Republic of Ireland defender Louise Quinn is confident the Girls in Green have a plan in place to shut down prolific Australia striker Sam Kerr when they face the hosts in their World Cup opener. Quinn’s side, after all, have done it before, spoiling the Chelsea forward’s 100th appearance for the Matildas with a 3-2 victory when they met for the first time in history at Tallaght Stadium in September 2021. Dublin native Quinn powered in a second-half header to break the deadlock and memorably hand the Republic their biggest win over a higher-ranked opponent in over two decades. “It’s rare but I felt like I got one up on her with the Irish team in Tallaght and that is something that I will carry forward with me,” said Quinn, speaking during a team training session at Brisbane’s Meakin Park. “But she’s very impressive, she’s very strong, easily one of the best strikers in the world now. For me, you concentrate on the whole thing but I definitely have an individual battle on my hands that is essentially what I want. “What I want to so is to not let her score essentially. Keep her out of the game. She really creates moments out of nothing but it has to be 100 per cent for the 90 minutes. “Yeah, she runs off the back shoulders a lot. She is so nippy that she can come around the front and come off your blindside and make runs in behind. I can’t wait for the challenge to be honest, this is what you play for, to play against the very best in the world. And she is one of the best. “We’ve proved before against Australia that we can put something up against her and she was on the pitch that day and had her chances.” Matildas captain Kerr, Australia’s top goal-scorer of either gender with 63 from 121 caps, was named the Football Writers’ Association (FWA) Women’s Footballer of the Year for a second straight season after a 2022/23 campaign that saw her score 17 goals and pick up six assists across the Women’s Super League and Champions League. She was largely shut down at Tallaght, where Mary Fowler netted two to keep Australia in a game Matildas head coach Tony Gustavsson would later tell media he felt was “some kind of record” for the number of technical mistakes he observed in his side. They will have to do better to impress the 80,000-plus crowd who have sold out Sydney’s Stadium Australia on Thursday night, the second contest on a two-match opening day beginning with co-hosts New Zealand’s meeting with Norway in Auckland. Sunday was a recovery day for the Republic, who are hoping midfielder Denise O’Sullivan will be fit in time for the biggest day in team history after she was injured in their aborted friendly with Colombia. An initial X-ray and CT scan encouragingly showed no fracture to O’Sullivan’s shin, and she will be assessed again on Monday afternoon. Quinn’s name will forever go down in history as one of 23 selected to represent her country in their first World Cup. It is an astonishing accomplishment that has struck her sharply and sporadically, often when she has least expected it. She said: “I had a really random one after the Zambia game and we had a weekend off. “I was just chatting to my girlfriend about something, and I was saying ‘I’ll do that after I get back from the World Cup.’ And I actually stopped for a second and realised that yes, I am going to a World Cup. “And I had to stop for a moment. I got emotional. Because we’ve been talking about this all along but now it’s really confirmed. It hit me. We were just getting the dinner ready and chatting, ‘We’ll do this after the World Cup. It was really bizarre, a really emotional moment and I didn’t think that was going to happen.” Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live On this day in 2016: N’Golo Kante swaps Leicester for Chelsea Carlos Alcaraz out to end Novak Djokovic’s reign in Wimbledon final for the ages Somerset’s Lewis Gregory relieved to shed ‘nearly men’ tag after Blast title win

If imitation is the sincerest form of flattery, filmmaker Wes Anderson may be the most flattered man in Hollywood. His iconic aesthetic has spawned countless Halloween costumes (such as Gwyneth Paltrow as Margot Tenenbaum) and photography books (like Accidentally Wes Anderson). So it should come to no surprise that he is now the inspiration behind vibrant, and now viral, TikTok videos. If you yourself doomscroll TikTok (or prefer watching week-old videos on Instagram Explore like me) you’ve definitely seen grainy footage of people wearing quirky and colorful outfits while doing mundane activities in beautiful settings as cheery banjos and pianos play. (Can you picture it?!)

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Plus-size model Ashley Graham took to the runway in a glamorous corset for the Harris Reed show. The show marked the informal start of London Fashion Week – officially running from September 15-19. Graham donned a black gown with a shimmering gold corset and a sweeping shawl, as part of the 10 look show. This isn’t the first time Reed has worked with Graham, 35, having dressed her in a sculptural pale pink and black gown for the 2023 Met Gala. Reed’s catwalks are typically dramatic – previous shows have had performances from actor Florence Pugh and singer Sam Smith – and this season was no different. Entitled ‘Duet’, the collection was inspired by Old Hollywood styles, mixing together masculinity and feminity. Designs on the catwalk used deadstock black velvet and white duchess satin with pops of gold, and played around with exaggerated proportions. One of the standout looks of the show was a black and white evening gown with statement shoulders and a revealing low cut-out at the back – which could have been inspired by the low-slung ‘bumster’ trousers popularised by Alexander McQueen in the Nineties. The largely monochrome nature of the collection was punctuated by metallic accents, with silver and pearl half-moon breast cups on one look, showcasing Reed’s partnership with London-based jewellery brand Missoma. The show was accompanied by vocals from Cosima, a Peckham-born singer-songwriter who wore an off-the-shoulder black and white gown to perform. Watching front row at the Tate Modern in London were activist and model Monroe Bergdorf, Game Of Thrones actress Maisie Williams and Bridgerton’s Charithra Chandran. The show was inspired by Virginia Woolf’s 1928 historical novel Orlando, often seen as one of the earliest representations of trans identity in English language literature. Reed cited the quote: “Different though the sexes are, they intermix. In every human being a vacillation from one sex to the other takes place, and often it is only the clothes that keep the male or female likeness, while underneath the sex is the very opposite of what is above.” Backstage, Reed expressed the need for LGBTQ+ representation. “It’s more important today than ever, because we are seeing so much more hate on the streets. I think it’s getting rapidly more aggressive and more unsafe to be queer and queer presenting in the city,” the Evening Standard reported him as saying. “Casting trans and non-binary individuals in my show potentially runs the risk of turning off some of my Middle Eastern and Asian clients. “As a designer, I walk a very fine balance of not offending too many people to equal sales and build my brand, but I still need to stand behind my messaging.” Reed’s designs are often concerned with gender fluidity and theatricality, both at his eponymous label and in his role as creative director of French fashion house Nina Ricci. In January 2024 he will publish his first book, called Fluid: A Fashion Revolution. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Football legend Michael Owen: My four kids all have opinions about my fashion choices How homeowners are creating pet-specific stylish spaces Sex Education season 4: How vintage finds help characters get their unique style

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