By Anna Mehler Paperny TORONTO Members of the Lytton First Nation are again fleeing their homes amid record-setting

The United States’ Women’s World Cup hopes are on the line as the defending champions face Sweden in the last-16 in Melbourne. The USA only scraped through Group E as runners-up, with the four-time champions avoiding an early exit by the narrowest of margins as Portugal hit the post in stoppage time Vlatko Andonovski’s side are under pressure after failing to win two World Cup group stage matches for the first time in their history, and face a Sweden side who cruised into the last-16 with three wins out of three. Sweden defeated the USA 3-0 on their way to winning the Olympics silver medal two years ago, and the side ranked third in the world will be confident that they can pull off the upset. Earlier, Jill Roord scored her fourth goal of the tournament as the Netherlands marched into the quarter-finals with a 2-0 win over South Africa at Sydney Football Stadium. Follow live updates from USA vs Sweden as the World Cup last-16 continues. Read More Women’s World Cup TV schedule: How to watch every match today Women’s football world rankings: Who could take No 1 at the World Cup? When do England play next? Women’s World Cup fixtures and route to the final

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Young-adult romance would seem like a fertile genre for Netflix's periodic adventures in interactivity, allowing viewers to make decisions for the protagonist and even select the guy they'd like to see her pick. Yet "Choose Love" strains the storytelling to fit the gimmick, in a special that does its central character no favors by making her race through the trio of suitors suddenly in her life.

Max Fried dominated through six innings in his return from the injured list, Sean Murphy and Marcell Ozuna homered on back-to-back pitches in Atlanta’s seven-run fourth inning and the Braves cooled off the Chicago Cubs 8-0

Humans are being replaced by machines with alarming pace, even in the creative fields and the sports journalism industry is no exception as automated gamers have become fairly regular. Some of them are actually halfway decent and if you wanted to take a glass-half-full approach you could say that it's kind of cool that more people participating in lower-level athletics will get some sort of written record of what went down on the playing field. Yet even the most bullish AI proponents would admit that the technology isn't quite there, to the point where there's absolutely no doubt that the prose was put together by someone without a soul or emotions or even some basic level of familiarity with the way humans interact.

Jake Paul is arguably one of the most well-known influencers in the world right now, but unfortunately for gambling firm Ladbrokes, the YouTuber-turned-boxer’s widespread appeal has landed them in a bit of trouble with the UK’s Advertising Standards Authority (ASA). The independent advertising watchdog, which regulates the advertising industry, enforces rules drawn up by the Committee of Advertising Practice (CAP), which has some pretty strict rules when it comes to gambling ads. In addition to requiring said adverts to be “socially responsible” and “protect children … from being harmed or exploited”, the CAP’s code states marketing communications must not be “likely to be of strong appeal to children or young persons, especially by reflecting or being associated with youth culture”. “They must not include a person or character whose example is likely to be followed by those aged under 18 years or who has a strong appeal to those aged under 18,” it reads. After Ladbrokes shared a promoted tweet in February featuring Paul – following his defeat to Tommy Fury – in which Twitter users were encouraged to vote on “what’s next for Jake Paul”, a single complaint was made to the ASA as to whether it may be in breach of the Code. Responding to the ASA’s enquiries, the betting company noted the advert contained no calls to action, promotions or links back to its website – and was “age-gated” so only users who had confirmed their age as being over 18 could see it. Sign up to our free Indy100 weekly newsletter The ad was specifically targeted at users aged 25 and over, receiving close to 16,500 impressions with just over 47 per cent of these being from individuals aged between 20 and 29 years. Ladbrokes also cited demographics for Paul’s following across several social media platforms, showing that the percentage of users aged between 13 and 17 years old was below 20 per cent on Instagram, YouTube and TikTok. On Twitter, zero per cent of his followers were reportedly registered as being under 18. The company also directed ASA to the watchdog’s own guidance on “protecting under-18s” from advertising about gambling and lotteries, in which it states “sports like … boxing … are more adult-oriented and unlikely to be of inherent ‘strong’ appeal” to children and young people. Zing. However, in a decision which saw the regulator uphold the complaint against Ladbrokes, the ASA ruled there was still a responsibility to comply with the rule about not appealing to under-18s because the advert “appeared in a medium where under-18s could not be entirely excluded from the audience”. It continued: “CAP guidance stated that sportspeople involved in clearly adult-oriented sports who were ‘notable’ stars with significant social media and general profiles which made them well-known to under-18s were considered moderate risk in terms of how likely they were to be of strong appeal to under-18s. “We also considered that Jake Paul would primarily be known for making YouTube videos and that he had a large social media following. We acknowledged that he had within the last few years turned to boxing. “However, because of his career on YouTube, we considered that he had a high profile within the sport and was well known outside of the sport and social media.” Although they noted Paul had no followers aged under 18 on Twitter, where the ad was located, the ASA concluded the content creator was still of “inherent strong appeal” to under-18s because “such large numbers” of his followers were in that demographic. They also mentioned Paul’s appearance on the Disney Channel series Bizaardvark between 2016 and 2018 about two teenagers, with the target audience for the show likely to be “around the same age”. As such, they found Paul still had a “strong appeal” to under-18s and that Ladbroke’s advert was “irresponsible”. Not the first time Paul and “irresponsible” have appeared in the same sentence, to be honest… Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

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