Hundreds of prisoners have suspended their monthlong hunger strike in Bahrain just ahead of a visit of the island nation’s crown prince to the United States

'Sister Wives' Season 18 star Kody Brown shares 18 kids with her four wives Christine, Meri, Robyn and Janelle Brown

Stanley Tucci weighed in on the debate about straight actors portraying gay characters in a new interview with BBC Radio 4's Desert Island Discs on Saturday.

By Huw Jones and Tom Sims LONDON/FRANKFURT Three banks from the European Union failed to meet binding capital

Rookie Elly De La Cruz had his first two-homer game and drove in four runs, Luke Maile had three RBIs and the Cincinnati Reds improved their slim playoff hopes with an 11-7 victory over the Cleveland Guardians

Joe Rogan speculated that if Aleksandr Karelin competed in the UFC, all of the fighters would be in danger

England were joined for training by three members of the Under-20 set-up as preparations continued for the matches in Ukraine and Scotland. Gareth Southgate’s side men head to Poland to take on Ukraine in a Euro 2024 qualifier on Saturday, before heading to Glasgow for a friendly three days later. Trent Alexander-Arnold and Jack Grealish withdrew from the initial 26-man selection on Monday through injury, with 21 of the remaining players taking part in the full session at St George’s Park the following day. Callum Wilson, Bukayo Saka and uncapped Levil Colwill were not involved in training due to load management, with Lewis Hall among the three prospects brought up from the England Under-20s squad to help make up the numbers. The talented 18-year-old left-back joined Newcastle on a season-long loan from Chelsea last month, with an obligation to buy depending on performance-related criteria. Fellow Chelsea product Bashir Humphreys was another involved. The 20-year-old defender is on loan at Sky Bet Championship outfit Swansea. Tottenham midfielder Alfie Devine was the other to link up with the senior squad for training. The 19-year-old is currently on loan at League One side Port Vale. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live

A study suggests that convincing yourself that food has a higher calorie content may suppress your appetite and help you lose weight. Alia Crum and her colleagues at Yale University gave 46 healthy volunteers the same 380-calories milkshake. However, some participants were told it was a low-calorie choice, whilst others were told it was high in calories. The 'low-calorie' bottle of the shake claimed it to have zero percent fat, zero added sugar and be only 140 calories. Whilst the 'high-calorie' bottle was labelled as 'indulgent' and accounted to 620 calories. The team measured levels or ghrelin before and after volunteers drank the shake. Ghrelin is a hormone released by the stomach when we are hungry. "It also slows metabolism," Crum said, "just incase you might not find that food." Once you have a big meal after you ghrelin rises, your level proceed to drop again, telling your brain that you've had enough to eat and it's time to start metabolising, in order to burn the calories ingested. Meaning that when we have something like a small salad, ghrelin levels don't drop as much, and metabolism isn't triggered in the same way. For a while, scientists believed that ghrelin levels change in response to the nutrients in your stomach. But Crum's study pushed back on that belief. If participants believed they were drinking the high-calorie shake, the body responded as though the participants had consumed more than they actually had. "The ghrelin levels dropped about three times more when people were consuming the indulgent shake (or though they were consuming the indulgent shake)," Crum said. However, it doesn't mean the nutrients doesn't matter, but Crum suggests that the metabolic model may need to be rethought. "Our beliefs matter in virtually every domain, in everything we do," Crum says. "How much is a mystery, but I don't we've given enough credit to the role of our beliefs in determining our physiology, our reality." Sign up to our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings. How to join the indy100's free WhatsApp channel

Unless she lines up in the hot sun for a free meal, ketchup on bread is the only food Thai widow Noi can afford...

By Foo Yun Chee BRUSSELS (Reuters) -Photoshop maker Adobe expects to get an EU antitrust warning on its $20 billion

A U.N.-backed human rights advocate says hundreds of boys held in detention camps run by U.S.-backed forces in opposition-controlled northeastern Syria have been wrongly separated from their mothers on the “unproven” belief that they pose a security risk

As a child of the South, actor Cailee Spaeny grew up steeped in Graceland mythology, memorabilia and Elvis Presley tunes. Her mother loved Elvis and it wasn’t unusual for a trip to that famous house in Memphis, Tennessee, to count as a family vacation. Priscilla Presley was of course part of that. But Spaeny would find there was much more than she’d ever known when she got the opportunity to play her in Sofia Coppola ’s new film, “Priscilla,” now in theaters nationwide. “I had no idea about her side of the story and what her experience was growing up in Graceland,” Spaeny said in a recent interview. The film is based on Presley’s 1985 memoir “Elvis and Me,” a diary-like account of her years with the King. She recounts meeting him at 14 in Wiesbaden, Germany, and moving to Graceland not too long after, where she finished high school. She talks about her unconventional hours, staying up all night with Elvis and trying to stay awake in school the next day. She details how he dictated her look including her hair (black and big!), eye makeup (more!) and clothing choices (no prints!), their passion for one another, his volatility and her isolation. And perhaps most importantly how she, and everyone around him, just wanted to make him happy— even after she chose to leave. Spaeny got to spend some time with Presley before filming began, though she wasn’t entirely prepared to be as star-struck as she was. “I remember when I first met her, I had all these questions ready to go. I was so prepared. And then I just see her sort of walking my way and they all just leave you because she has such a presence about her,” Spaeny said. “The way she carries herself is really like no one else. I mean, she really is American royalty.” She was equally grateful that Presley did not hang around set during the shoot where she and Jacob Elordi, the rising Australian actor cast as Elvis, had only 30 days to tell this expansive but intimate story with hundreds of costume changes and quite a few wigs too. “You just don’t know what you’re getting into when someone is cast as your co-star,” Spaeny said. “And when you have that little time, you’re shooting massive scenes every single day. You don’t get a light day. So to be able to go into this project with someone who took it as seriously as he did and really took the time to find those nuances and to do the prep beforehand was such a relief.” Elordi said they quickly developed an “unspoken language” that helped carry them through. As an actor, he loved going deep into why Elvis behaved the way he did. “You have to establish a base where you can just fall into this immediate love,” he said. “We would sort of look each other in the eyes and it would just say, ‘You’re going to do this? I’m going to do this.’” The beehive hairdo, Spaeny laughed, took more getting used to. She found herself having to walk “like a doll” and sometimes she'd forget its height when getting into a car. But the wigs would be a grounding factor in a shoot that often had her playing very different ages in the same day. “You just got to do what you got to do,” Spaeny said. “It was just one of the many fun little challenges along the way. The hair, makeup and costumes were really essential in knowing what age she is and where she is emotionally. That was the thing that I held on to.” And it wasn't just a dress up extravaganza for Spaeny either. Elordi got to wear custom looks throughout. “It was kind of as cool as it sounds,” he said. "You know, for me personally, it was like, ‘Do you want to be Elvis Presley for 30 days and wear Valentino clothes that are tailored to your body?’ Yes. That’s awesome.” Though Spaeny might have less dialogue than Elordi, her performance has been making waves since its debut — a breakout that has already been recognized by the Venice Film Festival and is sure to garner more nominations as awards season picks up. “She can convey so much emotion with just her face,” Coppola said. “It’s mysterious but the camera can pick up on it. She’s so photogenic and some people just jump off the screen, but you can connect to them in an emotional way.” In one scene, where Elvis tells a very pregnant Priscilla that he wants her to move out and she calls his bluff, Coppola debated using narration. She’d loved what Presley had written about that moment and wanted to capture that, but she also wanted to have the film stay in the present. And Spaeny was up to the challenge. “I talked to Cailee and we did another take and she did some little shift,” Coppola said. “You see halfway down the hall, her face changes with resolution. It was so subtle. I don’t know how she did it. It’s a talent that some actresses can really just convey so much without saying anything.” And though things went quickly and sometimes it felt like Spaeny couldn’t feel her feet on the ground, she was grateful that her director kept a calm, focused set. It was, she said, the opposite of chaos. “I’ve never really worked with someone quite like her, and the way she handles herself on the set,” Spaeny said. “She knows when to take things seriously and when to have fun. Everyone just brings their A-game because of her. She just leads with kindness. She wants to be collaborative and she has a clear vision.” Though both Spaeny and Elordi have trouble watching themselves on screen, they are proud of “Priscilla.” Elordi said he felt honored to be “part of the way that she wants her story to be told." And both walked away with something tangible from whirlwind too. Elordi said he has a few "secret things.” Spaeny got something too, but it might be a bit much even for someone who grew up surrounded by Elvis stuff. “I have this really strange mural of myself as Priscilla. It was a beautiful painting, but it’s me as Priscilla that was hanging on the walls of Graceland. I just am like, what do I do with this? I can’t put it anywhere,” she laughed. “I think I’ve got to, like, ship it to my grandma. I think she’d love it.” Read More Jimmy Kimmel to host the Oscars for the fourth time The Israeli military has set its sights on southern Gaza. Problems loom in next phase of war Business lobby attacks as New York nears a noncompete ban, rare in the US A suspicious letter to the top elections agency in Kansas appears harmless, authorities say Mayorkas warns of dangers to the US if it loses tools to block terrorists from using drones and WMD Hospital director in Haiti says a gang stormed in and took hundreds of women and children hostage