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A person has been detained in connection with the fatal shooting of a Los Angeles County sheriff’s deputy who was shot over the weekend in what authorities say was a targeted killing. Deputy Ryan Clinkunbroomer, 30, was on duty Saturday night and sitting in his patrol car at an intersection in Palmdale, California, when he was ambushed, Sheriff Robert Luna said in an earlier press conference. “He ambushed and killed — murdered — one of our deputies,” Mr Luna said, describing the suspect as a “public safety threat.” The sheriff announced on Twitter Monday morning that a person has been detained, but further details were not immediately available. A press conference is set for later today. Police said there was video that captured a vehicle described by Mr Luna as a 2006 to 2012 dark grey Toyota Corolla driving next to Clinkunbroomer’s patrol vehicle at the time of the 6pm shooting. The sheriff released photos, calling it a “vehicle of interest.” Mr Luna added that Clinkunbroomer had gotten engaged just four days before the incident. “He was just starting his life,” the sheriff said. The sheriff also released a statement on Facebook, writing that the “eight-year veteran of the LASD” was “senselessly murdered tonight.” “From everything I know about Ryan, people absolutely loved and adored him. He wasn’t just one of our Deputy Sheriffs. He was a third generation deputy. His father and grandfather served with us,” the statement read. “Service was running through his veins. He embodied the values of bravery, selflessness and was committed to justice. Our deputy was a devoted family member and a cherished community member. He was cowardly shot while working tirelessly to serve our community this evening,” the sheriff added. Read More LA sheriff’s deputy shot dead inside patrol car in targeted ‘ambush’ days after marriage proposal A Mississippi jury rules officers justified in fatal 2017 shooting after police went to wrong house Minnesota man acquitted of killing 3 people, wounding 2 others in case that turned alibi defense

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They might as well call this feature the "Jerk Alert." To be more specific, DoorDash

As their soon-to-be former teammates formed a guard of honour on Saturday, there were four presentations in all, two for men in tracksuits, two for those who have distinguished themselves in Liverpool shirts over the last eight years and who wore them at Anfield for a final time. The scorer Roberto Firmino and James Milner, the thirty-somethings who are veterans of over 300 Liverpool appearances apiece, had bowed out as influential substitutes. For the younger duo of Naby Keita and Alex Oxlade-Chamberlain, a watching brief felt sadly fitting. It is how they have spent much of their Liverpool careers: sometimes watching on from the bench, often from the stands. Neither has reached 150 appearances in all competitions, even including outings as a substitute. Keita has started 49 league games since his £52m move, or 26 per cent of those in his five years at Anfield, Oxlade-Chamberlain 46 in six, which is just 21 per cent. This season, the Englishman has played 335 Premier League minutes – just 10 per cent of Liverpool’s – and the Guinean 294, or 8.9 per cent. They have had spells as ever-presents on injury bulletins. They were both omitted from Liverpool’s Champions League squad in the autumn, even if the medical team’s pessimism about Oxlade-Chamberlain proved excessive, eventually rendering him fit but ineligible. “Four legends,” Jurgen Klopp had said, but it felt a generous description. Firmino qualifies; so, too, Milner, an unglamorous and often uncelebrated figure, belatedly got his own banner in the Kop. “Ribena for my men – we ride at dawn,” it read, a fine salute to a teetotaller defined by his physical power, willing spirit and leadership qualities. Liverpool, Klopp feels, will miss his mentality. “He sets a high, high bar,” said his manager. But there were heartfelt tributes and a sense of what might have been. The departing quartet fall into two categories: a pair who realised their potential and a duo who did not. It is not entirely their fault. Oxlade-Chamberlain’s Anfield career can be divided into two, though certainly not at the half-way point. He was electric for three months before suffering a cruciate ligament injury against Roma in the 2018 Champions League semi-finals, the dynamic, explosive attacking central midfielder he had always wanted to be. Though he had a fine 2019-20 season, he never recaptured that zest. Keita’s terrific debut against West Ham in 2018 proved a false dawn. He was sporadically excellent thereafter – by and large, he had an impressive 2021-22 season – but Klopp’s assessment last year that of his first 100 games, 80 of them were “really good” was not shared by many supporters. For some, Keita’s time on Merseyside was summed up by his shot in last season’s Champions League final: skied, it was a missed opportunity. For others, it may be epitomised by the Twitter thread of the five strangest reasons for his frequent absences, from getting hurt walking, to being injured on a plane, to a military coup. There was a farcical element but Liverpool could count the cost of two moves that went wrong. They have never had the margin for error that the Manchester clubs possess in the transfer market. For years, they got nearly all of their major signings correct, sometimes spectacularly. But Keita and Oxlade-Chamberlain cost a combined £87m and will leave on free transfers. Each is in his twenties and, while it was not stated explicitly, was not offered a new deal. Klopp is a master of eloquent compliments, but Liverpool gave up on both. For years, camouflaged by the excellence of their elders, it mattered less than it might have done until, suddenly, it proved crucial. Six years after Liverpool agreed to sign both – they wanted Keita so much they waited a year for him to actually arrive – they were supposed to be the future of Liverpool’s midfield and the future arrived. Liverpool’s many midfielders this season fell into three categories: the thirty-somethings, the youngsters and the trio at their supposed peak, in their late twenties. But Fabinho has had an awful campaign and Keita and Oxlade-Chamberlain were bit-part players, making a combined total of seven league starts, none before Boxing Day, none after February, none where they played 90 minutes, only two of which Liverpool won. Without them, it has been a season of makeshift midfields, of problems at the heart of the side. With Thiago Alcantara and Jordan Henderson ageing, perhaps the plan was for this to be the season of Naby Keita: instead it ends with him being released. Liverpool lost the generation game; the next group, whether Stefan Bajcetic, Harvey Elliott or Curtis Jones, all had periods that showed their promise but those who were supposed to represent the present either regressed or simply were not available. A consequence is that much of Liverpool’s summer budget will be devoted to midfielders; with a need to split it to get more than one – which may not have been necessary had Keita flourished and earned a new deal – they won’t get Jude Bellingham. Their outlay could stretch into nine figures; in a sense, they will be looking to regenerate, to shape Klopp’s second side. In another respect, they are seeking to replace Keita and Oxlade-Chamberlain, to find players of the quality they were supposed to show more often. But whether their eventual arrivals are Mason Mount and Alexis Mac Allister or Ryan Gravenberch and Conor Gallagher, the first ability they need to demonstrate is one Keita and Oxlade-Chamberlain have lacked too often: availability. And preferably for at least 50 games a season. Read More Liverpool will still attract top talent across ‘exciting’ and ‘intense’ summer, Virgil van Dijk believes Roberto Firmino ends glorious Liverpool career with imperfect goodbye Jurgen Klopp admits Liverpool have not been good enough for top-four finish

Some members of the Screen Actors Guild — American Federation of Television and Radio Artists (SAG-AFTRA) have reportedly written a letter to union leadership urging the negotiating committee not to settle with the Hollywood studios on a deal that does not represent their demands.