Mullets are officially back. And, no, we haven’t lost our minds
Everywhere I go, I am being stalked by mullets. Walk into a pub in the vicinity of Hackney, east London, and you, like me, will be haunted by the sight of them. Queue for a Fred Again concert and you’ll see an ocean of the things. Go to a rugby match at Twickenham Stadium, and there will be as many mullets as there are team shirts. Whether you know it as the mullet or the “Kentucky waterfall” or “beaver paddle”, they’ll have been in your sightline as of late. The hairstyle, which involves a shorter crop at the front, top and sides, and longer in the back, is currently being paraded by on-screen heartthrobs like Paul Mescal, Australian actor Jacob Elordi and American movie star Timothée Chalamet. In the world of sport, Spanish footballer Hector Bellerin, British rugby player Joe Marler and Formula One driver Valtteri Bottas have all rocked the hairstyle this year (and that’s not forgetting about 90 per cent of “Aussie rules” football players have mullets right now too). But its ubiquity in modern pop culture goes back a few years. Singer Lil Nas X, for example, turned up at the MTV Awards in 2021 wearing a curly, layered version of the hairstyle. Women have been wearing the coiffure even longer. Pop culture mainstays like Rihanna and Zendaya have both worn mullets on the red carpet, in 2013 and 2016, respectively. By 2021, Miley Cyrus was donning the style. That same year, Vogue hailed the mullet as the unlikely star of modern street style. The mullet has also stormed down fashion week runways, with Junya Watanabe, Stella McCartney and Alexander McQueen all incorporating the hairstyle into their 2022 shows. If that wasn’t enough proof of the mullet going mainstream, a failsafe method for judging something’s popularity is when that trendy thing gets banned in schools, or there’s a level of moral panic about it. That happened last month when a Sunderland schoolboy’s mullet was decided to be so “extreme” that he was put in isolation and ordered to chop it off. Meanwhile, even more Brits are trying to catch up with Australian mullet culture: a doctor from Dorset made headlines this week as he has been growing his locks in preparation for the world mullet growing championships in Australia, a contest that he said was “widely considered to be the Everest of the competitive mullet growing world”. We’ve all gone mullet mad. Though the name itself wasn’t coined until two decades ago – the Oxford English Dictionary credits the Beastie Boys’ 1994 song “Mullet Head” for the popularisation of the word – the mullet existed long before that. In his book Mullet Madness, Alan Henderson writes that prehistoric people may have figured out that having their hair cut shorter at the front and longer at the back meant they could keep their hair out of their eyes and their necks still toasty. What’s more, Ancient Greek texts referenced men with mullet-style cuts, while depictions of Greek gods that date back to the 6th century suggest that the hairstyle existed even then. In certain indigenous populations in the US, long hair symbolises power and a connection with the divine, and a version of the mullet – the front spiked and the back long – is considered a traditional style in tribes of the western United States like the Blackfoot and Crow. The version of the mullet we see in popular culture today, though, strongly harks back to David Bowie’s tangerine-orange waterfall-style mullet worn as his alter ego Ziggy Stardust. In the Seventies, it set a cultural precedent for the mullet as a fashion statement. Back then, the hairstyle was subversive. It spurred strong reactions from the more conservatively coiffed elite because it refused to conform to any one standard: the mullet is both long and short; masculine and feminine; somehow, scruffy while slick. The mullet’s return could be seen as a happy accident. In lockdown, men would scissor away at their locks, crafting eccentric hairstyles out of sheer boredom, sharing pictures of the resulting cut to their respective WhatsApp group chats. But that comedy mullet has since died out. A fashionable, en-vogue hairstyle has stuck around. In searching for the perfect modern mullet, men have downed tools and turned to the professionals for help. Ryan Lewis, owner of Club 13 barbershop in Hull, says that about one-third of his customers are opting for mullets. “Its presence within combat and contact sports alone conveys a modern masculinity that has trickled down into the mainstream,” he says, adding that the “harsher cuts” seen in rugby culture are being cancelled out by the more subtle, feathery mullets worn by Mescal et al. “The modern mullet is bringing a more natural and effortless look with a softer and less obnoxious shape.” James Doyle, the manager of Bristol barbershop Harry Blades and Angry Daves, says it’s not just people who work in non-corporate environments who are taking the plunge, either: it’s becoming workplace-appropriate. “You would think it’s only the musicians or creatives,” he says. “But I’ve got a couple of accountants that are rocking mullets. Anyone and everyone seems to be jumping on the trend.” The mullet trend allows men to be more expressive and embrace their individuality. I had a sixth form student come in the other day and ask for a mullet – young men are becoming more daring with their hair Samantha Perkins, salon owner and lecturer The style has become so sought after that hairdressing schools are changing the way they train stylists, too. Samantha Perkins is the owner of the salon Hair by Sam and lectures at the London Hairdressing Academy, and says that the academy has launched special masterclasses in the art of cutting mullets due to popular demand. “It’s very technical,” she explains. “It’s cut with scissors and razors, so without using clippers – so it’s already a level three cut without a doubt. Students really need to understand the hair type to execute the look.” Perkins adds that the supremacy of the cookie-cutter “short back and sides” haircut that has dominated men’s hairdressing trends for the past decade is on its way out. “The mullet trend allows men to be more expressive and embrace their individuality,” she says. “I had a sixth form student come in the other day and ask for a mullet – young men are becoming more daring with their hair.” Michael Kent, a stylist at Blue Tit hair salon in London, agrees that the popularity of the mullet hairstyle has opened up a new way of self-expression for men. “Men’s hair has always been so bland and [the mullet] has allowed people to really embrace their individuality. In popular culture, a lot of people are more comfortable in their sexuality and diversifying so much. We’re seeing a lot of clients coming in and asking for a cut like Timothée Chalamet’s. Before, people would ask for Ed Sheeran’s hair, so you can see how it’s changing.” The mullet is not just limited to men, either. The coif has long been donned by famous women (Scarlett Johansson, Joan Jett and Dolly Parton have all worn variations of the style over the years), and both Perkins and Kent say they have women customers asking for the same. “The mullet is a genderless cut,” says Kent. “Women and men are really embracing it – it’s an androgynous look.” And if you want to try the mullet yourself, Kent assures me it suits most people: “It’s like a wig you can put on anyone!” Read More Women’s scarves and crocheted ties - what is Robert Peston wearing now? I salute Dolly Parton’s beauty routine – no one sees me without my make-up How Naomi Campbell proved all her haters wrong – including me Women’s scarves and crocheted ties - what is Robert Peston wearing now? 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England embrace a new identity to reveal World Cup strength
It took Sarina Wiegman a moment to fully realise the enormity of what England now face in Australia. If a World Cup semi-final wasn’t big enough, the Lionesses will now play the hosts in Sydney for a place in the final. Amid the excitement of a fresh new chapter in this historic sporting rivalry, Wiegman admitted that coming up against Australia at this stage of the tournament is “going to be bigger than I imagined”. But the Dutch coach was also focused on what had just come before, rather than what awaits England next. A semi-final against Australia is the dream fixture that will take this enthralling World Cup to another level, but England could not afford to take anything for granted given the way their quarter-final against Colombia unfolded. The manner of England’s victory, though, will only add to their growing confidence when they play the hosts on Wednesday. Wiegman knew the significance of what her players had to overcome; for the first time at the World Cup, the Lionesses trailed. When England came from behind, they had to survive a late spell of Colombia pressure, withstanding the hostile atmosphere that faced them in Sydney. If it was a trial run for what England will be met with against Australia, then the Lionesses showed that the way in which they deal with adversity has become their defining characteristic at this World Cup. "I think the team again showed some resilience and a lot of togetherness,” Wiegman said after the 2-1 win. As England passed another test, their comeback win was built on the collective belief that they could come through it. That spirit has grown throughout the tournament, as England and Wiegman have had to change and adapt their plans to react to each new problem. That England are now only two games away from winning the World Cup will only strengthen that resolve. Wiegman spoke about resilience, but her players have bought into it as well. After the fraught penalty shootout win over Nigeria, there was the pressure of conceding first against Colombia, and the sort of freak opening goal that could have otherwise been the latest sign of a tournament that has never quite gone to plan. “You accept that sometimes things happen that you can’t control, but in your mind you stay controlled,” Wiegman said. The manager was speaking about how her side reacted to going behind, but she also could have easily been talking about England’s whole tournament. “One of the strengths of the team is that we do stay calm,” Wiegman continued. “How do you stick together, how do you execute your plan? We conceded, but you didn’t see any panic.” England reacted by sticking to their approach. As Colombia dropped deeper, Wiegman’s team sped the game up, playing sharp passing football when they could. The goals from Lauren Hemp and Alessia Russo were the rewards for their perseverance in continuing to play their way, showing patience in the build-up and finding the passes through the Colombia shape by using Georgia Stanway and Ella Toone. Once ahead, England had to hang on, but it’s a side of their play that now suits them. England owed much of their victory to their late defensive stand, with Millie Bright and Alex Greenwood continuing their excellent performances at the World Cup. It was another illustration of how England have found ways to get through difficult moments. Wiegman’s back three became a back five, and with Bright in the centre dealing with crosses, and Greenwood and Jess Carter so alert to the danger, winning their individual duels, England managed to see the game out. Bright is a defender who almost appears most comfortable when her back is against the wall. The England captain did not play any competitive football before the World Cup but has returned from four months out to be the player that the Lionesses can rely upon when defending the edge of their box. With England’s ideal setup so compromised by injuries, and now the suspension of Lauren James taking away their player of the tournament and creative heart, a resolute defence could win England the World Cup. England now believe in that resilience, and it has become their identity. Of the four teams through to the semi-finals, in England, Australia, Spain and Sweden, the European champions were the only team that needed to come from behind to win. Wiegman naturally disagreed when it was suggested that it could give her side an edge going into the final four, but could not deny that it now plays into England’s strength ahead of the semi-finals. “We’ve had lots of challenges and we’ve got through them,” Wiegman said. “The adversity shows the resilience of the team. 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Scientists discover that the universe is evaporating right in front of our eyes
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Erik ten Hag says Manchester United looking forward to ‘fight’ with Arsenal
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