Oil headed for a sixth straight weekly gain, the longest winning streak in more than a year, after

A mother was killed and her two children critically injured after they were attacked with a hammer in their apartment in New York city. The police responded to a report of an assault in progress around 3pm on Wednesday, where they found the mother and her children in critical condition. The 43-year-old was pronounced dead after being shifted to NYU Langone hospital, said New York city police department chief of patrol John Chell. “The incident I’m about to describe to you is a horrific and senseless act of violence which took the life of a married mother of two,” Mr Chell told reporters. “I think I can speak for all New Yorkers when I say our community, all our prayers are with this family at this time.” “The 5-year-old son and 3-year-old daughter are fighting for their lives,” he said, without publicly divulging the identity of the people involved in the incident. “On behalf of New York City, everyone here, our hearts go out to this family.” While the suspect, a 47-year-old man, was arrested as he tried to leave the building at 52nd Street near 5th Avenue, it isn’t clear what charges he may face. Describing the accommodation as “tight quarters”, Mr Chell said: “Don’t know what the dispute was about but we’ll figure it out.” The victim along with her two children occupied a room in the three-bedroom apartment that she shared with the suspect and his nine-year-old son. The third room is occupied by a single person, said Mr Chell. Read More Police investigating claim that missing South Carolina woman was last seen with Gilgo Beach murders suspect Betty Tyson dies at 75, spent 25 years in New York prison before murder conviction was overturned Woman, 28, pleads guilty to fatally shoving Broadway singing coach, 87, avoiding long prison stay

Chelsea have set their asking price for Mason Mount, who is wanted by Man Utd.

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Rob Page insists Wales can still automatically qualify for Euro 2024 next summer, despite suffering a second successive group defeat in Turkey. Wales suffered a 2-0 loss in Samsun on the back of Friday’s horror show against Armenia, when opponents ranked 97th in the world claimed a 4-2 victory in Cardiff. Having reached the halfway point of their eight-game campaign, Wales are five points behind leaders Turkey and two adrift of Armenia who have a game in hand. Group favourites Croatia are level on points with Wales having played two fewer games. Wales are almost certainly guaranteed a play-off spot through their Nations League ranking, but manager Page insists Wales can secure one of the automatic two qualifying spots on offer in Group D. “Absolutely (I believe that),” said Page, who has overseen just one win in 12 games since Wales qualified for the World Cup last June. “To do it, we need to get both sides of the game bang on and do it really well, if we are to be successful. “It’s been a frustrating camp but there have been so many lessons to learn from it. “We will address it. We go into every game to win it. It just means it’s really important we get wins at home and get as many points from them.” Wales were left with an uphill task from the 41st minute when midfielder Joe Morrell caught Ferdi Kadioglu high with his studs and was sent off. It was Wales’ second red card in as many games after Kieffer Moore was dismissed against Armenia. Danny Ward saved Hakan Calhanoglu’s 64th-minute penalty after Aaron Ramsey had handled Kadioglu’s cross. But Turkey’s pressure told as substitutes Umut Nayir and Arda Guler scored in the final 18 minutes. Page said: “Whenever you come to Turkey away, you know it’s a tough test. “Having said that, before the sending off, I thought we matched them and I was really pleased with the performance defensively, which we obviously addressed off the back of Friday’s result. “With the ball I thought we got Aaron and others in great positions up the pitch and we were brave to play through them. “We looked at the footage and we thought that was an area we could exploit and that was working up until the sending off happens. Completely changes the game. “Up until the 70th minute I thought we defended our box really well, only one cross into our own box and it cost us, that first goal. “He (Morrell) is not intentionally doing it. He’s got his eye on the ball, but when you put your foot that high, you run the risk of getting a red card. “He knows it. There’s nobody more disappointed than Joe in the changing room.” Turkey boss Stefan Kuntz was relieved to get the victory, especially after his side twice had the ball in the net only to be denied by VAR checks. Kuntz said: “I might need to wait next time until I cheer. It’s been a difficult time for us and for the fans and in the second half we needed to be calmer. “We tried to manage the game in the second half and the fans were very helpful.”

China’s economic recovery showed further signs of weakening in May, clouding the outlook for the rest of the

Anne Hathaway’s on-screen portrayal of a fashion challenged assistant to an Anna Wintour-inspired magazine editor in The Devil Wears Prada led her to become the style muse for several major fashion houses, including Versace. Now, the 40-year-old Hollywood star has begun experimenting with new fashion trends, crafting mod looks, and stunting on every red carpet. While Hathaway’s induction into the fashion world can be traced back to her role in the 2006 film, the actor has revealed that she’s recently been taking style cues from Generation Z. In a conversation with Vogue published on 29 August, the Princess Diaries star opened up about her motivation to take fashion risks in recent years. “I know this sounds like I’m super-pandering, but I’m really switched on by Gen Z,” she confessed. “It’s a fun generation when it comes to fashion.” Hathaway went on to not only credit the group of individuals born between the late 1990s to the early 2000s for her style playfulness, but the artistic direction of standout designers. “I feel like designers are having a lot of fun,” she said. “I feel like people are enjoying it. Maybe it was always the case, and maybe I was the only person in the corner watching everybody else have fun,” Hathaway continued. “But just the ability to enjoy it feels like it’s more available to me now than it ever was before.” The Interstellar actor has been collaborating with stylist Erin Walsh on some of her most sought-after looks, such as her Karl Lagerfeld-inspired Versace number she wore to this year’s Met Gala honouring the late Chanel designer. On her partnership with the stylist, Hathaway said: “She inspires me. Her style has really rubbed off on me, and the way she wears things, whatever it is, she always wears it in the most effortless way possible.” Walsh expressed the same sentiment about Hathaway when speaking to E! News this past May. “What’s more stylish than a woman who is embodying her ultimate essence and dressing the part?” Walsh admitted. “Anne is beautiful inside and out. It’s very inspiring to see someone actually glowing.” Much like her character in The Devil Wears Prada, Hathaway used to feel trapped under one aesthetic when it came to her everyday fashion. She explained how she preferred to play it safe, and didn’t realise that she could assume some of the unique looks that she’d seen others in. “I thought that I could only have one,” the Academy Award-winner proclaimed. “I felt really lost because I didn’t know what that was until I realised I have so many styles. Once I realised that, then I felt like something clicked. But that’s just me. It’s different. Some people are like, ‘Nope, black turtleneck every day.’” Whether she’s sitting front row at a Louis Vuitton runway show wearing a collared mini dress and elevated updo, or donning an all-latex black ensemble with sheer tights for Versace, Hathaway’s style can no longer be categorised under just one uniform. Read More Fans defend Anne Hathaway after she appears to ‘ignore’ Priyanka Chopra at fashion event Vogue divides opinion with controversial job posting for Anna Wintour’s assistant ‘Unproblematic people don’t age’ reflects the stupidest kind of beauty standard

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