Finland’s conservative National Coalition Party, the winner of April’s general election, has unveiled its picks for key Cabinet posts in the upcoming government that observers say is set to be the most right-wing in the Nordic country’s recent history

Jamie Vardy scored for the 11th match in a row on this day in 2015 to break Ruud van Nistelrooy’s Premier League record and earn Leicester a 1-1 draw with Manchester United. The England forward opened the scoring against Manchester United in the 24th minute to surpass Van Nistelrooy’s 10-game mark, which had stood since 2003. Vardy found his 14th goal of the season when he got on the end of Christian Fuchs’ pass and rifled past David De Gea from close range and become the first player to score in 11 consecutive games in the Premier League era. Manchester United managed to find an equaliser when Bastian Schweinsteiger cancelled out Vardy’s opener with a powerful header from close range to make it 1-1. The 28-year-old started the run of consecutive games with a late penalty in a 1-1 draw at Bournemouth three months earlier in August which included doubles against Arsenal and Southampton, a winner against Watford and the record-equalling strike in a 3-0 win at Newcastle the week before. Vardy’s incredible run came after he was made an England international in June, just three years after becoming non-league football’s first £1million player following a move to the King Power Stadium from Fleetwood in 2012. After breaking the record, Vardy said: “It’s unbelievable. I think I got a bit carried away with myself. “Obviously we’ve got a lot of pace in the team and I think counter-attacking is a big advantage for us. “If we can break as quick we have, then obviously it is going to benefit the team.” Vardy’s goals helped power the Foxes to the Premier League crown under Claudio Ranieri and he finished the season as the league’s second top scorer behind Golden Boot winner Sergio Aguero. No player has yet to break Vardy’s record which still stands and he went on to win more silverware with Leicester, lifting the FA Cup trophy in 2021 before being relegated with the club in 2023. Read More Chicago Bears end their losing run against Minnesota Vikings ‘What is the point of VAR?’ asks angry Gary O’Neil as Wolves lose at Fulham Gary O’Neil says Wolves loss at Fulham may have ‘finally turned him against VAR’

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Plus-size model Ashley Graham took to the runway in a glamorous corset for the Harris Reed show. The show marked the informal start of London Fashion Week – officially running from September 15-19. Graham donned a black gown with a shimmering gold corset and a sweeping shawl, as part of the 10 look show. This isn’t the first time Reed has worked with Graham, 35, having dressed her in a sculptural pale pink and black gown for the 2023 Met Gala. Reed’s catwalks are typically dramatic – previous shows have had performances from actor Florence Pugh and singer Sam Smith – and this season was no different. Entitled ‘Duet’, the collection was inspired by Old Hollywood styles, mixing together masculinity and feminity. Designs on the catwalk used deadstock black velvet and white duchess satin with pops of gold, and played around with exaggerated proportions. One of the standout looks of the show was a black and white evening gown with statement shoulders and a revealing low cut-out at the back – which could have been inspired by the low-slung ‘bumster’ trousers popularised by Alexander McQueen in the Nineties. The largely monochrome nature of the collection was punctuated by metallic accents, with silver and pearl half-moon breast cups on one look, showcasing Reed’s partnership with London-based jewellery brand Missoma. The show was accompanied by vocals from Cosima, a Peckham-born singer-songwriter who wore an off-the-shoulder black and white gown to perform. Watching front row at the Tate Modern in London were activist and model Monroe Bergdorf, Game Of Thrones actress Maisie Williams and Bridgerton’s Charithra Chandran. The show was inspired by Virginia Woolf’s 1928 historical novel Orlando, often seen as one of the earliest representations of trans identity in English language literature. Reed cited the quote: “Different though the sexes are, they intermix. In every human being a vacillation from one sex to the other takes place, and often it is only the clothes that keep the male or female likeness, while underneath the sex is the very opposite of what is above.” Backstage, Reed expressed the need for LGBTQ+ representation. “It’s more important today than ever, because we are seeing so much more hate on the streets. I think it’s getting rapidly more aggressive and more unsafe to be queer and queer presenting in the city,” the Evening Standard reported him as saying. “Casting trans and non-binary individuals in my show potentially runs the risk of turning off some of my Middle Eastern and Asian clients. “As a designer, I walk a very fine balance of not offending too many people to equal sales and build my brand, but I still need to stand behind my messaging.” Reed’s designs are often concerned with gender fluidity and theatricality, both at his eponymous label and in his role as creative director of French fashion house Nina Ricci. In January 2024 he will publish his first book, called Fluid: A Fashion Revolution. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Football legend Michael Owen: My four kids all have opinions about my fashion choices How homeowners are creating pet-specific stylish spaces Sex Education season 4: How vintage finds help characters get their unique style

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