The actor and singer rose to fame on X Factor Australia and had battled brain cancer for six years.

Pope Francis will undergo an operation for an abdominal hernia on Wednesday at a Rome hospital, where he is expected to stay for...

Shannon Sharpe and Skip Bayless shared a nice moment.

By John Kruzel WASHINGTON The U.S. Supreme Court on Monday kicks off a new nine-month term featuring major

A court began hearing Tuesday a lawsuit against Norway over oil and gas development plans, with environmental groups saying the country is throwing "gasoline on...

World number three Jon Rahm said he does not expect financial compensation from the PGA Tour for not jumping ship to join LIV Golf after an agreement was reached...

By Scott DiSavino and Nerijus Adomaitis The value of Danish energy company Orsted, the world's largest offshore wind

Sean Penn has strongly backed the current Hollywood screenwriters strike while speaking at the Cannes Film Festival on Friday, saying the dispute over Artificial Intelligence is “a human obscenity.”

Adam Frazier hit a three-run homer and pinch-hitter Gunnar Henderson had a go-ahead, two-run double in an eight-run seventh inning that rallied the Baltimore Orioles over the Yankees 9-6 and stopped New York’s season-high, five-game winning streak

Paintings aren’t always what they seem on the surface, as one team of restorers proved recently in surprising circumstances. In fact, many famous artworks feature layers and layers of paint as artists worked and re-worked their compositions in search of perfection. Now, a piece of art has been restored 230 years after it was first painted to reveal a spooky, hidden demonic figure hiding in the background. The painting in question is the 1789 work by English artist Joshua Reynolds titled ‘The Death of Cardinal Beaufort’. It’s been restored by the National Trust, and the work the team have done has revealed a very unusual new feature. The painting features a scene from the Shakespeare play Henry VI, Part 2. Henry says “O! beat away the busy meddling fiend” in the scene, as he begs for a merciful death for Cardinal Beaufort. At the time, Reynolds painted a demon in the background of the painting to reference the “busy meddling fiend” referenced in the dialogue. However, the painting wasn’t well received at the time and that was at least partly due to the depiction of the demon in the background. Three years after it was painted, people attempted to cover up the demon but left a blur on the canvas. Now, the cover up job has been removed and the painting presents as the artist originally intended to mark what would have been Reynolds’ 300th birthday. It wasn’t the easiest of tasks, with several layers of paint and six layers of varnish to uncover. The National Trust’s senior national curator for pictures and sculpture, John Chu, said: “It didn’t fit in with some of the artistic rules of the times to have a poetic figure of speech represented so literally in this monstrous figure. “When it was first shown at the Shakespeare Gallery in 1789 it generated more controversy than any other work on show.” Sign up for our free Indy100 weekly newsletter How to join the indy100's free WhatsApp channel Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings

Former France captain Thierry Dusautoir said Antoine Dupont's return from injury brings something different to the team for Sunday's crunch Rugby World Cup...

West Brom have announced The Jeff Astle Foundation as their official charity partner for the 2023-24 season. The Jeff Astle Foundation was launched to serve as a lasting legacy for former Baggies forward Astle, who died in 2002 aged 59 with early-onset dementia and had his verdict of death later recorded as being by industrial disease, owing to the repeated heading of a ball. Set up by Astle’s family, The Jeff Astle Foundation continues to campaign for greater research into the impact of repetitive heading for footballers, raising awareness of brain injury in all forms of sport and offering much-needed support to those affected. Astle scored 174 goals in 361 appearances for West Brom and netted the winner in their FA Cup triumph over Everton in 1968. A donation will be made to The Jeff Astle Foundation for every home shirt sold. Albion managing director Mark Miles said: “We are delighted to be supporting The Jeff Astle Foundation for the coming season. “The profile of the charity and its achievements to date are a direct consequence of one family’s dedicated quest to ensure the safety of everyone who plays the beautiful game. “We wholeheartedly support the charity’s aim to raise awareness of brain injury in all forms of sport, including football, and hope the partnership helps further build the profile of their incredible work.” Charity director Dawn Astle said: “We are honoured and overwhelmed to be named the club’s official charity partner for the 2023-24 season. “Dad loved this club and its supporters and to have next season’s home kit dedicated to him and the charity instils our family with a pride that is difficult to comprehend. “We are so, so thankful to the club for providing us with this opportunity to continue to celebrate dad’s legacy, raising awareness and funds for the charity in the process. “As a family we have been fortunate enough to have been involved in the kit’s design and we are confident the club’s supporters will love it as much as we do. “It’s a special kit for a really important cause, and every shirt sold will help us to continue our work with those affected by brain injuries in sport.”