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Ties between Wimbledon and the royal family go back a long way. To 1907, to be precise, the first year that the Prince and Princess of Wales (who would become King George V and Queen Mary) attended the famous Championships. King George V later became patron of the All England Lawn Tennis and Croquet Club, a role now held by the current Princess of Wales. Kate’s outfits are pored over almost as much as the action on court, and looking back at royal appearances at the tournament we can see how fashion has evolved throughout the decades. As the iconic Championships begins on July 3, a fashion expert talks through some key looks and what they tell us about the style of the era… King George V and Queen Mary During the first Wimbledon Championships after a four-year hiatus due to World War I, the 1919 women’s final was attended by King George V – who was known to dislike contemporary fashion – and Queen Mary. “When George arrived at Wimbledon, the hub of fashion inspiration for trendy Brits going into the Twenties and Thirties, he stood out like a sore thumb,” says Rosie Harte, author of The Royal Wardrobe. Queen Mary wore a fringed dress with a loose coat, hat and gloves, and carried an umbrella. “She, like other members of the royal family, felt pressure to fall in line with George’s conservative fashion preference,” Harte continues. “And so appears here dressed in a slightly dated, soft and cluttered outfit at odds with the trim tailoring and sleek silhouettes beginning to emerge in women’s fashion.” Queen Elizabeth II Queen Elizabeth II became patron of the All England Club in 1952, but only visited the Championships a handful of times. The first was in 1957 when she attended the women’s singles final, wearing a floral midi dress with white accessories. “Unlike the celebrities of their day, the most dutiful of Wimbledon-bound royals have often avoided pandering to the tennis aesthetic when styling themselves for an appearance,” says Harte. “Even as a young Queen at Wimbledon, Elizabeth was always more fond of an outfit that read homely British romance rather than the wardrobe of the modern woman.” The monarch returned to the tournament in 1977, donning a pink coat dress and hat, and in 2010, wearing a similar ensemble in aqua blue. “Each appearance followed the rubric of the Queen’s royal uniform which, as the years went on, became more and more regimented,” Harte says. “Whether she was on the green or sat in a sea of spectators, the eye needed to be drawn to the Queen through the use of vibrant colours that do not typically feature in the Wimbledon setting.” Diana, Princess of Wales Tennis fan Diana attended Wimbledon more than a dozen times during the Eighties and Nineties, during which time her personal style evolved considerably. “Going into the Nineties, the Princess of Wales was under no illusion that her marriage was the fairytale it had initially been framed as,” suggests Harte. “Consequently, the frothy, fairytale elements of her wardrobe, inspired by the traditional looks of more senior royals, began to disappear.” Floral frocks and roomy sailor dresses made way for more structured and tailored looks. Harte says: “Her white pleated skirt in 1991 embodied an elevated tennis skirt, and in 1995, her pale suit jacket with sunglasses folded over the collar set her apart as a sleek modern woman.” The Princess of Wales Another big tennis fan, Kate has been snapped in the audience at Wimbledon as far back as 2007, but her first memorable fashion look came in 2012, a year after she married the Prince of Wales. Kate donned a seemingly tennis-inspired knitted dress from Alexander McQueen (the label that made her wedding dress) with a drop-waist and blue accented cuffs and hem. “She radiated the essence of the iconic pre-war tennis star – an aesthetic largely rejected by the royal family,” says Harte. Taking over from the late Queen as patron in 2016, Kate has continued to reference tennis colours over the years with green and white dresses, and in 2022 opted for vintage-inspired looks. “Last year saw her attending Wimbledon in various outfits that used cut, colour and accessories to reference the fashions of the daring, modern woman who emerged in the 1920s and Thirties,” says Harte. “Her bright yellow Roksanda Ilinčić frock was the most subtle of these, but the vibrant colour was uncompromising, making her an unavoidable figure at the event.” Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live The history of royal fashion at Wimbledon Cardi B and Tracee Ellis Ross sit front row at Schiaparelli show in Paris Affected by someone else’s drinking? 3 key pieces of advice for loved ones of alcoholics

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The Women’s World Cup has concluded. After more than four weeks of dramatic action in Australia, Spain defeated England in the final on Sunday to reach the highest of peaks and, with it, footballing immortality. It’s not over the top to suggest it as such, either; some of the sport’s most iconic and memorable images down the years have come from this very tournament and that very match, both in the women’s and men’s games: Birgit Prinz’s joy in 2007, Lionel Messi lifting the trophy adorned in a bisht in Qatar, Brandi Chastain’s shirt-off shootout celebration, Pele carried off the Azteca pitch in 1970. Those images are as much a part of football history as the games and players themselves – yet the people who bring those moments, those stories to life are, by the very nature of being behind the camera, rarely as prominent. Over in Australia and New Zealand, Getty Images is one of the most prominent global photography organisations providing such reproductions and reflections of what’s going on in the 2023 edition, which makes Lead Photographer Catherine Ivill perhaps better-placed – literally as well as figuratively – than most to detail just how the emotions of the occasion can be captured for those not fortunate enough to have a watching brief. “What I like most about it is telling the story for people who aren’t in the stadium. What we see and hear is only one thing; if you’re not there you need it describing. It’s about the atmosphere, in the game but also until long after the final whistle,” she told The Independent. “A tournament like this has its challenges but these opportunities only come along every few years. The process doesn’t change, just the scale. We send a really strong, experienced team: we have 27 photographers and eight editors on the ground and we provide images across the world, just the same as at the men’s World Cup.” And so to the action, the images, the moments which live on. The 2023 tournament started back on 20 July and it’s fair to say the magic started then, too, as co-hosts New Zealand won their first-ever game at any World Cup, ever. “I was at the fan fest in Wellington during the opening game and the atmopshere was incredible,” Ivill explained. “That one goal changed everything for New Zealand football and people’s respect for it: that one goal has created a legacy for it in the country. It’s such an important moment, you see the subs, the smiling faces – it was a good day.” And yet, football has two sides to every coin. And when there is utter jubilation and euphoria at success on the biggest stage, so too must there be devastation, desperation, despair – as evidenced by Ivill capturing Italy crashing out at the group stage in heartbreaking, last-minute fashion. “Italy gave it away. The utter devastation they were feeling is clear. If [celebratory] stuff is going on at the other end then it’s not always a good photo – you always initially think about the celebration being the good photo but Italy were near me so I focused on how they were feeling, it tells the same story but from a different side.” Even in hard moments can come a softer side in sport though, a moment where rivals know what their beaten opponents are going through. “What I like most about the women’s game is the empathy,” Ivill says. “A lot of these players play together and it’s not always about the celebration at the final whistle. Nobody wants to feel that rubbish at the final whistle and they’re always very willing to go over and help the other team. “It was a hard-fought game and they’re picking her up off the floor – I really like the empathy and the strength that this type of picture gives you.” Sometimes the picture everyone wants to see isn’t necessarily a defining moment, but the players who matter most. One of the world’s finest players and one of the game’s most exciting young talents coming together briefly, for example. “It’s a bit of both luck and planning. Most is luck but of course you have the players in mind. Linda Caicedo has been one of the standouts of the tournament so she’d be someone I would be focusing on – and it just so happens Lucy Bronze comes along at the same time. One’s Real Madrid, one is Barcelona – on paper the rivalry is there too.” No matter how much planning and knowledge goes into proceedings, though, the surprising nature of football is what keeps people coming back – Japan thrashing Spain 4-0 in the group stage being a good example, as Ivill found out. “That game I was on my own and I was waiting to see if Alexia Putellas was starting. She was, so I thought it would be all Spain attack and took up my position behind the goal they’d be heading to...then it’s 3-0 to Japan at half-time and I’m sat at the other end, head in hands! Japan ran riot that game and all I can remember is sitting at the wrong end!” One interesting side note is the concept of taking photos she cannot actually see at the time – with England’s semi-final goal, scored by Lauren Hemp, providing a spectacular and unusual viewing angle. “We have a net cam and before the match we attach it to the goal. I’m firing the camera from a remote in my seat; it doesn’t work all the time as if the net gets hit it can swing or point the wrong way but it’s a great angle and only a few agencies do this, so it’s more of an exclusive image. “We don’t have a view of it in-game – I just have to hope it’s still in the place I left it! We set it up and then it either happens or it doesn’t.” As noted, Ivill remains in place long after the final whistle, long after fans have departed. Or most of them, anyway: the Japanese supporters have become much-admired for lingering later and tidying stadiums behind themselves and others. “They’re so well-known for cleaning up after matches. The players make origami figures and write thank you on the board in the changing rooms; the fans here have continued their tradition of going around after the game. “It doesn’t finish for me when the whistle blows and this shows that. I don’t finish until ages after everyone else has left the stadium.” The go-to, the standard, the expectations of match photos are the action shots: the goals, the saves, the moments people remember. But being in place for such a shot is more than luck and finger-on-the-trigger reflexes. There’s plenty of planning which goes into such an event, Ivill explains, whether from ensuring a team of three are focused on different groups or individuals in a penalty shoot-out, or to making sure potential occurrences are on their radar – such as Marta’s exit from her final World Cup appearance for Brazil. Meanwhile, there are in-the-moment issues and challenges to deal with, particularly around VAR in the modern game. Referees traipsing across the pitch to watch a monitor perhaps 40 yards away from the incident and the group of players can make a photo with context a “difficult” image to capture, with the digital screens a further complication as the LEDs are tricky to focus. Ultimately, though, everyone is at the football for one thing: winning. The celebrations which ensue – whether in the stands, in gatherings outside or right in the midst of the players themselves, are the ones which can linger longest in the memory. Naturally, the emotions which can explode at that point are in large part down to the circumstances of the match: the “unusual” moment of Sweden’s goalline technology-confirmed penalty shootout triumph over USA led to an incredibly up-close and intimate moment, where jubilation in the extreme was clear to see. Of course, Sweden’s adventure ended with a bronze medal as England reached the final with victory over the hosts. But the final chapter of this story saw Spain grasp their moment in the final. A moment which wasn’t the dream scenario for Ivill. one more chapter in this story to come, one more photo in particular to capture. And it’s fair to leave the final word on that to the person who’ll be taking it – and how pertinent that as football continues to catch up, a woman at the top of her profession will deservedly be in place to immortalise those who are celebrating. “I know I’m on the pitch and I’ll be bench-side for the final, so for the trophy lift, the longest-lasting photo, we’ll stand next to each other and have different lenses to capture different images,” she said before Sunday’s final. “My perfect one will be the Lionesses picking it up. That’s the picture for me.” Sometimes, the fairytale ending isn’t fulfilled. Read More Women’s World Cup 2023 LIVE: England head home after final heartbreak Women’s World Cup prize money: How much do the winners get? 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There’s no place like home. For most of the Formula 1 grid, a return to familiar comforts at a much-loved circuit is something to behold, thrive and revel in. In fact, it’s only the Haas pairing of Nico Hulkenberg and Kevin Magnussen and the Alfa Romeo team of Valtteri Bottas and Zhou Guanyu who have not basked in such an experience in 2023. But all eyes for Zhou – Formula 1’s first Chinese driver in its 73-year history – now point firmly towards 21 April 2024. The sport’s return to one of the world’s powerhouses has, four times, been put on hold due to the pandemic – both the world-altering event itself and the country’s controversial zero-covid policy in the aftermath. Yet next year will see the Shanghai International Circuit host once more; all that was left was for Zhou’s presence to be confirmed. That came on Thursday morning. Ahead of the Singapore Grand Prix, the 24-year-old penned a one-year extension with Alfa Romeo to race with the Sauber-works team for a third-straight year. F1’s worldwide popularity boom has not diverted past China – and next spring we will see the full impact of Zhou’s spot on the grid. “It’s the dream fulfilled – the first Chinese driver in F1, it’s a huge thing for a massive country like us,” Zhou tells The Independent. “So many more Chinese fans are engaged in F1 compared to the past, obviously me getting into the sport means more people follow the races. “The pressure started two to three years ago, so it’s no longer a surprise. I’ve been through that period. I’m fine with the pressure. Now, it’s all about having a good example to set and inspire younger generations.” That pressure, both from the fanbase and within the paddock itself, is inescapable. Just ask Nyck de Vries: a Formula 2 and Formula E champion, he was ruthlessly axed from his AlphaTauri seat in July after just 10 races. For all the riches of the globe-trotting spectacle, F1 remains undeniably cut-throat. Yet you won’t see Zhou having too much sympathy. “There’s a lot of pressure in Formula 1,” he states. “Only winners stay in this sport. If you can’t perform, if you’re outperformed by others, you’re going to lose the seat. That’s the reality. It’s the way everyone lives. The pressure is there, you don’t have a lot of time and you’ve really got to get on with it. “If you can’t do that, then you won’t stay here for long.” Zhou’s performances behind the wheel of a struggling Alfa car this year – languishing ninth in the Constructors’ Standings no less – have clearly impressed enough for a third bite at the cherry. Four points from 14 races would, typically, be a topic of major concern. Yet with experienced team-mate Bottas only two points up the standings, it is difficult to place too much blame on the drivers in the cockpit. With Audi’s takeover looming large for 2026, work is hurriedly being done in the background. “The results have been difficult to take,” he says. “We didn’t expect Aston Martin and McLaren to be so fast this year. It basically means we are fighting for two positions every week. My total points don’t show how much I’ve improved as a driver. I made some mistakes last year, but this year it’s more about the car.” Zhou’s assuredness stems from a childhood of contrasts: his formative years spent in the hustle and bustle of Shanghai, followed by time as a teenager in the Steel City. Learning a new language and new culture, he went by the name of Steven at Westbourne School in Sheffield. “The culture and language are obviously completely different,” he says. “The education system too…” He pauses. He reflects on memories which quickened his acclimatisation process. “While in Sheffield, I really enjoyed playing pool. Not snooker, that’s more difficult! But also I was very surprised at how many Chinese people were going to university in Sheffield and at how many shops and restaurants there are. It’s quite far from London but you don’t feel like you’re too far out! Everyone was very laid back.” His ascension to F1 came as something of a surprise. Three seasons spent with the Alpine Academy in F2 – with a 2021 finish of third his best showing – saw Alfa come calling. He scored a point on his F1 debut in Bahrain last March. His start was impressive. But then came Silverstone. “It definitely set me back,” Zhou says now, recalling the time his Alfa spun upside-down towards a barrier at the start of the British Grand Prix. Miraculous images with a miraculous outcome: Zhou barely had a graze on him. “It happens. I recovered quite quickly mentally. It was just a shame because I had some very good momentum, I’d twice been in Q3, but I had to have a recharge afterwards. It wasn’t too bad.” Zhou is not one to reminisce too much. Everything is possible for the Chinese driver with a slice of Sheffield inside him. Audi’s arrival in less than three years is “still so far away.” However, he does admit: “Hopefully I can stay when Audi come.” But that’s in the distant future. For now, it’s on to this weekend and the twists and turns of Marina Bay. Read More Alfa Romeo confirm driver line-up for 2024 F1 season Max Verstappen breaks new ground with record victory at Italian Grand Prix Max Verstappen tells Toto Wolff to focus on Mercedes after snipe Hamilton labels Marko’s comments about Perez ‘completely unacceptable’ Sebastian Vettel refuses to rule out return to Formula 1

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