MOUNTAIN VIEW, Calif.--(BUSINESS WIRE)--Nov 7, 2023--

There are plenty of actors and actresses who end up making films and TV shows that they don’t like – but few actually admit as much. One person who has is Jacob Elordi. The Australian actor revealed that he thinks his 2018 film The Kissing Booth is “ridiculous” and said that he never wanted to make the movie or its sequels. The 26-year-old is known for his roles in Euphoria, as well as the three films in the Kissing Booth series. He also stars as Elvis Presley in the new Sophia Coppola film Priscilla. However, the actor was asked about his experiences making the romcoms earlier on in his career, where he played the protagonist Noah Flynn. The film has a rating of just 15 per cent on Rotten Tomatoes - and Elordi is a little sheepish about starring in them. Speaking to GQ, Elordi said he “didn't [actually] want to make those movies before [he] made those movies” Branding the films “ridiculous”, he said: "They're not universal. They're an escape." He went on to discuss the balance actors and actresses in Hollywood often choose to take, balancing making ‘one for them’ and then one film for themselves as a performer. "It can become 15 for them, none for you. You have no original ideas and you’re dead inside. So it’s a fine dance,” he said. Elordi admitted that he “felt very corny” after making The Kissing Booth. "I felt like I had to prove to everyone that I was a serious actor. I felt terribly misunderstood." Sign up for our free Indy100 weekly newsletter How to join the indy100's free WhatsApp channel Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings

A federal judge has handed Microsoft a major victory by declining to block its looming $69 billion takeover of video game company Activision Blizzard

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PARIS--(BUSINESS WIRE)--Nov 14, 2023--

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VANCOUVER, British Columbia--(BUSINESS WIRE)--Oct 11, 2023--

As their soon-to-be former teammates formed a guard of honour on Saturday, there were four presentations in all, two for men in tracksuits, two for those who have distinguished themselves in Liverpool shirts over the last eight years and who wore them at Anfield for a final time. The scorer Roberto Firmino and James Milner, the thirty-somethings who are veterans of over 300 Liverpool appearances apiece, had bowed out as influential substitutes. For the younger duo of Naby Keita and Alex Oxlade-Chamberlain, a watching brief felt sadly fitting. It is how they have spent much of their Liverpool careers: sometimes watching on from the bench, often from the stands. Neither has reached 150 appearances in all competitions, even including outings as a substitute. Keita has started 49 league games since his £52m move, or 26 per cent of those in his five years at Anfield, Oxlade-Chamberlain 46 in six, which is just 21 per cent. This season, the Englishman has played 335 Premier League minutes – just 10 per cent of Liverpool’s – and the Guinean 294, or 8.9 per cent. They have had spells as ever-presents on injury bulletins. They were both omitted from Liverpool’s Champions League squad in the autumn, even if the medical team’s pessimism about Oxlade-Chamberlain proved excessive, eventually rendering him fit but ineligible. “Four legends,” Jurgen Klopp had said, but it felt a generous description. Firmino qualifies; so, too, Milner, an unglamorous and often uncelebrated figure, belatedly got his own banner in the Kop. “Ribena for my men – we ride at dawn,” it read, a fine salute to a teetotaller defined by his physical power, willing spirit and leadership qualities. Liverpool, Klopp feels, will miss his mentality. “He sets a high, high bar,” said his manager. But there were heartfelt tributes and a sense of what might have been. The departing quartet fall into two categories: a pair who realised their potential and a duo who did not. It is not entirely their fault. Oxlade-Chamberlain’s Anfield career can be divided into two, though certainly not at the half-way point. He was electric for three months before suffering a cruciate ligament injury against Roma in the 2018 Champions League semi-finals, the dynamic, explosive attacking central midfielder he had always wanted to be. Though he had a fine 2019-20 season, he never recaptured that zest. Keita’s terrific debut against West Ham in 2018 proved a false dawn. He was sporadically excellent thereafter – by and large, he had an impressive 2021-22 season – but Klopp’s assessment last year that of his first 100 games, 80 of them were “really good” was not shared by many supporters. For some, Keita’s time on Merseyside was summed up by his shot in last season’s Champions League final: skied, it was a missed opportunity. For others, it may be epitomised by the Twitter thread of the five strangest reasons for his frequent absences, from getting hurt walking, to being injured on a plane, to a military coup. There was a farcical element but Liverpool could count the cost of two moves that went wrong. They have never had the margin for error that the Manchester clubs possess in the transfer market. For years, they got nearly all of their major signings correct, sometimes spectacularly. But Keita and Oxlade-Chamberlain cost a combined £87m and will leave on free transfers. Each is in his twenties and, while it was not stated explicitly, was not offered a new deal. Klopp is a master of eloquent compliments, but Liverpool gave up on both. For years, camouflaged by the excellence of their elders, it mattered less than it might have done until, suddenly, it proved crucial. Six years after Liverpool agreed to sign both – they wanted Keita so much they waited a year for him to actually arrive – they were supposed to be the future of Liverpool’s midfield and the future arrived. Liverpool’s many midfielders this season fell into three categories: the thirty-somethings, the youngsters and the trio at their supposed peak, in their late twenties. But Fabinho has had an awful campaign and Keita and Oxlade-Chamberlain were bit-part players, making a combined total of seven league starts, none before Boxing Day, none after February, none where they played 90 minutes, only two of which Liverpool won. Without them, it has been a season of makeshift midfields, of problems at the heart of the side. With Thiago Alcantara and Jordan Henderson ageing, perhaps the plan was for this to be the season of Naby Keita: instead it ends with him being released. Liverpool lost the generation game; the next group, whether Stefan Bajcetic, Harvey Elliott or Curtis Jones, all had periods that showed their promise but those who were supposed to represent the present either regressed or simply were not available. A consequence is that much of Liverpool’s summer budget will be devoted to midfielders; with a need to split it to get more than one – which may not have been necessary had Keita flourished and earned a new deal – they won’t get Jude Bellingham. Their outlay could stretch into nine figures; in a sense, they will be looking to regenerate, to shape Klopp’s second side. In another respect, they are seeking to replace Keita and Oxlade-Chamberlain, to find players of the quality they were supposed to show more often. But whether their eventual arrivals are Mason Mount and Alexis Mac Allister or Ryan Gravenberch and Conor Gallagher, the first ability they need to demonstrate is one Keita and Oxlade-Chamberlain have lacked too often: availability. And preferably for at least 50 games a season. Read More Liverpool will still attract top talent across ‘exciting’ and ‘intense’ summer, Virgil van Dijk believes Roberto Firmino ends glorious Liverpool career with imperfect goodbye Jurgen Klopp admits Liverpool have not been good enough for top-four finish

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