never in a million years have it done, he’s far too modest,” Parker said at the time. The theme for the 2014 Met Gala was in honour of legendary designer Charles James, called “Charles James: Beyond Fashion”. The dress code called for “White Tie and Decorations” - full evening dress of white bow ties for men and evening gowns for women. Parker, along with actor Bradley Cooper and de la Renta, served as co-chairs for the annual fashion event. Parker’s black and white gown was one of the last designs de la Renta showcased on the red carpet before he passed away in October 2014, five months after the Met Gala. The Hollywood star and fashion icon has been a mainstay on the Met Gala red carpet - which is rolled out every May at the Metropolitan Museum of Art in New York City - for many years. Parker recently looked back on some of her many memorable fashion moments, including the time she attended the charity event with late designer Alexander McQueen in 2006. Speaking to Vogue in 2022, Parker explained that she “immediately” wanted to work with McQueen to design their matching tartan ensembles for the Met Gala’s “AngloMania: Tradition and Transgression in British Fashion” theme. However, she felt that she “didn’t really know him well enough to be so presumptuous” to assume he would want to attend with her. “Like everybody else, I was in love with him,” she told Vogue. “I have every pin he dropped from his mouth in my possession still. I have everything he cut off in my possession still. I have things that seem like nothing, from every fitting I ever did with him in my possession.” The groundbreaking designer died in 2010 at the age of 40, and was later commemorated by the Met Gala in 2011 with the theme “Alexander McQueen: Savage Beauty”. For last year’s Met Gala, Parker paid homage to the first Black female designer in the White House - Elizabeth Hobbs Keckley - in a black and white gown designed by Christopher John Rogers. However, the style icon has maintained that preparing for fashion’s biggest night of the year should be “labour intensive”. “All I ever think about is the theme and influence,” she told Vogue in April 2022. “Whenever I go to the Met, I don’t understand how everyone else doesn’t spend seven to ten months working on it. Like how do you not arrive exhausted by the details of getting it right?” “It would be so easy to find a beautiful dress to wear that night,” Parker added. “Like that would be a great relief and like going on vacation. But that is not the assignment, the assignment is the theme.” Read More Sarah Jessica Parker reveals she adopted Carrie’s kitten from And Just Like That Kim Cattrall and Sarah Jessica Parker feud: A timeline of the beef between Sex and the City co-stars Sarah Jessica Parker rewears iconic Vivienne Westwood wedding dress in And Just Like That Victoria’s Secret was never feminist – why are they bothering to try now? Kim Kardashian debuts buzz cut and thin eyebrows for new photo shoot Travis Kelce wears ‘1989’ inspired outfit after leaving NFL game with Taylor Swift

Wings! Fake tans! Low body mass indexes! For millennial women, the Victoria’s Secret Fashion Show was an annual reminder of the myriad ways in which we were failing to adhere to exacting and exhausting beauty standards. When it was cancelled in 2019, few mourned it. But fashion loves a comeback story, and today the company unveiled Victoria’s Secret: The Tour ’23 on Amazon Prime Video, its first televised catwalk event in five years. According to the company, the feature-length film is the “ultimate expression” of their ongoing efforts to rehabilitate a brand that has been mired in scandal. Alongside long-standing criticisms over promoting an unrealistic body image, the company’s former marketing executive Ed Razek was also accused of behaving inappropriately with models in a New York Times report (he described the allegations as “categorically untrue, misconstrued or taken out of context”) and a recent Hulu documentary Angels and Demons explored troubling links with convicted sex offender Jeffrey Epstein. “Visually, strategically, everything about it is the incarnation of where the brand is going,” Victoria’s Secret president Greg Unis has said. Instead of the usual structure, which was centred around a straightforward runway show, The Tour ’23 is roughly divided into quarters, each focusing on one of four locations: Lagos, Nigeria; Bogota, Colombia; Tokyo, Japan; London, the UK. In each city, a local designer has dreamed up their own fashion collection to be modelled by the likes of Naomi Campbell, Emily Ratajkowski, Adut Akech, and Gigi Hadid, who does double duty as the show’s narrator. In London, the chosen designer is Michaela Stark, whose corsets aim to celebrate a diverse range of body shapes, rather than constrict them. She agreed to take part in the VS show 2.0, she suggests, so that she could counteract the damaging messages put out by the original runways. “It was a big thing” when she was a teenager, she recalls, “but it was also that culture around it, of not wanting to eat after you saw it”. Her comments inadvertently raise a question that looms over the whole production: can you ever truly detoxify a brand practically built on the insecurities of a generation of women? Founded by Roy Raymond in the late Seventies, who felt awkward buying lingerie for his wife in his local department store, Victoria’s Secret began life as a women’s underwear shop aimed specifically at men. In 1982, Raymond sold the business to Limited Stores founder Les Wexner for $1m; Wexner went on to transform the brand, envisaging it as a more affordable version of the fancy European label La Perla. In 1995, when the company was facing competition from Wonderbra, the first Victoria’s Secret Fashion Show took place at the Plaza Hotel in New York City. It proved successful enough to become an annual event. In 1999, the show was streamed on the internet for the first time, prompting the website to crash as 1.5 million users tried to tune in. Two years later, the VS show celebrated its inaugural TV broadcast, during which the National Organisation for Women (NOW) protested outside a New York branch of the shop. “Some people are terribly blase about this, that this is not a big deal, that we ought to be used to this kind of daily sexuality,” Sonia Ossorio, NOW’s vice president for public information, said at the time. “But I think we need to keep questioning the ever-extending sexualisation of women in mass media.” The following year, NOW branded the event a “softcore porn infomercial”. By then, the blueprint for future VS shows had been set. A lineup of models would don bras encrusted with millions of pounds worth of jewels and embarrassingly themed lingerie (never forget Cara Delevingne’s god-awful outfit circa 2013: a sort of miniature shell suit likely pitched in the boardroom as “sexy football fan”). Somewhere between the models, a famous singer would pop in for a brief performance; if they were a woman, they’d be decked out in a VS creation of their own (Taylor Swift got a particularly raw deal in 2013, too, when she had to wear a Union Jack-inspired number, complete with a tiny red, white and blue top hat). This glittering, over-the-top spectacle, much closer to a beauty pageant than a Fashion Week presentation, spotlighted the world’s most beautiful women – who were not just genetically blessed but worked hard, too, we were told ad nauseam. They had been preparing for the show like endurance athletes, sticking to carefully tailored diets and intense workout schedules. These wing-wearing “Angels” were selling a dream, one that we lesser mortals could supposedly buy into by picking up some synthetic underwear at our nearest Victoria’s Secret branch. But it was their painstaking fitness regimens, not the pants they were wearing, that were the real focus of fascination. In endless interviews, the models were asked to detail exactly how they whittled themselves down to “Victoria’s Secret ready” size – so that we could try and copy them. To combat the criticisms of objectification, the brand relied on its models to pay lip service to just how “empowering” the whole circus was, offering up their take on choice feminism. “There’s something really powerful about a woman who owns her sexuality and is in charge” – model Karlie Kloss was peddling this line to the media as late as 2018. “A show like this celebrates that and allows all of us to be the best versions of ourselves. Whether it’s wearing heels, make-up or a beautiful piece of lingerie – if you are in control and empowered by yourself, it’s sexy.” Naturally, it was very convenient that this “best version of ourselves” aligned with the oppressively narrow conventional standard of sexiness Victoria’s Secret was selling. By the late 2010s, though, as the fashion industry began to (slowly) address its diversity problem, Victoria’s Secret started to seem more and more like an anachronism. As other brands took small steps to spotlight plus-size models on their catwalks and in their advertising campaigns, the VS show remained the preserve of the extremely thin. They had been preparing for the show like endurance athletes, sticking to carefully tailored diets and intense workout schedules Placing white models in culturally insensitive outfits (see: Kloss walking down the runway wearing a Native American-inspired headdress) only added to the glaring PR problem, which was later exacerbated when the brand’s marketing boss Ed Razek made controversial comments about transgender people and plus-size models to Vogue in 2018. “It’s like, why doesn’t your show do this? Shouldn’t you have transsexuals in your show?” he said, apparently recalling questions from critics. “No. No, I don’t think we should. Well, why not? Because the show is a fantasy.” Elsewhere, he claimed “no one had any interest” in seeing bigger bodies on the VS catwalk. Razek later apologised, admitting that his “remark regarding the inclusion of transgender models in the Victoria’s Secret Fashion Show came across as insensitive”. His comments about plus-size bodies went unaddressed. In 2019, against a backdrop of plummeting TV ratings and declining sales, the brand confirmed that the VS show had been cancelled; instead, they said, the company would focus on “evolving” their marketing. The news came just a few months after the revelation that Jeffrey Epstein had provided financial advice to Victoria’s Secret founder Wexner – and had exploited his personal connection to the brand as a means to lure in young women. “Being taken advantage of by someone who was so sick, so cunning, so depraved, is something that I’m embarrassed I was even close to,” Wexner said to investors. “But that is in the past.” He left the company the following year. Since then, Victoria’s Secret has made some high-profile attempts to rectify past missteps. The company brought in a majority female board of directors; they ditched the “Angels” concept in favour of the new “VS Collective” whose ranks include actor Priyanka Chopra, US football star Megan Rapinoe, and plus-size model Paloma Elsesser. Last year, an ad campaign featuring a more diverse array of women was accompanied by the slogan “we’ve changed” – supposedly into something “ever-evolving” and “real”. How much has Victoria’s Secret “changed”, really? The latest show features a handful of plus-size models, Elsesser included, but many of the old VS cohort are present and correct, including Candice Swanepoel, Lily Aldridge, and Adriana Lima. The nods to body diversity can’t help but feel a bit cursory when the overriding vision is still one of impossibly thin women parading up and down a runway – albeit a runway that now snakes around a Brutalist building in Barcelona as opposed to a swanky New York City hotel. The outfits too, are more arty, less skimpy this time around and mercifully there hasn’t been the usual media battery of stories on extreme exercise and diet in the run-up – but that doesn’t mean those practices have ended altogether. “We haven’t forgotten our past, but we’re also speaking to the present,” the brand’s chief creative director Raul Martinez said before the film’s launch. In an era when more inclusive, dynamic lingerie labels, like Rihanna’s Savage x Fenty, reign supreme, the VS show can’t help but seem like a relic. And as long as its legacy of impossible body standards lives on for many of us, any attempts to dress the spectacle up as empowering feel very hollow indeed. Read More Naomi Campbell and Gigi Hadid lead first Victoria’s Secret runway show in five years Victoria's Secret overhauls its racy fashion catwalk in its latest moves to be more inclusive Chioma Nnadi at Vogue: All hail the era of the Black female fashion editor Naomi Campbell and Gigi Hadid lead first Victoria’s Secret runway show in five years Kim Kardashian debuts buzz cut and thin eyebrows for new photo shoot Travis Kelce wears ‘1989’ inspired outfit after leaving NFL game with Taylor Swift

Naomi Campbell, Gigi Hadid and Emily Ratajkowski stormed the runway as the Victoria’s Secret fashion show returned for the first time in five years. On Monday (25 September), the lingerie company broadcast Victoria’s Secret: The Tour ‘23 on Prime Video. Part fashion show, part documentary, it marked the brand’s first televised catwalk show since 2018. It also follows a major rebrand for Victoria’s Secret, after the company was accused of promoting unrealistic body image and failing to protect its models against sexual misconduct. The Tour ‘23 – described as a “reimagined fashion show with a new generation of women from around the world” – is narrated by Hadid, who also appears on the catwalk. Doja Cat provides the musical accompaniment for the show. The feature-length film began with a black screen, before a statement said: “In 2021, Victoria’s Secret began a journey. The goal was to give a new generation of creatives from around the world the opportunity to tell their stories and see their creations brought to life on the world stage. The platform? The VS Show.’ Hadid then appeared barefoot in a nude tasselled dress, walking alongside other models around Barcelona. Campbell, meanwhile, donned a black leather trouser suit and corset-style top as she stood beside Hadid. In a later clip, Hadid was shown in a gold jewelled bustier and matching shorts, teasing in the voiceover: “I mean, come on. We had to bring back a little of the old show.” Also taking part in the show were Hailey Bieber and Emily Ratajkowski, who wore a crystal-encrusted strapless top and a crocheted bikini, respectively. Julia Fox, meanwhile, showed off a vibrant yellow dress, while Winnie Harlow appeared in a gold sequin crocheted outfit. Also modelling the collection were Amelia Hamlin, Abby Champion, and Ziwe Fumudoh. Several former Victoria’s Secret Angels, including Candice Swanepoel, Adriana Lima and Lily Aldridge, also returned for the fashion show. Following criticism, Victoria’s Secret got rid of its team of Angels in 2021. Over the years, Tyra Banks, Rosie Huntington-Whitley, Chanel Iman, Heidi Klum, and Lily Aldridge were all part of the group. The Angels were replaced by the VS Collective, a group of seven successful women. The group now includes models Adut Akech, Paloma Elsesser and Valentina Sampaio, as well as journalist Amanda de Cadenet, athlete Eileen Gu, footballer Megan Rapinoe, and actor Priyanka Chopra Jones. Members of the VS Collective and some classic Angels, as well as models Campbell and Gisele Bundchen, recently appeared in the brand’s Icons campaign. Last year, the brand faced further criticism after it was the subject of Hulu documentary series Victoria’s Secret: Angels and Demons. The documentary delved into the brand’s “misogynistic culture” under former chief marketing officer Ed Razek, who had previously been accused of multiple incidents of inappropriate contact with models. Razek previously denied the allegations, calling them “categorically untrue, misconstrued or taken out of context”. Read More Naomi Campbell wears black lingerie on Dolce and Gabbana catwalk Cindy Crawford reflects on ‘traumatising’ haircut in her early career Fans convinced that Linda Evangelista and Naomi Campbell are ‘feuding’ after Instagram snub Kim Kardashian unveils ‘iconic’ new look for magazine cover Travis Kelce wears ‘1989’ inspired outfit after leaving NFL game with Taylor Swift See Cate Blanchett champion sustainable fashion at glamorous Giorgio Armani show

From finely cut bangs to platinum tresses, Kim Kardashian isn’t anything if not daring when it comes to experimenting with her hair. The 42-year-old style muse may have just pulled off her most jaw-dropping transformation yet as she posed for the CR Fashion Book 2023 cover with a buzzed head and thinly arched brows. Creative director Youssef Marquis reimagined Kardashian’s long dark locks more frayed and short-ended. The reality star’s predictable sleek, fine appearance was replaced by a rugged and bare style, juxtaposing the very image Kardashian has created for herself. In the photo shoot, Kardashian can be seen stripped of colour and accessories, with only her barely-there brows and almost gone head of hair giving her a bit of edge. Smears of dirt wrapped the lauded A-lister’s arms, chest, and white tank top. Other images displayed the businesswoman with angeled readers, a thick stroke of black eyeshadow under her waterline, a C-cut of makeup drooping down her cheek to the edge of her mouth, and dangling a cigarette by her teeth as she focused on a camera ahead. Her clothing switched from a fitted tank to an oversized sweater and a thin button-down jumper. In the world of CR, Kardashian is both the spectacle and the seer. A soft shimmery gloss coated her eyelids as the only apparent makeup on her face. The cover said, “Kim Kardashian by Nadia Lee Cohen.” On social media, the new look has proven to be a hit among Kardashian’s fans. “Umm, this is iconic,” one fan wrote in the comments under Kardashian’s Instagram post, while another said: “Sooo cool, I love this look on you.” The Skims founder also reflected on her first encounter with the magazine’s Editor-in-Chief, Carine Roitfeld. “I had always heard you were the most stylish person on the planet, and I had your books at my house. We met when I was pregnant with North, and you asked to do my first fashion cover,” she remarked. “I was freaking out. Karl [Lagerfeld] shot it, Riccardo [Tisci] art directed it, and you styled it. I was so nervous and so excited all at the same time.” Kardashian allowed her cover feature for CR Fashion Book to play out exactly as the team had envisioned. “I show up on set and the makeup artist only had two products,” the entrepreneur confessed. “And I was low-key freaking out but obviously trusted your plan.” Labelled as “the muse of our generation,” the Skkn creator’s account on parenting, social justice, and internal reflection was analysed in her exclusive sit down with Roitfeld. “If there was a goddess who presided over social media, reality television, fashion, or entrepreneurship, Kim Kardashian could arguably hold any and all of those titles,” her feature read. The fashion fanatic first posed for the cover of CR with their Fall/Winter 2013 Issue 3. Here, her spirit was pictured differently. Kardashian’s fluffy eyebrows remained as they were, and her satiny straight hair stayed. Read More Kim Kardashian wears Chanel Barbie necklace in new Super Bowl ad with Usher Kim Kardashian makes her scripted TV debut in American Horror Story. Here’s how to watch and stream online Kim Kardashian faces backlash for posing in Balenciaga after condemning brand over child scandal Kim Kardashian wears Chanel Barbie necklace in new Super Bowl ad with Usher Caitlyn Jenner claims Kim Kardashian ‘calculated how to be famous’ in early career Kim Kardashian faces backlash for posing in Balenciaga a year after campaign scandal

It appears that Travis Kelce is supporting Taylor Swift’s upcoming 1989 album re-release with a very fitting outfit. The Kansas City Chiefs star was seen leaving with the Grammy-winning musician on Sunday 24 September, after Swift was spotted cheering for Kelce at Arrowhead Stadium in Kansas City, Missouri. Following the game, which saw the Chiefs beat the Chicago Bears 41-10, the rumoured couple were filmed leaving Arrowhead Stadium together by sports anchor Jarred Payton. In the clip, which has been viewed more than 12m times, Kelce is spotted wearing a blue and white splatter paint denim suit by the brand KidSuper Studios. However, eagle-eyed fans noticed that the name for the denim suit seemed to pay homage to Swift’s forthcoming album, 1989 (Taylor’s Version), which is due for re-release on 27 October. “Travis Kelce wore a ‘1989 Bedroom Painting’ matching set piece tonight leaving Arrowhead Stadium with Taylor Swift, very timely for #1989TaylorsVersion,” wrote one fan on X, formerly known as Twitter. The cream denim suit jacket, which retails for $295, and the matching denim pants, which cost $285, appeared to be labelled on the KidSuper website as “1989 Bedroom Painting Denim Jacket” and “1989 Bedroom Painting Denim Pants”. The Brooklyn-based menswear label seemed to have made the change from “Bedroom Painting” to “1989 Bedroom Painting” after the NFL star was spotted with the 1989 musician at Sunday’s game. On X, the brand wrote: “Look at the name change haha”. The rumoured couple were then seen leaving the stadium in Kelce’s convertible in photos and videos posted on social media. What’s more, fans couldn’t help but notice that Kelce, much like Swift, was also born in 1989. Throughout the game, the “Shake It Off” singer was often seen enthusiastically cheering on the tight end in the Arrowhead Stadium box seats. Swift sat next to Kelce’s mother, Donna, as she appeared to yell “let’s f***ing go” in response to Kelce’s third-quarter touchdown reception. Her appearance at the NFL game comes amidst much speculation that Swift and Kelce are dating. Romance rumours first circulated when the NFL star admitted that he tried to give the “Bad Blood” singer his number at a recent Eras Tour concert. Kelce’s brother, fellow football star Jason Kelce, later fueled speculation when he claimed that rumours the pair are dating are “100 per cent true”. While Kelce encouraged fans to stop asking his “brother about [his] dating life,” he did reveal that he reached out to Swift and asked if she’d want to attend one of his football games. “I threw it out there, I threw the ball in her court,” Kelce said on the The Pat McAfee Show last week. “I told her, you know, I’ve seen you rock the stage in Arrowhead [Stadium], you might have to come see me rock the stage in Arrowhead and see which one’s a little more lit. So, we’ll see what happens in the near future.” Most recently, Swift was linked to The 1975 frontman Matty Healy. Prior to their short-lived romance, which came to an end in June, she and British actor Joe Alwyn called it quits after six years of dating. Meanwhile, Kelce was previously in an on-again, off-again relationship with ex-girlfriend Kayla Nicole for five years. The former couple reportedly ended their long-term relationship in 2022. Read More Witness claims Taylor Swift paid for entire restaurant to eat and leave for her and Travis Kelce Taylor Swift fans giddy as pop star cheers on ‘new boyfriend’ Travis Kelce at Kansas City game Taylor Swift and Travis Kelce seen together for first time leaving NFL game Witness claims Taylor Swift bought out restaurant for her and Travis Kelce Taylor Swift spotted alongside Kansas City star’s mother amid dating rumours Taylor Swift fans giddy as pop star spotted enthusiastically cheering on Travis Kelce

Kate Moss has admitted she is in denial about reaching the milestone age of 50 next year. The 49-year-old British supermodel rose to fame as one of the faces of the 1990s with more than 40 Vogue covers and stints as the face of major designers including Chanel, Louis Vuitton and Calvin Klein. Last year, the mother of one announced the launch of beauty and wellness brand Cosmoss by Kate Moss. Reflecting on her 50th birthday next January, Moss told The Sunday Times: “I’m not turning 50. No. I’m not thinking about it. I do not feel 50.” Asked if she had undergone any treatments such as fillers or Botox, Moss – whose daughter Lila turns 21 next week and is also a model – said: “No comment. Au naturel. Next (question).” The supermodel also revealed she has left the party lifestyle behind, saying: “I’m not really into it. When I do go out I leave at midnight – that’s my cut-off. “After that (time) people start repeating themselves.” The Croydon-born celebrity says she now enjoys moonbathing, a practice of lying under the night sky to absorb lunar energy, and says she also “charges” her crystals under moonlight. Moss has also left London for west Oxfordshire, where she told the newspaper she goes wild swimming “in a secret place, in the middle of lots of fields and only the villagers are allowed to use it”. She revealed she still smokes “occasionally”, adding: “I’ve heard that when you stop, you can really tell (by your skin). But I haven’t stopped… yet.” Her new brand is based on her own wellness journey, with the Cosmoss website describing the company as offering “wellbeing for soul and senses” which focuses on “holistic self-care and mindful beauty sourced in nature”. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live

Naomi Campbell stole the show at Milan Fashion Week as Dolce and Gabbana unveiled their spring/summer collection. The iconic supermodel walked the runway in black lingerie, a form-fitting, sheer slip dress, stockings and suspenders, with a black rose corsage around her neck. Watching from the front row were a host of celebrities including Kylie Jenner, British model Rosie Huntington-Whiteley and Halle Bailey, star of the Little Mermaid movie. Love Island host and recent D&G campaign star Maya Jama was also in attendance, wearing a long-sleeved black dress with patent knee-high boots. Italian designers Domenico Dolce and Stefano Gabbana took ‘underwear as outerwear’ to the extreme with this collection. Almost entirely black and white (apart from a handful of leopard print looks), the show opened with a series of ‘office meets boudoir’ outfits that combined pinstripe tailoring with visible lingerie. A few floaty polka dot frocks appeared before the lingerie parade continued with a dizzying array of sheer dresses, ruffled blouses and corset gowns that revealed black bras, knickers, stockings and suspenders underneath. Plus-size model Ashley Graham walked the show in an all-black ensemble. The former Vogue cover star donned a corset and high-waisted briefs with a sheer overlay, stockings and high heels. Russian model Irina Shayk wore a diaphanous slip dress over black lace lingerie. Other underwear-clad models were styled with see-through plastic macs and matching rain bonnets. There was a more sedate section of the show featuring a range of black and white high-necked shift minidresses, some with bib fronts or lace collars, plus several tuxedo jackets. A pair of black skinny jeans was a huge shock given the prevalence of baggy denim on the spring catwalks. Shortly before Campbell took her turn on the runway, a pair of sheer white lace gowns worn over – you guessed it – matching lingerie offered some very sexy bridalwear options. While this collection didn’t deliver much that can be worn in a church, the lacy underwear-esque dresses will no doubt be a hit with celebs who want to send the flashbulbs popping on the red carpet.

Just why is it that we never see the French first lady, Brigitte Macron, commit a fashion faux pas? How is it that this 70-year-old grandmother can, for example, pull off black leather trousers, really quite short dresses, or a swimming costume for a cover shoot? With the King and Queen’s state visit in France this week providing yet another welcome opportunity for scrutiny of Madame Macron’s impeccable wardrobe, she always seems to exemplify faultless French chic. In fact, we’re calling it – with those impossibly toned, glossy bronzed legs, the power blow-dries and endless outfit wins, she’s starting to seem like “Brigitte Barbie TM”. In a good way. The explanation to the questions above can be found within the Mme Macron Venn diagram of style. The French first lady has at her disposal a long list of extremely cool and effortlessly elegant French style icons from which to borrow all manner of trademark looks and ripped-up rulebooks (French women adore a broken fashion rule). This Venn diagram features some of the heroines of French-girl style, from film stars Brigitte Bardot and Catherine Deneuve to rock-chic fashion editor Carine Roitfeld, to the most iconic French fashion plate of all, Coco Chanel, with Brigitte Macron standing in the middle of it all, assimilating all of their signatures and making them her own. Sensuality, age defiance, and lots and lots of leg are at the core of it. Who would have thought that you could say that about a first-lady Barbie? So what exactly are the components of the ultimate Venn diagram of Brigitte chic? 1. Carine Roitfeld Bare-legged, kohled eyes, teak-tanned – the superficial similarities between “Brigitte Barbie “and the former French Vogue editor-in-chief, Carine Roitfeld, are plain to see. (Note: that pulling off this formula requires innate French insouciance and je ne sais quoi in order to avoid looking like a superannuated Towie star, as we Brits inevitably would be given the same treatment.) Of course, it wouldn’t do for Mme Macron – at least in her public-facing guise – to go the full rock’n’roll Roitfeld, all femme fatale black leather pencil skirts, lace tights and dresses slashed to the thigh. But Roitfeld’s influence is still clear to see: just a year younger than Brigitte Macron if the ex-Vogue editor says it’s fine for grandmothers – as they both are – to wear towering heels with (some way) above-the-knee skirts, douse themselves in bronzer, and scaffold their eyelashes with whacking great shelves of black mascara, who are we to argue? 2. Brigitte Bardot Most wouldn’t even dare to take inspiration from the blonde bombshell that was Bardot – who are we, after all, to think there could be any physical connection? But, as we are so often told, French women are made of different stuff (not to mention, calorie-negative croissants). They are just naturally confident in their God-given sex appeal – while we wear pants, they wear lingerie, while we wear PJs, they wear negligees. None more so, it seems, than Brigitte Macron, the glamazon of first ladies – the woman who arranged to be photographed in a blue floral halterneck swimsuit on a Biarritz beach for Paris Match ahead of her husband’s 2016 presidential campaign. Smooth, tanned legs, beachy, undone hair, and the victorious smile of a woman who’s bagged a handsome younger husband, there was a clear resemblance of a confident, carefree “Bardot does Cannes” – the original sex bomb; the epitome of feminine sexuality. This is surely Mme Macron’s unspoken cause, to remind women that they too can be sexy whatever their age. 3. Catherine Deneuve Did any woman in French history have a better blonde blowout than the iconic French film star Catherine Deneuve? If glamour, polish and sex appeal are your watchwords (as they evidently are with Brigitte Macron), why wouldn’t you take a leaf out of Deneuve’s playbook and infuse your hair with buttery blondeness, volume and lift? Of course, expensive, high-maintenance hair is a terribly middle-aged French woman pursuit, because they all know that, as ably demonstrated by Mme Deneuve, big blonde hair is a fast track to voluptuousness when the body is perhaps less inclined (the Macrons, by the way, are understood to spend €62,000 a year on hair and make-up, as revealed in 2018 by the French Court of Audit). What’s more, a golden crown of bouffy hair creates a perfect frame for wearing more make-up than is strictly necessary. But the Deneuve reference is not just concerned with big hair – or, indeed, their shared love of late Parisian designer Yves Saint Laurent (which the French first lady wore to welcome the king and queen on their state visit, and which Deneuve commissioned for her first meeting with the late Queen Elizabeth II – and which always, always lends an elegant, sophisticated simplicity). It’s about an attitude, one that is cool, sexy and a little edgy, with so much going on beneath the surface. It’s all tres, tres French. 4. Françoise Hardy As any fashion historian will tell you, the French chanteuse Françoise Hardy set the benchmark for wearing leather with effortless chic. In fact, she famously “double leathered” with a black leather biker jacket and black leather trousers while sitting on the back of a motorbike, her luxuriant, fringed hair unfettered by any unsexy safety equipment. Brigitte Macron might not be able to do the motorbike, but she can – and regularly does – do the skinny leather pants. Worn black like Hardy, with yet more of Mme Macron’s beloved sky-high heels, the French first lady ably demonstrates what Theresa May was just never going to grasp – that succeeding with leather, is all about sex. You don’t achieve sex appeal by wearing leather, but rather, you pull off leather when you have an innate ability to deploy some sensuality. Sometimes you just have to leave it to the French. 5. Coco Chanel There surely isn’t a French woman of any standing whose fashion sense isn’t informed by Coco Chanel. And of course, Brigitte Macron would not be doing her job as ambassador-in-chief of French fashion if she were not seen to be wearing plenty of Chanel. But that’s not really the point here. It’s not just about being able to have an ample, Chanel-labelled armoury of classic design, good taste and French chic – as displayed this week when Queen Camilla and the French first lady visited Chanel, Brigitte Macron wearing a red boucle long line jacket from the fashion house (think, as ever, a strong shoulder, a nipped waist and flattering tailoring). Non, it’s about “liberté”. Chanel’s fashion philosophy was about freedom of movement and independence so when Brigitte Macron teams a blazer with jeans (admittedly unlikely on this state visit but clearly in evidence on many a walkabout), you know who paved the way for that. Chanel style is also about ensuring that you are the statement as opposed to your outfit. With Brigitte Macron’s style signature being legs, lashes and a distinct lack of apology for not dressing her age, Coco would surely be proud. 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Fashion influencer and model Wisdom Kaye has spoken out to defend skinny jeans from Gen-Z ridicule. The dated denim has received widespread backlash from younger generations and fashion retail platform VIAVIA only added fuel to the fire when it posted a TikTok on 4 September, in which it interviewed a number of Gen-Zers on which fashion trend “absolutely needs to die”. Multiple interviewees were vehemently against skinny jeans, with one proclaiming: “If you’re rocking skinny jeans, take that sh*t off, go to the thrift, go get some baggy sh*t.” Meanwhile, another added that they looked “especially” bad on men, and one woman said she was trying to convince her boyfriend to stop wearing them. Since its posting, the video has received over 2.1 million views and 5,800 comments, the majority of which consist of millennials defending skinny jeans. Amid the ongoing skinny jeans discourse, fashion model and influencer Wisdom Kaye decided to weigh in on the debate. Kaye posted a video to his 9.2 million followers, stitching VIAVIA’s original video with a video of him styling a pair of black skinny jeans with black boots. The influencer went on to show viewers different ways to style a variety of pants with a skinny fit, including a leather pair and a grey pair. The video racked up over 2.3 million views and over 8,500 comments, with users commended Kaye for illustrating to viewers how skinny jeans could be styled in an updated way. Kaye went on to upload the same TikTok video to X, formerly Twitter, where it received 9.7 million views. “I don’t defend skinny jeans because I love them but becuase I think the hate is stupid,” the model wrote beneath the video. “People swear you can’t look good in them when that’s just not true, I admit typically they’re not styled interestingly but the jeans themselves aren’t the issue. Also baggy does not always equal good.” Kaye highlighted that fashion trends have been cycling in and out at a breakneck speed in recent years, adding that “hating on skinny jeans for being outdated is kinda outdated” when trends are “continuously becoming less relevant as everything is just kinda existing all at once”. @wisdm8 IMAGINE WEARING THESE 🤮🤮 ♬ original sound - Wisdom Kaye Viewers agreed that the baggy versus skinny jeans debate really depended on how the items were styled, while some theorised that some people were hopping onto the hate train simply for the sake of trendiness. “There’s literally nothing wrong with skinny jeans,” one viewer wrote. “It’s just how you style them and the shoes you wear that makes it.” Meanwhile, someone else commented: “People are such conformists. Skinny jeans were in style til last year now suddenly everyone pretends to hate them.” Another added: “All the people hating on skinny jeans are gonna be the first to jump on them as soon as they’re trendy again.” As Y2K fashion continues to establish itself as the fashion era that inspires Gen Z the most, many millennials who grew up during that time will continue to marvel at how quickly some not-so-old trends have come back into play. Many also plan on holding onto their skinny jeans regardless of trends. Read More Love Miu Miu’s ballet flats? Nail the ballerina-inspired style with these similar high-street pairs Hairstylists warn against Sofia Richie’s viral ‘lazy girl’ updo: ‘My least favourite for damage’ Schoolboy almost dies from swallowing magnets for TikTok challenge Woman shares honest review of New York City apartment TikTok mom slammed after making 5-year-old son run in 104 degree heat

Ready for a wardrobe refresh? Time to phase out your summer staples, rethink your separates and swoon over the spectrum of styles walking down the catwalk. Naturally, most statement pieces will be toned down and reimagined by the time you’re rustling through the rails… but as every style follower knows, they need to be on your radar to sneak a front row seat. Here are five stand-out trends to get in the groove… 1. Bold tailoring This season it’s all about the sharp shoulder. From Saint Laurent to Christian Dior, to David Koma and Dolce & Gabbana, the tailored jacket is a key silhouette. Teamed with a crisp white shirt and sharp tie, pinstripes are also on point. Call it power dressing if you like, the 80s padded shoulder may not be cutting-edge, but suiting signals confidence – and you can always wear yours with a simple white T-shirt. Skinny belts and black court shoes were also seen throughout – think workwear with a sophisticated spin. 2. Fire engine red There’s no rhyme or reason why designers adore red (as do we), it just works. The colour of substance, romance and passion, the hottest ticket in town strutted its stuff down the catwalk at Stella McCartney, Fendi, Bottega Veneta and Valentino, to name a few. Showstopping from top to toe with all eyes on you, a strong red also solves the fashion dilemma of what to wear when you fancy more than a flick of colour for a red carpet look – as illustrated by Ukrainian designer Frolov. Red also sits well with classics… it’s no secret a red handbag is a workhorse wardrobe staple when it’s teamed with neutral tones – and takes you from lunch al desko to date night. 3. Winter Florals Sure to be a huge hit, who can resist the allure of fabulous florals when the leaves start to fall – and you want to look blooming marvellous whatever the weather? Florals featured foremost at Balenciaga, Chanel, Christian Dior and Emilia Wickstead – but even Jil Sander, noted for her understated mannish clothing, couldn’t resist the allure of charming floral prints. Best of all, whether your chosen bouquet is a loosely-fitted trouser suit or printed pleated dress, flowers were flourishing in all their forms… and it’s an easy look to recreate. An added bonus, you can’t go wrong with floral accessories, such as a floral print scarf, as seen at Burberry, teamed with wide-leg trousers as a nod to beautiful buds. 4. Dark drama Black is back, big-time. Proving the undisputed colour of AW23, you can never have too much monochrome, ebony or jet black to don and drape yourself in fashion’s darkest – and most desired shade. For day-to-night dressing, tailored, long black coats (LBC) were central at Dolce & Gabbana, Prada and Victoria Beckham – and an investment you can really bank on with its timeless appeal. And then you need to find the perfect long black dress (LBD) or bodysuit. From peak corset all-in-ones and dresses at Alexander McQueen; to sequinned silk chiffon capes at Michael Kors for a ‘liquid look’, to team with trousers, this is black at its sexiest best. 5. Metallics Torn between metallic chains and liquid metal, steely, silvery tones in futuristic form were seen on the runway at Balmain and Paco Rabanne. Most wanted, we’re a sucker for Paco Rabanne’s Silver Mesh Bomber Jacket – and can’t wait for a fast fashion version. One to wear with denim jeans and silver sphere bag with crystals à la Rabanne. Pre-Fall 23 Collection Along with her sculpted shapes, Roksanda also rocked the runway with floor length fluids and high-shine fabrics… And who doesn’t love to razzle-dazzle when darkness falls… and it’s your time to shine and go for all out glam in the run up to party season! Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Cue the damson decor trend to snug up your space Sex Education: What is it like to be a real-life Jean Milburn? King Charles to address French senate in historic first