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Of all the places you’d expect to see a woman walking barefoot, the red carpet at the Cannes Film Festival is probably not one of them. And yet, this has become a somewhat regular occurrence at the annual shindig, where A-list actors, models and directors gather in their finest gladrags. Sure, the festival is ostensibly about celebrating the best of cinema. But it has also become one of the most significant events in the fashion calendar, with stars taking the opportunity to make both sartorial and political statements. However, out of all the trends that have prevailed, from cutout gowns to sheer sequins, the one that continually seems to trump them all is none other than women’s feet. And it’s already made headlines again this year, thanks to the likes of Natalie Portman, Jennifer Lawrence and Isabelle Huppert, all of whom have made their own subtle nods to the political powers of their own feet. Traditionally, the Cannes dress code is rather strict: in 2015, a group of women in their fifties were reportedly turned away from a screening because they were wearing “rhinestone flats” instead of high heels. The story immediately prompted a backlash and accusations of sexism, with the festival’s director, Thierry Frémaux, denying that heels are mandatory: “The rumour saying the festival insists on high heels for women on the red carpet is unfounded,” he wrote in response to critics on Twitter. Nonetheless, female actors were quick to respond, with Emily Blunt saying at the time: “Everyone should wear flats, to be honest. We shouldn’t wear high heels.” The following year, Julia Roberts and Sasha Lane attended Cannes events barefoot. “The carpet was for our film and I was dressed in a very elegant gown and there’s a ton of stairs, and I’m walking around all day… so I will go barefoot,” Lane said in a later interview. “Why is anyone against that? I’m still here and well-dressed.” Lane’s comments were also echoed by Kristen Stewart, who once said of strict female dress codes: “I feel like you can’t ask people that anymore. If you’re not asking guys to wear heels and a dress, you cannot ask me either.” The Twilight star famously took off her sky-high Christian Louboutin heels on the red carpet at Cannes in 2018, proceeding to walk the rest of the carpet barefoot. Official rule or not, there’s no mistaking that even now, in 2023, the pressures placed on women at black tie events such as Cannes are different to those placed on men. Sartorial convention has long defined occasionwear as anything that leaves your feet uncomfortable. Whether it’s a pump, sandal, or stiletto, the shoe needs to add some sort of height to your look in order to be considered formal and appropriate. It might seem like a small imposition, but if there’s anything this year’s red carpet has taught us, it’s that it can serve as a microcosm of much wider inequalities. Take Cate Blanchett, who last weekend at a Cannes party presented an award to the French-Iranian star Zahra Amir Ebrahimi. “I am going to take my heels off, in honour of the women of Iran,” she told the crowd, before holding up Ebrahimi’s pointed trophy to joke: “This is to stab everyone who stands in the way of women’s rights. Up the vajayjay!” The sentiment has also been referenced by Portman, Lawrence and Huppert at this year’s festival. On Saturday, while talking about her new film May December, Portman spoke about the idea of “performing femininity”, telling attendees that it’s something she’s “very curious about”. “The different ways that we as women are expected to behave – at this festival, even – compared to men,” she said. “How we’re supposed to look, how we’re supposed to carry ourselves.” Meanwhile, Lawrence arrived on the red carpet for the Bread and Roses premiere in a scarlet Dior gown paired with flip-flops. And as for Huppert, a perennial style maven at Cannes and beyond, she made a subtle nod to the shoe-less protests in a pair of Balenciaga heels that had been specially designed to resemble a bare foot. All this serves as a reminder that despite societal progressions, women’s bodies are still firmly policed in the public eye. If it’s not via their footwear, it’s via their actual outfits. Think supermodel Irina Shayk, whose outfits at Cannes events this year include a leather two-piece by Mowalola that exposed her entire torso, and a sheer black dress worn over a matching set of Gucci underwear. Elsewhere, we’ve seen Julia Fox don a completely see-through bodice with a white flowing skirt, while Naomi Campbell walked the red carpet in a scarlet gown with cutouts across her chest. Showing skin is nothing new among the fashion set, particularly given the resurgence of Y2K trends on the runways that continues to maintain its stronghold on the industry. (There has been talk of “naked dresses” for several seasons now, with influencers and stars all partaking in the art of wearing sheer gowns to formal affairs.) But bringing it to Cannes feels particularly poignant and in keeping with the barefoot brouhaha when you consider just how easily offended people are by such ensembles. The body-shaming prompted by Florence Pugh’s see-through Valentino frock last summer is just one example that springs to mind. Flashing a foot is, of course, somewhat different to flashing a nipple, but fundamentally the underlying message is the same. It’s about subverting the social conventions that oppress us. It’s about showing the world that women are fed up of being told what is and is not an acceptable way of presenting their bodies. And it’s about asking why we should still conform to dress codes informed by sexism when, as Blanchett pointed out, women’s rights continue to be subjugated around the world. With all this in mind, we’re not asking for much. The least people can allow us is to take off our heels or flash a little flesh without it having to be headline news. Read More Subversive? Dangerous? 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After an ongoing feud between Republican Reps Marjorie Taylor Greene and Lauren Boebert, a Republican lawmaker said the standoff between the two Congress members could result in a fistfight. “A fistfight could break out at any moment,” Republican Tennessee Rep Tim Burchett told The Daily Beast. Mr Burchett told the publication that he was serious, and added he was enjoying the Republicans’ rivalry as a “professional wrestling fan.” He told the outlet, “I am friends with both of them. It’s entertaining to think that a fistfight could break out at any movement. I kind of dig that.” The Tennessee Republican isn’t alone in his stance. Another GOP lawmaker close to both Reps Greene and Boebert, who spoke anonymously, told the outlet: “You can’t have too many of these rifts for too long.” Arizona Republican Congressman Paul Gosar called the battle a “two-way sword” to The Daily Beast. He continued, “I just think that whatever is there, could be utilized both ways,” he said, adding that “people make decisions that they have to work and live by, and you kind of hate being in their shoes.” The conflict between the congresswomen came to a head recently when Ms Greene was kicked out of the Freedom Caucus after she called Ms Boebert “a little b****.” The Georgia Republican claimed last week that she didn’t know why she was booted from the Freedom Caucus. She dismissed the move, saying that she didn’t “have time for the drama club.” Read More Marjorie Taylor Greene says she didn’t know she was kicked out of the Freedom Caucus The Freedom Caucus booting Marjorie Taylor Greene looks worse for them than it does for her Marjorie Taylor Greene ousted from House Freedom Caucus following fight with Lauren Boebert

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England boss Sarina Wiegman is happy in her current role and has no desire to work in the men’s game. Wiegman has done a brilliant job with the Lionesses since taking over in 2021, guiding them to Euro 2022 success before finishing as runners-up in this summer’s World Cup. Following her exploits with the women’s national team, she has released a book called ‘What It Takes’, detailing her life as a coach and her philosophy in getting the best out of players. In the book, the 54-year-old, who is under contract until 2025, writes about being open to returning to club football, but insists she has no immediate wish to leave her job with the Lionesses. “I’m really happy here with the team, with the Football Association, I get all the support,” she said. “I have so much expertise around me and I work with the best players and they’re so committed and really enjoying it. “I have the impression that they’re still enjoying it too. I’m not thinking, things go so fast in football, and time flies too, but I still have a contract for two years. I’m in a good place.” Wiegman has been so impressive in her role with the Lionesses that the possibility of her replacing Gareth Southgate as the men’s boss has been mooted. The Dutchwoman believes she would be capable of succeeding, but is not enthralled by the spotlight she would come under. I’m really happy here with the team, with the Football Association, I get all the support Sarina Wiegman “In football, it’s still the question of can a female coach a male team?” she said. “I think in every sector females are in higher positions, so that’s a little bit strange (it isn’t in football). “I think a female can coach a men’s team. My thoughts are not there. I am just really happy in the role I work in now and I am really enjoying it. “And, as you say, sometimes I think when I see it, it is so personal, also with men in the men’s game. I think, how much fun is that? “We know Corinne Diacre coached a men’s team in France and more females also in Italy coached men. I think it is a matter of time and I think when first one happens it will be really big – but I think then more will follow. “When I was a little kid I was not allowed to play football as a girl, but now everyone says, ‘Oh why not?’ Hopefully in 20 years we say, ‘Why did we think females couldn’t coach males?’ Hopefully that will change quickly.” Wiegman has won praise for her people skills, even though her direct nature has potential to cause problems. Her book features contributions from people that she has worked with over her career and one contribution from a coach at the Dutch FA described her as a “pain in the ass”. “That was funny,” Wiegman said. “I sent him a text the other day, ‘pain in the ass?’. “We can act like everything is always right, the sun’s always shining, but that’s not the case, it’s not always nice. “We’ve seen lots of nice things like the end product but it’s very hard work and it’s overcoming setbacks, and getting critics but also learning from it. “It’s good to share because no one in life has only good experiences, everyone makes mistakes too and try to learn from the mistakes and do things better every day. “That’s part of life, I think that makes people more powerful to share some vulnerability. “That’s what they say, that we (the Dutch) are direct, what’s important for me is that I’m clear in my messages. “Clarity of how we want to play, how we want to treat each other, clarity on performances, that’s key to improve. “There’s no grey area. Direct doesn’t mean rude. “We should not confuse those two because you don’t have to be rude to be clear; you can also be nice and kind but saying what you see and think. “We all want to perform at our highest level, then you need to give honest feedback.” Read More Erik ten Hag: Harsh Marcus Rashford red card changed everything in Man Utd loss Mikel Arteta allays Bukayo Saka injury fears after starring role for Arsenal Australia skipper Meg Lanning calls time on glittering international career Jarell Quansah could fill in for Liverpool captain Virgil van Dijk in Toulouse Gareth Southgate ponders defensive options ahead of naming latest England squad Jos Buttler wants to remain as England one-day captain despite poor World Cup