From hell to purgatory. Manchester United are left in limbo about their European future this season, after a game at Galatasaray where both sides left everything on the pitch. Andre Onana, however, let two free-kicks in. There was still more to an utterly thrilling 3-3 draw than that, as United lost a lead for the fifth time in five Champions League group games. This was also the second by two goals. That should torment Erik ten Hag, even as it would have delighted anyone else watching on. This was so much more entertaining than the divinely perfect football we’ve come to expect from the competition’s best level and there is, of course, a lesson in that. This might have been the way to put on a show. It isn’t the way to go about an away game in the Champions League. There should be an even greater aggravation to that for Ten Hag, though. So much of United’s attacking play looked like what you would consider his ideal. It was a long-awaited reminder of last season’s best form, particularly Scott McTominay’s counter-attacking finish that should have won it. It was all there. There was connection combined with emphatic force, as was seen with Alejandro Garnacho’s glorious strike for the first after that exquisite little through ball. There was pure individual inspiration, as seen with Bruno Fernandes’ blockbuster. There was then incision at pace, as they cut through Galatasaray for McTominay to slide in. This is the way United should be playing. The great question for Ten Hag, that is directly connected to the quandary of how they keep losing leads, is whether they can only play that way by going so open? It is some way removed from Pep Guardiola’s suffocation through possession. It is even further away from so many of United’s drab league games. There, there’s been a more dour resilience, where performance has actually obscured relatively acceptable form. This still shouldn’t be acceptable, though. United just shouldn’t be in this position. That could have been said before this game, but this made it much worse. It’s like there’s no in-between. It’s either “control” to the point of boredom or abandon to the point of this chaos. Galatasaray of course contributed. They were often as good in attack, and just as porous at the back. The number of chances they were willing to just offer up late on. It’s incredible they still came out with a draw. For that, they can look to United’s goalkeeper. One Hakim Ziyech free-kick like that would have been bad enough. Two might well be a season destroyer. It will be all the worse given he had recovered. There hadn’t really been a major error since the supposed turning point of the penalty save against Copenhagen. It was just another twist in this group stage. The one excuse that might be made for Onana is that the conditions made it especially difficult, particularly in situations like those free-kicks. It was also like a player as clever as Ziyech knew that. He went for it. Again, there was more to it than that. Like Galatasaray at the other end, United gave up so many chances that any two or three of a number of efforts could have ended up as goals. Kerem Akturkoglu's brilliant sweeping strike was one. That could have happened many times over. The chaos reduced the match to an element of blind luck – especially late on. That last proper move United had, where the ball ricocheted around Fernando Muslera’s goal, summed it up. It could have gone anywhere. As it is, United are going out. It should never have come to that. There are questions for Ten Hag there, beyond his choice of goalkeeper. How are they this erratic after a year and a half? How is it they have found a relatively forgiving group so punishing? How can translate some of this attacking to the league, without bringing that mayhem at the back? This is what United need to look to, other than a miracle. Hell, as Galatasaray still attempted to style their new Rams Park, wasn’t the place for that. Read More Arsenal through to last 16 as Manchester United squander lead again Erik ten Hag says Manchester United ‘have to learn’ from Galatasaray draw Man United suffer heavy Champions League blow in Galatasaray thriller Champions League: What do Man United, Arsenal and Newcastle need to reach last 16? Man United’s teen sensation who could offer salvation - and it’s not Garnacho Why Bruno Fernandes is the only choice as Man Utd captain

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Just why is it that we never see the French first lady, Brigitte Macron, commit a fashion faux pas? How is it that this 70-year-old grandmother can, for example, pull off black leather trousers, really quite short dresses, or a swimming costume for a cover shoot? With the King and Queen’s state visit in France this week providing yet another welcome opportunity for scrutiny of Madame Macron’s impeccable wardrobe, she always seems to exemplify faultless French chic. In fact, we’re calling it – with those impossibly toned, glossy bronzed legs, the power blow-dries and endless outfit wins, she’s starting to seem like “Brigitte Barbie TM”. In a good way. The explanation to the questions above can be found within the Mme Macron Venn diagram of style. The French first lady has at her disposal a long list of extremely cool and effortlessly elegant French style icons from which to borrow all manner of trademark looks and ripped-up rulebooks (French women adore a broken fashion rule). This Venn diagram features some of the heroines of French-girl style, from film stars Brigitte Bardot and Catherine Deneuve to rock-chic fashion editor Carine Roitfeld, to the most iconic French fashion plate of all, Coco Chanel, with Brigitte Macron standing in the middle of it all, assimilating all of their signatures and making them her own. Sensuality, age defiance, and lots and lots of leg are at the core of it. Who would have thought that you could say that about a first-lady Barbie? So what exactly are the components of the ultimate Venn diagram of Brigitte chic? 1. Carine Roitfeld Bare-legged, kohled eyes, teak-tanned – the superficial similarities between “Brigitte Barbie “and the former French Vogue editor-in-chief, Carine Roitfeld, are plain to see. (Note: that pulling off this formula requires innate French insouciance and je ne sais quoi in order to avoid looking like a superannuated Towie star, as we Brits inevitably would be given the same treatment.) Of course, it wouldn’t do for Mme Macron – at least in her public-facing guise – to go the full rock’n’roll Roitfeld, all femme fatale black leather pencil skirts, lace tights and dresses slashed to the thigh. But Roitfeld’s influence is still clear to see: just a year younger than Brigitte Macron if the ex-Vogue editor says it’s fine for grandmothers – as they both are – to wear towering heels with (some way) above-the-knee skirts, douse themselves in bronzer, and scaffold their eyelashes with whacking great shelves of black mascara, who are we to argue? 2. Brigitte Bardot Most wouldn’t even dare to take inspiration from the blonde bombshell that was Bardot – who are we, after all, to think there could be any physical connection? But, as we are so often told, French women are made of different stuff (not to mention, calorie-negative croissants). They are just naturally confident in their God-given sex appeal – while we wear pants, they wear lingerie, while we wear PJs, they wear negligees. None more so, it seems, than Brigitte Macron, the glamazon of first ladies – the woman who arranged to be photographed in a blue floral halterneck swimsuit on a Biarritz beach for Paris Match ahead of her husband’s 2016 presidential campaign. Smooth, tanned legs, beachy, undone hair, and the victorious smile of a woman who’s bagged a handsome younger husband, there was a clear resemblance of a confident, carefree “Bardot does Cannes” – the original sex bomb; the epitome of feminine sexuality. This is surely Mme Macron’s unspoken cause, to remind women that they too can be sexy whatever their age. 3. Catherine Deneuve Did any woman in French history have a better blonde blowout than the iconic French film star Catherine Deneuve? If glamour, polish and sex appeal are your watchwords (as they evidently are with Brigitte Macron), why wouldn’t you take a leaf out of Deneuve’s playbook and infuse your hair with buttery blondeness, volume and lift? Of course, expensive, high-maintenance hair is a terribly middle-aged French woman pursuit, because they all know that, as ably demonstrated by Mme Deneuve, big blonde hair is a fast track to voluptuousness when the body is perhaps less inclined (the Macrons, by the way, are understood to spend €62,000 a year on hair and make-up, as revealed in 2018 by the French Court of Audit). What’s more, a golden crown of bouffy hair creates a perfect frame for wearing more make-up than is strictly necessary. But the Deneuve reference is not just concerned with big hair – or, indeed, their shared love of late Parisian designer Yves Saint Laurent (which the French first lady wore to welcome the king and queen on their state visit, and which Deneuve commissioned for her first meeting with the late Queen Elizabeth II – and which always, always lends an elegant, sophisticated simplicity). It’s about an attitude, one that is cool, sexy and a little edgy, with so much going on beneath the surface. It’s all tres, tres French. 4. Françoise Hardy As any fashion historian will tell you, the French chanteuse Françoise Hardy set the benchmark for wearing leather with effortless chic. In fact, she famously “double leathered” with a black leather biker jacket and black leather trousers while sitting on the back of a motorbike, her luxuriant, fringed hair unfettered by any unsexy safety equipment. Brigitte Macron might not be able to do the motorbike, but she can – and regularly does – do the skinny leather pants. Worn black like Hardy, with yet more of Mme Macron’s beloved sky-high heels, the French first lady ably demonstrates what Theresa May was just never going to grasp – that succeeding with leather, is all about sex. You don’t achieve sex appeal by wearing leather, but rather, you pull off leather when you have an innate ability to deploy some sensuality. Sometimes you just have to leave it to the French. 5. Coco Chanel There surely isn’t a French woman of any standing whose fashion sense isn’t informed by Coco Chanel. And of course, Brigitte Macron would not be doing her job as ambassador-in-chief of French fashion if she were not seen to be wearing plenty of Chanel. But that’s not really the point here. It’s not just about being able to have an ample, Chanel-labelled armoury of classic design, good taste and French chic – as displayed this week when Queen Camilla and the French first lady visited Chanel, Brigitte Macron wearing a red boucle long line jacket from the fashion house (think, as ever, a strong shoulder, a nipped waist and flattering tailoring). Non, it’s about “liberté”. Chanel’s fashion philosophy was about freedom of movement and independence so when Brigitte Macron teams a blazer with jeans (admittedly unlikely on this state visit but clearly in evidence on many a walkabout), you know who paved the way for that. Chanel style is also about ensuring that you are the statement as opposed to your outfit. With Brigitte Macron’s style signature being legs, lashes and a distinct lack of apology for not dressing her age, Coco would surely be proud. Read More Queen Camilla enjoys game of ping pong with Brigitte Macron In Pictures: King delivers historic address to French senate King Charles and Queen Camilla greeted by Emmanuel Macron and his wife in Paris Queen Camilla enjoys game of ping pong with Brigitte Macron King Charles to address French senate in historic first King Charles and Queen Camilla greeted by Emmanuel Macron and his wife in Paris

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