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England had covered the gaps, they had filled the holes. They had adjusted, adapted, repositioned, created a new formation, and reached a first World Cup final. Then England changed again. Down 1-0 at half time in the World Cup final, Sarina Wiegman went for a last roll of the dice, a double substitution that saw Alessia Russo and Rachel Daly brought off and Lauren James and Chloe Kelly come on. That 3-5-2 that was England’s revelation of the tournament, that changed their World Cup? It was binned. England went back to 4-2-3-1. They disposed of the wing-backs and brought on the wingers. They stopped pressing Spain and abandoned their plan. With it, and for the first time at the World Cup, the Lionesses did not find the change that was required. James and Kelly brought moments of improvement, but the truth is that England were at their most dangerous when Lauren Hemp and Russo were combining as a front two. Hemp’s switch to a central role took away the threat that was everywhere in the first half and left Wiegman searching for something else. On came Beth England. Up went Millie Bright. But this was a situation England could not overcome. In a tournament that has been defined by England’s ability to adapt and solve the problems they have faced, the changes that were required against Spain were a step too far. Mary Earps’s save from Jenni Hermoso’s penalty gave England some momentum, but this was a final that stuttered and in the second half never found its rhythm, where stoppages played into Spain’s hands and covered the defensive frailties they had previously shown through the tournament. “When Mary saved the penalty I thought we’d go on and score the goal,” Wiegman shrugged. “But we didn’t.” Wiegman felt England improved with the changes and they certainly played with a better balance. But by then the game had changed and in its final moments, Spain managed to stay in control. While England never found the right combinations, Spain never quite felt threatened. While England played with two systems, neither one quite arrived at the right time. Perhaps this was always the natural conclusion for a World Cup that hit its first hurdle in November when Beth Mead suffered a torn ACL, then when England lost Leah Williamson, and then Fran Kirby; the deflating end to a tournament where Wiegman has not had the same consistency or continuity of last summer’s Euros, and where winning the final was beyond the resilience of this side. Perhaps it’s also the rebalance from last summer’s quarter-final in Brighton, where Spain were the better team and lost after England found a moment of magic through Georgia Stanway’s equaliser. England couldn’t produce another one; despite the introductions of Kelly and James, England were at their most threatening when they played into an open, frantic match, even if it left them more vulnerable at the other end and, ultimately, led to Olga Carmona’s winning goal. It was a quality finish, the moment to crown Spain’s golden generation, a magnificent team of sharp passers and quick minds. Aitana Bonmati was the clear player of the tournament and no one will be surprised when the Ballon d’Or follows at the end of the year. They looked a class above England, but the regret is that a head coach who appears to have no impact on how his team plays in Jorge Vilda did not need to have a tactical approach to beat the Lionesses. England gave Spain what they wanted. Wiegman committed to a brave plan but it gave England a hard time. They had pushed high and pressed Spain, hoping to force the error, with Lucy Bronze and Daly defending as forwards as much as wingers, gambling on a misplaced pass. But Spain were too good. They responded by playing through England, isolating a back three that had found strength in its unity. Spain pulled an already stretched team further out of shape and created another problem for England to solve. Bronze’s misadventure then led to another one. As Carmona fired past Earps, Bronze immediately sank to the pitch, as if her legs had been cut from beneath her, the sort of reaction that told you everything about where the goal had come from. It was a run that was too ambitious when what England needed to do was move it faster. Bronze was crowded out, England were outnumbered, and suddenly it was left to Russo to follow Carmona’s run. That was a gap in the team that England could not cover. There had been such a fine balance to it, an open game where the first goal was always going to be crucial. While the final was goalless, England had chances that came from their high press and then found spaces to hit Hemp down the channels. But when Spain scored, the space vanished and Wiegman needed to try something else to protect her side, even if it meant England lost some of their unpredictability. To reach this stage was a triumph of the team’s approach and its mentality; a campaign that always managed to deliver answers. Eventually, and on the biggest stage of all, England were unable to find another. Read More England suffer World Cup heartache as brilliant Spain show Lionesses what’s missing Jorge Vilda: Spain’s World Cup coach at the heart of a civil war England v Spain LIVE: Women’s World Cup final result and reaction as Lionesses suffer heartbreak England players ‘heartbroken’ after World Cup final defeat to Spain England suffer World Cup heartache as brilliant Spain show Lionesses what’s missing Sarina Wiegman has already made the biggest decision of England’s World Cup

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If you’re after a year-round holiday destination in the UK, the Isle of Wight is pocket-sized yet picturesque – and it’s only two hours from London. Once famous for being a bucket-and-spade, budget destination, the island – the second-most populous in England – has reinvented itself as a place for a stylish sojourn by the sea. It now offers an impressive array of food and drink spots (more than 50 independent producers, at the last count). Known for The Needles, beautiful beaches and pretty promenades – alongside gorgeous countryside and colourful gardens – there’s something for everyone. As for where to stay, several island hotels used lockdown to refurbish, clear out the mothballs and pull themselves out of their 1970s torpor with impeccable style. Some are swish and sleek, others ooze history and character. Wherever you’re planning to stay, from the north in Cowes to the west in Yarmouth, or Ventnor in the south, you’re sure to find the perfect place to stay. Here’s our round-up of the best hotels on the island, where you can enjoy a sundowner while drinking in the views. The best Isle of Wight hotels are: Best family hotel: Luccombe Hall Hotel Best retro hotel: The Northbank Hotel Best luxury hotel: Sentry Mead Hotel Best boutique hotel: Villa Rothsay Hotel Best hotel for sea views: The Wellington Hotel Best budget hotel: Ryde Castle Best hotel for couples: Shoreside Inn Best hotel in a historic town: One Holyrood Hotel Best hotel for foodies: The Seaview Hotel Best family hotel: Luccombe Hall Hotel Location: Shanklin Originally built in 1870 as the Summer Palace for the Bishop of Portsmouth, Luccombe Hall enjoys what its original incumbent must have deemed a heavenly location at the southern end of Sandown Bay (which is more than five miles long), with views all the way to the north end of the beach at Culver Down. The hotel has an indoor and outdoor pool, large gardens with a giant chess and draughts set, a mini putting green and an children’s outdoor play area, making it a great choice for families. Rooms are decorated tastefully with ocean-blue tongue-and-groove furnishings and many have balconies. For a treat, book a garden room with a hot tub and a view of the sea. There’s a short but excellent menu, which you can enjoy in the aptly monikered Grand View restaurant. Best retro hotel: The Northbank Hotel Location: Seaview Entered from a narrow lane off Seaview’s genteel high street, the Victorian-built Northbank Hotel stands above the shore, with the hotel’s stately lawns sloping to a gate that opens out onto the village promenade. The hotel may have been updated over the years but its heart lies defiantly in the 1960s. Run by the Shaw-Yates family since 1959, it combines modern facilities with yesteryear touches, such as retro telephones and even an original 1960s Sega fruit machine. Rooms are fitted with traditional decor (OK, chintz prevails), oak furniture and sash windows. Dinner is cooked on the Aga, and the restaurant places great emphasis on local produce, including vegetables grown on the family allotment. Price: Doubles from £160, including breakfast (note the hotel closes for winter from 1 November 2023 until late April 2024) Book now Best luxury hotel: Sentry Mead Hotel Location: Totland The Sentry Mead Hotel overlooks Totland Bay on the island’s west coast. A former country house topped with a turret, the hotel has recently undergone a major refurbishment and is now among the most serene and stylish places to stay on the Isle of Wight. Rooms have been painted in deep tones, decorated with local artwork and fitted with London-brick tiling in bathrooms. The accommodation is spread over two floors – if you want a sea view, just ask. There are spacious grounds, ideal for taking in the setting sun over the western reaches of the Solent, with a glass of island gin. Best boutique hotel: Villa Rothsay Hotel Location: Cowes Cowes is steeped in shipbuilding and seafaring traditions, and few places encapsulate this spirit as much as Villa Rothsay. A son of the original owners won a sailing gold medal in the 1908 Olympics, while the Morning Cloud suite – named after the yachts owned by former prime minister Edward Heath – offers a 180-degree view of the Solent. Located on a small rise above the water, the villa incorporates old and new – bay windows, wood panelling and the chance to sit by a sleek modern fireplace on a Georgian chair. Best hotel for sea views: The Wellington Hotel Location: Ventnor Looming over the main promenade in the Victorian town of Ventnor, the refurbished Wellington offers not only sea vistas from its filigree balconies but also the mildest of climates. That’s because this part of the island is typically 5C warmer than elsewhere, thanks to the sheltering influence of the hills on which the town is built. Rooms have been refitted with richly coloured fittings but retain the old-time ambience, with sleigh beds, delicate coving and wooden balconies. One of the most striking things here is just how tranquil it is – no shipping lanes cross your gaze and the bustle of the Solent seems a world away. Best budget hotel: Ryde Castle Location: Ryde The location of this hotel (which is part of a pub chain) makes it an excellent choice. History buffs may be interested to know the building’s original incarnation was as a castle built on the orders of Henry VIII, to deter Spanish and French incursions. Still boasting its parapets and battlements, the hotel takes its place on Ryde’s esplanade among a hotchpotch of traditional shop fronts, decorative stucco and Georgian townhouses. Rooms feature chandeliers and richly embroidered bed covers – some rooms even come with four-poster beds – while dark-wood flooring adds to the ambience. Food leans more towards classic pub fare, but of a high standard, while Ryde’s open spaces, public gardens, sandy beaches and seaside stalls are only a short promenade away. Best hotel for couples: Shoreside Inn Location: Shanklin The only real giveaway that this property was built in the 19th century is the stately, squat façade of the three storeys and bay windows. Inside, the owners have created a stylish boutique hotel (for adults only). All rooms have full or partial views of the sea and include feature walls – think exposed brickwork and designer mirrors – while you can relax in a roll-top bath or walk-in shower. Two ground-floor rooms have their own private sun terrace with a view over the English Channel. Best hotel in a historic town: One Holyrood Hotel Location: Newport Located in the heart of Newport, the island’s capital, this well-run, cosy hotel is much nearer the equator than the Scottish Parliament with which it shares its name. Like many older island buildings, the hotel makes good use of the small space it inherits from its medieval origins. Attic-style rooms include period features, such as exposed beams, pitched ceilings, walnut-wood beds and the more contemporary metallic textures of Zoffany wallpaper. There’s a pleasant flower-laden courtyard and pergola at the back – perfect on a warm summer or mild autumn evening. In the dark nights of winter, cosy up in the lounge/bar, where you can put your feet up, next to the fire. Best hotel for foodies: The Seaview Hotel Location: Seaview When it comes to charm, location and service, the Seaview Hotel, positioned just a few yards back from the village beach, is hard to beat. You’ll find swish modern decor (smartly decorated rooms and walk-in showers), with a generous nod to the sea, in the form of paintings and photographs of nautical vessels. The ground floor is home to two restaurants – go for the Michelin-recommended cuisine in the restaurant, or top-notch fish and chips in the friendly bar, which serves local ales, island gin and good wine. Accommodation is on the first and second floors, with a spacious family suite for five on the top floor. The hotel rents out electric bikes to guests (these are definitely worth considering when tackling the island’s downs). Read more of our UK hotel reviews: The UK’s best cosy hotels Best dog-friendly hotels Where to stay in the Cotswolds Read more about UK travel: The Isle of Wight: An island of 20th-century miracles Best things to do on the Isles of Scilly The best hotels in the New Forest Read More The UK’s best seaside hotels Best UK hotels: Where to stay for a luxury or affordable break Best hotels in Hampshire: Where to stay for family-friendly trips and city breaks Best beach hotels in Cornwall: Where to stay for sandy shores and sea views The best boutique hotels in the Lake District for family getaways and luxury escapes Best hotels in Europe 2023: Where to stay for a city, beach or retreat break

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