Dele Alli has revealed he was sexually abused at the age of six and was dealing drugs two years later – while a recent fight against a sleeping pill addiction led to a six-week stay at a rehab clinic. The Everton midfielder has seen his football career stall in recent seasons but has now spoken about the reasons behind a mental health battle that saw him contemplate hanging up his boots at the age of 24. In an emotional interview, the Everton midfielder and former England international, now 27, fought back tears as he laid bare his difficult upbringing before he was adopted by the Hickford family. Alli also told Gary Neville in The Overlap podcast, in partnership with Sky Bet, that he only came out of rehab last month as he struggled with his mental health. The 37-cap England star, who spent last season on loan at Turkish side Besiktas, said: “When I came back from Turkey, I came in and I found out that I need an operation and I was in a bad place mentally. “I decided to go to like a modern-day rehab facility for mental health. They deal with like addiction, mental health, and trauma because it was something that I felt like it was time for. “I think with things like that, you can’t be told to go there. I think you have to know, and you have to make the decision yourself, otherwise it’s not going to work.” Alli – a key part of the England side that reached the 2018 World Cup semi-finals – also laid bare the sickening abuse he received as a child, saying he was “molested” at the age of six. “(Childhood) is something I haven’t really spoken about that much, to be honest,” he said. “I was sent to Africa (to stay with his father) to learn discipline, and then I was sent back. At seven, I started smoking, eight I started dealing drugs. “An older person told me that they wouldn’t stop a kid on a bike, so I rode around with my football, and then underneath I’d have the drugs, that was eight. Eleven, I was hung off a bridge by a guy from the next estate, a man. “Twelve, I was adopted – and from then, it was like – I was adopted by an amazing family like I said, I couldn’t have asked for better people to do what they’d done for me. If God created people, it was them. “There were a number of times my adopted family and my brother – you know, it makes me sad – they would take me to rooms crying, asking me to just speak to them, tell them what I’m thinking, how I’m feeling, and I just couldn’t do it because I wanted to deal with it by myself.” After signing for Tottenham from MK Dons, Alli enjoyed a fine run of form that culminated in playing a key role in England’s progress to the World Cup semi-finals in 2018. But he was still battling in silence off the pitch – leading to a “scary” addiction to sleeping pills and a reliance on alcohol. “I got addicted to sleeping tablets and it’s probably a problem that not only I have, I think it’s something that’s going around more than people realise in football,” he said. “I think, without me realising it – the things I was doing to numb the feelings I had...I didn’t realise I was doing it for that purpose, whether it be drinking or whatever. “I don’t want to talk about numbers but it was definitely way too much, and there were some scary moments I had. “To take a sleeping tablet and be ready for the next day is fine, but when you’re broken as I am, it can obviously have the reverse effect because it does work for the problems you want to deal with. “That is the problem – it works until it doesn’t. So yes, I definitely abused them too much. It is scary, now I’m out of it and I look back on it. “Probably the saddest moment for me, was when (Jose) Mourinho was (Tottenham) manager, I think I was 24. I remember there was one session, like one morning I woke up and I had to go to training – this is when he’d stopped playing me – and I was in a bad place. “I mean it sounds dramatic but I was literally staring in the mirror – and I was asking if I could retire now, at 24, doing the thing I love. For me, that was heartbreaking to even have had that thought at 24, to want to retire. That hurt me a lot, that was another thing that I had to carry.” Alli said that he had largely been able to mask his difficulties during his football career but to the detriment of his mental health. He added: “To be honest, I was caught in a bad cycle. I was relying on things that were doing me harm and, yeah, I think I was waking up every day and I was winning the fight, you know, going into training, smiling, showing that I was happy. “But inside, I was definitely losing the battle and it was time for me to change it because when I got injured and they told me I needed surgery, I could feel the feelings I had when the cycle begins and I didn’t want it to happen anymore. “So, I went there [rehab], I went there for six weeks and Everton were amazing about it, you know. They supported me 100 per cent and I’ll be grateful to them forever.” Dele Alli was speaking to Gary Neville on a special episode of The Overlap in partnership with Sky Bet. Read More Five powerful revelations from Dele Alli’s emotional interview Addicted players urged to contact PFA after Dele Alli’s ‘scary’ pill revelation Dele Alli labels Mauricio Pochettino the ‘best’ manager of his career ‘Powerful and brave’: Dele Alli praised for interview about abuse and addiction Lionesses bonus row could drag on until after World Cup Kai Havertz, Declan Rice and Jurrien Timber – this is Mikel Arteta’s Arsenal now

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No – celebrities won’t be wearing pajamas at the 2024 Met Gala. Yesterday, Vogue announced the theme of The Costume Institute’s 2024 exhibition at The Metropolitan Museum of Art and the Met Gala motif entitled, “Sleeping Beauties: Reawakening Fashion.” The reveal was met with a myriad of confused individuals online, predicting a display of designer jammies on the red carpet for the famed opening as well as a parade of princesses on the museum steps thinking “Sleeping Beauties” was a reference to the classic Disney animation. Yet, neither are correct. So, if the theme doesn’t call for nighties or knights, what does “Sleeping Beauties: Reawakening Fashion” mean? First, let’s dive into the intention of the exhibit. The new exhibit promises to display 250 archive pieces from the Costume Insititute’s permanent collection, some of which date back 400 years to the Elizabethan period. According to Andrew Bolton, Wendy Yu Curator in Charge of The Costume Institute, the entire exhibit is centered around 50 historical garments, latent and so fragile they can never be worn again – the “sleeping beauties” of the exhibit. The main motivating piece was a Charles Frederick Worth original, an 1877 silk satin ball gown. Each delicate piece, some no longer in their true form, will be reimagined inside innovative casings made to bring the garments back to life. While the inherent movement of each piece is apparent even in a state of stillness, CGI, soundscaping, light projection, the illusion technique Pepper’s ghost, and video animation will be installed to propel these pieces out of their shelling. Just as a 17th century bodice is said to be contextualised next to a modern acquisition, each archival treasure will be juxtaposed with more current designs from lauded creatives like Stella McCartney, Phillip Lim, Yves Saint Laurent, Elsa Schiaparelli, and Christian Dior, all mimicing the same structural concept of its counterpart. Through careful curation, the organic essence of each textile piece will be categorised under three “zones” or sections – land, sea, and sky. By doing this, the idea is to highlight views of the natural world, how perception of these areas has changed, and how they’ve been configured in fashion. In other words, we’ll get to see the evolution of nature and how it’s been developed by industry inventors. Notable pieces by Alexander McQueen like the razor-clam shell dress from the 2001 “Voss” spring/summer collection and the mesmerising butterfly dress from Sarah Burton’s first collection at the fashion house in 2011, will be featured. Overall, “Sleeping Beauties: Reawakening Fashion” intends to dig up tangible pieces of history, some of which were put to rest years ago, to motivate conversation about natural elements and emotion, as well as pay homage to the intimacy between a garment and its wearer with the transformative power of current technology. Based on the aim of the exhibit, we can expect to see the A-listers attending the Met Gala – the annual Costume Institute benefit held on the first Monday in May – in custom-made or revived period pieces that channel all or one of the sections. Designers often collaborate with celebrities to come up with renditions of past runway looks, but this time they’ll most likely be imagining traditional structures, built with organic fabrics and materials. The looks should implement a historical aspect, reminiscing on the evolution of fashion in tandem with conversations and feelings about climate and landscape. We may see a lot of creatives tap figures from Elizabethan times, playing with long and full silhouettes. But one guarantee for the Met Gala every year is stars dressing with absolutely no intention of being on theme. So, who knows maybe someone will show up in their matching PJ set. Read More Met Gala officially announces its 2024 theme Karlie Kloss pokes fun at viral Met Gala 2019 dress: ‘Looking camp right in the eye’ We can’t bash or boast billionaire Kylie Jenner’s brand – yet

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