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Brendan Rodgers felt Celtic’s 1-1 draw with Wolves in their Dublin friendly was “perfect” preparation for next week’s cinch Premiership curtain-raiser. Japan striker Kyogo Furuhashi opened the scoring for the Hoops in the sixth minute after Reo Hatate had earlier struck the woodwork. Celtic missed several chances, with Furuhashi hitting the top of a post, although the Premier League side had chances of their own. Rodgers’ men continued to dominate after the break and new South Korean duo Yang Hyun-jun and Kwon Hyeon-kyu came on for their first appearances. However, Wolves’ Brazilian striker Matheus Cunha, who hit a post early in the second half, levelled from the penalty spot in the 85th minute after Hoops goalkeeper Joe Hart was adjudged to have brought down substitute Matt Doherty in the box. Rodgers told Viaplay Sports: “It feels like a loss whenever you concede late on, but the workout was perfect for us. “I thought we had some spells of fantastic football, defensively against a good side, good players you have to defend and it’s the perfect type of game that we needed. “Of course the game gets a bit broken when you’re making changes and you lose that fluency and the rhythm of the game, so I’m probably in that stage, second half, the last 25 minutes, we gave the ball away too much. “So we have to be better in that aspect. “But overall, we’re really pleased, a great exercise for us against a good side. “It’s very important in any team of mine to look to impose and initiate the game as high up the pitch as you can and like I said, we have guys that are willing to work and run and they worked very well. “It was a great finish by Kyogo but we had other chances as well, some other fantastic chances, but it was a really good exercise.” Celtic play Spanish side Athletic Bilbao in James Forrest’s testimonial game at Parkhead on Tuesday night before the Scottish champions begin the league season against Ross County on August 5. Rodgers said: “I just think it’s building again on the fitness aspects, the positioning. “The team obviously plays well but there are certain phases of the game where we can improve. I thought in the build-up in the early stages we were very good, and then it’s dealing with a little bit more pressure. “On Tuesday we’ll play two 45-minute teams. We need to get some minutes into their legs and obviously then that will be a final preparation game before the season starts. So that’s the idea for Tuesday.” Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Joe Root leads England charge with fifty as lead over Australia passes 250 Zak Crawley sets the tone as England turn up the heat against Australia England veteran Rachel Daly concerned by ACL issue at Women’s World Cup

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NASHVILLE, Tenn.--(BUSINESS WIRE)--Sep 26, 2023--

Roy Herron, a longtime Tennessee state lawmaker and former chairperson of the state Democratic Party, died Sunday from injuries sustained in a jet ski accident. He was 69. Herron died at Vanderbilt Medical Center in Nashville, according to a statement from his family. He had been hospitalised since a 1 July accident on Kentucky Lake, in which he suffered internal bleeding and extensive injuries to his arm and pelvis, according to his family's Caring Bridge website. “Roy loved his family with all his might,” Herron's wife, Rev. Nancy Carol Miller-Herron, said. “He passed doing what he loved most — spending time with our sons and their friends in the Tennessee outdoors where his spirit was always most free.” Herron, an attorney from Dresden, Tennessee, served a combined 26 years in the state's House and Senate, where he became floor leader and caucus chair for the Democrats. He never missed a day of session, except for when his youngest son was born, according to his website. He chaired the state Democratic Party from 2013 to 2015. A graduate of the University of Tennessee at Martin, Herron was also one of the first students to earn joint degrees in divinity and law from Vanderbilt University. An ordained Methodist minister, Herron also authored three books, including one titled, “God and Politics: How Can a Christian Be in Politics?” Funeral services were planned for Saturday at First United Methodist Church in Martin. Condolences poured in on Sunday. On Twitter, former Vice President Al Gore called his fellow Tennessee Democrat “a dear friend and one of Tennessee’s most devoted citizens.” Democratic Rep. Steve Cohen called Herron “bright, diligent, and honest. A politician destined for greatness.” Republican Rep. David Kustoff said Herron ”dedicated his life to serving West Tennessee, and the entire Volunteer State." Tennessee House Republican Caucus Chairman Jeremy Faison said on Twitter he was “the kind of guy that you couldn’t help but like.” Joe Hill, a longtime Tennessee Democratic political operative who worked with Herron on multiple campaigns, said he “brought a zeal for making health care more accessible to disadvantaged Tennesseans” when he was elected to the state House. Hill said he also brought that commitment to “education, victims' rights, environmental quality and so many other things that affect average people.” “His legacy of advocating for ‘the least among us’ will represent the gold standard of service for Democrats and Republicans in Tennessee's future,” Hill told The Associated Press on Sunday. That nature applied to Herron's friendships as well, Hill said. He recalled how Herron drove 140 miles (225 kilometers) to be with him and his family in Memphis, after one of Hill's children was involved in a car crash. “We left home in such a hurry and didn’t bring extra clothes,” Hill said. “My wife, Susan, was freezing in the cold hospital waiting room, and Roy gave her his shirt so she could be warm. That’s the kind of genuine human being he was.” In 2010, after briefly running for governor, Herron became the Democratic nominee in Tennessee's 8th Congressional District, when then-Rep. John Tanner announced his retirement, after more than 20 years in the seat. Herron ultimately lost the general election to Republican Stephen Fincher. “I was hoping when I retired, that he would win the seat,” Tanner told the AP on Sunday. After a tornado devastated his hometown of Dresden just before Christmas in 2021, Herron marshaled a fundraising effort, amassing more than $100,000 to aid recovery efforts. “It's an overused term — that he was a dedicated public servant — but that really was Roy,” Tanner said. “He worked tirelessly for causes that he took up, and he had a good heart.” Read More Biden news – live: UK-US relationship ‘rock solid’, says US president at Downing Street meeting with Rishi Sunak Republican lawmaker claims US is ‘hiding evidence’ of UFOs which ‘defy physics as we know it’ Roy Herron, longtime Tennessee Democratic lawmaker, dies after injuries from jet ski accident Watch live as Joe Biden meets King Charles at Windsor Castle Biden’s biggest gaffes: Muddling up wars, dozing off mid-event and several tumbles

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The iPhone is a lot of things. It's a social networking portal, it's a games console – sometimes it's even a phone. For Apple's Jon McCormack, Apple's vice president for camera software engineering, it's "primarily a camera that you can text from". It wasn't always this way. When Steve jobs introduced the iPhone in 2007, he famously described it is an iPod, a phone and an internet communications device; the first iPhone had a camera, new iPhones are cameras. The pictures that first iPhone turned out were more useful than beautiful. Today, however, the iPhone's pictures have grown up, and it is now the most popular camera in the world. Now the question is how sharp the pictures should be, and there has even been some criticism that the pictures it turns out are too sharp, if anything. The iPhone's camera is no longer just a useful addition but is used in professional contexts, and is often given as the main reason to upgrade to new models. The new iPhone 15s, in particular the premium Pro and Pro Max, continue Apple's mission to turn its smartphones into cameras like nothing in the history of photography. They have new image formats, the addition of extra focal lengths, and the iPhone 15 Pro Max even includes a 5x lens that makes use of a "tetraprism" lens that bounces light around inside the phone to add dramatically more zoom without making the phone any bigger. All of that additional hardware works in collaboration with improved software: users no longer have to click into portrait mode, for instance, because the camera automatically captures depth information when taking a picture of people, so that background blur can be added and edited even after the photo has been taken. Apple has also added a host of features that many people are unlikely ever to even look at, let alone use, but are important to professionals. They include the addition of Log encoding and the Academy Color Encoding System – both key to those who need them. Apple also says that the new iPhone has "the equivalent of seven pro lenses", despite really only having three; what they mean is that you can choose different crops, which is in part an attempt to appeal to those professional photographers who stubbornly say that they will only ever work with a 50mm lens, for instance. (Those new lens choices are not only a cropped version of the existing lenses, says McCormack, since the phone also has custom neural networks specifically designed to optimise images at that focal length.) Those complex new features are a reminder that the iPhone is many things to many users: some may simply want to remember important events, or snap pictures of their pets. Others might be truly professional photographers, needing to rely on their iPhone to capture valuable and fleeting events. Some people are, no doubt, both – and Apple is aware that the iPhone has to be both, too. "For us, what we feel is really important – especially since computational photography started to blur the line between hardware and software, and really enable anybody to take stunning shots with minimal effort – is making sure that that tool that we have in your pocket is adapting to your needs," says Maxime Veron, Apple's senior director for iPhone product marketing. "So if you're just trying to take a quick photo of your kids can get out of the way and just allow you to do that. And if you want to create a professionally created Hollywood style video, it can also give you the customisation and the power to do that." McCormack says that Apple builds the camera from "the core belief that everybody has got a story that is worth telling". For some people that story might be their child taking their first steps, captured in a video that will be shared with only a few people. Or it might be a photojournalist taking images that are going to be shared with millions. "Our belief is that your level of technical understanding shouldn't get in the way of you being able to tell that story," he says. High-end cameras have often required their users to think about a whole host of questions before they even get to actually pressing the button to take a picture: "the temperature of light, the amount of light, the direction of light, how fast is the subject moving? What are the skin tones?" notes McCormack. "Every second that you spend thinking about that, and playing with your settings and things like that, are seconds that you are drawn out of the moment," he says. "And what we want to create is this very deep connection between the photographer, the videographer and the moment." He points to the action button on this year's Pro models, which can be programmed to launch the camera with a push. "It's all about being able to say all of this crazy complexity of photography, or videography – Apple's taken that, and understood that, and hidden that from you," he says. "You as a photographer, you get to concentrate on the thing that you want to say, and finding that decisive moment, finding that beautiful framing, that says the thing that you want to say. "But the motivation for all of this and using all of this crazy, great computational photography, computational videography, is that we don't want to distract you from telling the story that you want to tell." That has meant building the iPhone's camera in a way that the features "unfold", he says. "Out of the box, we are going to give you an amazing thing that is going to cover most of your moments, with lots of dynamic range, lots of resolution, zero shutter lag, so you can capture the moment. "But of course, there are folks who are going to look at this and say, you know, I've got a very specific and very prescriptive vision," he says. He points to a variety of new tools that are built into the phone, such as the ProRAW format, which makes huge files and is not especially useful to most – but can be key to someone who really wants to ensure they are able to process every detail of a photograph after it is taken. Those are hidden within settings, there for the people who need them but not troubling those who don't. Veron also notes that many of those extra features are enabled by "an amazing ecosystem of third party partners" who make apps that allow people to get features they are looking for. It is a reminder of just how much is going on as soon as someone takes a picture with the iPhone. First, light travels through one of Apple's three lenses and hits a 48 megapixel sensor – but that's just the beginning of a long process of computational photography that analyses and optimises that image. The picture that is taken is not just the one image, for example: it is actually made up of multiple exposures, with more or less light, that can then be merged into a picture with the full dynamic range. "This year for the first time, we merge them in a larger resolution," says McCormack. It takes one image in 12 megapixels, to give a fast shutter speed and plenty of light, by combining pixels together; then it grabs a 24-megapixel frame, which collects the detail. "Then we register those together and use a custom machine learning model to go and transfer the detail from the 48 over into what has now become a 24." That creates something like the negative in old camera terms, which the iPhone’s processor can then get to work on, using parts of its chip focused on machine learning. "We use the neural engine to go decompose that photograph, bit by bit." It will notice if people have different skin tones, and develop those parts of the image accordingly; hair, eyes, a moving background and more are all taken to pieces and optimised on their own. (The intensity of that process has occasionally led to questions over whether the phone is working too hard to make its images look good.) Then there's yet more work for the camera system. The iPhone uses tonemapping to ensure that images pop on the bright screens of modern iPhones, but also that they still look bright on a compressed image that might be sent around the internet; one of the many changes that smartphones have brought to photography is that, for the first time, the photos are mostly looked at on the same device they were taken with, but that they can also be sent and seen just about anywhere. If the image is taken using night mode, then there's even more work, with new tools that ensure that colours are more accurate. And that isn't even mentioning portrait mode, which when it registers that there is a person (or a pet) in the frame will gather the relevant depth information to ensure that the background can be manipulated later. That whole process – those five paragraphs, and thousands of calculations by the phone – happen within the tiniest moment after pressing the button to take the photo. The phone may look as if it is serenely offering up an image to its users, but it has been busily working away in the background to ensure the picture is as accurate and vibrant as possible. All that work done by the camera and the rest of the device depends on a variety of choices made not only by the iPhone but by Apple, which accounts for the look of the modern iPhone picture – Veron says that its aim in making those decisions is to make "beautiful, true-to-life memories in just one click". McCormack is clearly keenly aware of the responsibility of that task; his vision decides what the world's memories look like. "This is your device that you carry with you all time the time, and we want to be really, really thoughtful of that," he says. That responsibility carries into the design of the camera within the phone: rumours had suggested that this year's model would include a "periscope" design for the long zoom, bouncing the light through the length of the iPhone, but McCormack says that Apple went for the five-way prism to ensure that it could "both retain the industrial design that we want, to just make iPhone feel so good in your hand, but also be able to get that extra focal length". "It is just of one of those crazy things – only Apple is going to do something like that. And I'm really glad that that's the way we think about product." 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