Liberal groups are trying to end Donald Trump's attempt to return to the White House by arguing that he is no longer eligible to be president after trying to overturn the 2020 election results

According to sources, there was no 'overlap' between Taylor Swift's two romances

Toulouse president Damien Comolli insists that his club’s use of data is the reason behind their success rather than “football wisdom”. The entire football operation of the Ligue 1 club, who beat Liverpool in the Europa League last week, is entirely driven by data, from player and manager recruitment to which set-pieces to use in a match and when. It is bearing fruit as promotion from Ligue 2 in 2022 was followed by success in last season’s Coupe de France, which earned them their ticket to European football this season. And Comolli, who worked at Tottenham and Liverpool as sporting director, believes all their success comes from their use and understanding of the data. “Our whole football operation is driven by data, whether it his how we recruit a coach or sign a player, the way we play, the way we attack, the way we defend, from where we shoot, from where we cross, where we press,” Comolli said at Web Summit in Lisbon. “We try to optimise the wage bill and transfer budget using data. Data is part of our culture. “Where we gain a competitive advantage is we have decided to stick by data compared to the football wisdom. We are very disciplined at it. “At the moment we are struggling in the league, doing well in Europe. But with underlying data, we don’t look at results. “The day after the game, none of the pages of the match report will contain the result. It will show the underlying data, why we lost or why we won. “We need a bridge between the mathematics and science and the football people. Those individuals that can translate the data that is applicable to coaches and understandable to everyone, that bridge is absolutely key.” The use of data and artificial intelligence is quickly becoming more prominent in today’s game and Comolli believes it will have a big impact in the future of the game. He thinks that it will be particularly important in injury prevention. “In the last four seasons our player availability for per game has been at 95 per cent, the highest in France,” Comolli added. “We are constantly using data to measure player’s loads, we are are using AI to measure in-game data. “In the future it will help coaches make better decisions, when to make a substitution, when to make a tactical adjustment or not make one. “We played at Anfield, we were losing 4-1, our best striker was still on the pitch and we had a game a few days later. I messaged the analyst, ‘Why is he still on the pitch?’. “His data was showing he was in the red, so we brought him off. He went on to score in the next four games, maybe if we played him for longer he would have got injured or fatigued.” Read More No end to pursuit of the world’s best players, Saudi Pro League official says Basketball coach says sport can play big role in developing skills of youngsters Newcastle, Man Utd and West Ham target Leverkusen defender Chelsea ‘robbed’ by ‘embarrassing’ referee in Real Madrid draw, fumes Emma Hayes On this day in 2011: Martin Johnson resigns as England team manager Anthony Joshua sees Otto Wallin as stepping stone on way to title fight

Trinity Rodman scored twice and the United States beat Wales 2-0 in San Jose on Sunday in a pre-Women's World Cup friendly, making a timely...

Daniil Medvedev hadn’t won a single match in his three previous appearances at the Italian Open

Rex Heuermann is currently held at the Suffolk County Detention Center and is on suicide-watch

Police in Illinois link the killing of a boy and injuries to his mother to the ongoing Israel-Gaza war.

Curators are “delighted” to have secured a little black dress designed by Chanel in 1926 to open an exhibition on the success of the garment over almost a century. Beyond The Little Black Dress, which launches at the National Museum of Scotland in Edinburgh next month, will bring together more than 60 looks from collections and designers around the world. It opens with a long-sleeved black day dress designed by Gabrielle Coco Chanel in 1926, which was hailed by US Vogue as “the frock that all the world will wear”. The silk crepe dress is on loan from the Kunstgewerbemuseum (Museum of Decorative Arts) in Berlin. Georgina Ripley, principal curator of modern and contemporary design at National Museums Scotland, said: “The dress is incredibly significant for its own merit anyway, but for our exhibition it’s really pivotal because we are opening the exhibition with the idea that this is kind of the birth of the little black dress. “The well-known story within fashion history is of Chanel being the inventor of the little black dress and 1926 being the date, and that’s because a very simple long-sleeved day dress of silk crepe de Chine was featured in US Vogue in the October edition and it called this dress the ‘frock that all the world will wear’. “The dress that we have on loan from the museum in Berlin is not the exact dress that featured in that Vogue article, but it is the exact same style, made from the same sort of fabric, and it’s incredibly rare to actually find little black day dresses from that date in collections. “It’s been amazing for us to be able to locate one, to be able to tell this really important story within the history of the little black dress.” Vogue compared the dress to Henry Ford’s model T motor car, linking it to the idea of the democratisation of fashion, although it would still have been very expensive and only affordable to the wealthy. The dress drew on the functionality of menswear and of clothes worn by those working in the service industry, such as maids and shop workers. Chanel’s contemporary Paul Poiret described the style as “poverty de luxe” – things that have humble origins elevated to couture-style clothing. While black was already in fashion before 1926 and other little black dresses had been created, something about Chanel’s design was seen as being an important moment in the modernisation of women’s fashion. The exhibition was originally due to open in 2020 but was pushed back due to Covid, and curators were “thrilled” they could still borrow the dress from the museum in Berlin this year. Ripley said: “This is such a natural place to start this story because it’s known in fashion history and we also wanted to confront head on that it really is just a moment that has been picked upon as the origin of the little black dress, but it would be really strange to tell that story without having that dress. “We had our heart set on telling the story in that way and opening with this dress, so we’re delighted we’ve been able to see that mission through.” The exhibition looks at fashions through the decades, from early pieces by Yves Saint Laurent, Christian Dior and Jean Muir to contemporary designers and brands such as Gareth Pugh, Simone Rocha and Off-White. Areas of the exhibition are dedicated to highlighting black British designers whose work explores both blackness in terms of identity and the role the colour plays in crafting a futuristic, sci-fi aesthetic. It also considers how perceptions of the colour black differ in a global context. The exhibition runs from 1 July until 29 October. Read More Jennifer Lawrence steps in to clarify theory about her Cannes footwear Qantas ditches mandatory heels and embraces make-up for flight attendants of all genders Love Island line up: Meet the contestants and couples of the 2023 summer edition Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live

Chancellor of the Exchequer Jeremy Hunt is set to extend a major tax break for businesses in his

In the new BMW 5-series sedan, unveiled Wednesday by the German luxury automaker, drivers will be able to change lanes on the highway just by looking to the side.

Arnold Schwarzenegger's ‘FUBAR' debuted at the #1 spot on the English TV list with 88.49 million hours viewed in the first four days of its release

By Howard Schneider, Indradip Ghosh WASHINGTON (Reuters) -Blame it on economic theory not matching reality, groupthink among forecasters, or political