No – celebrities won’t be wearing pajamas at the 2024 Met Gala. Yesterday, Vogue announced the theme of The Costume Institute’s 2024 exhibition at The Metropolitan Museum of Art and the Met Gala motif entitled, “Sleeping Beauties: Reawakening Fashion.” The reveal was met with a myriad of confused individuals online, predicting a display of designer jammies on the red carpet for the famed opening as well as a parade of princesses on the museum steps thinking “Sleeping Beauties” was a reference to the classic Disney animation. Yet, neither are correct. So, if the theme doesn’t call for nighties or knights, what does “Sleeping Beauties: Reawakening Fashion” mean? First, let’s dive into the intention of the exhibit. The new exhibit promises to display 250 archive pieces from the Costume Insititute’s permanent collection, some of which date back 400 years to the Elizabethan period. According to Andrew Bolton, Wendy Yu Curator in Charge of The Costume Institute, the entire exhibit is centered around 50 historical garments, latent and so fragile they can never be worn again – the “sleeping beauties” of the exhibit. The main motivating piece was a Charles Frederick Worth original, an 1877 silk satin ball gown. Each delicate piece, some no longer in their true form, will be reimagined inside innovative casings made to bring the garments back to life. While the inherent movement of each piece is apparent even in a state of stillness, CGI, soundscaping, light projection, the illusion technique Pepper’s ghost, and video animation will be installed to propel these pieces out of their shelling. Just as a 17th century bodice is said to be contextualised next to a modern acquisition, each archival treasure will be juxtaposed with more current designs from lauded creatives like Stella McCartney, Phillip Lim, Yves Saint Laurent, Elsa Schiaparelli, and Christian Dior, all mimicing the same structural concept of its counterpart. Through careful curation, the organic essence of each textile piece will be categorised under three “zones” or sections – land, sea, and sky. By doing this, the idea is to highlight views of the natural world, how perception of these areas has changed, and how they’ve been configured in fashion. In other words, we’ll get to see the evolution of nature and how it’s been developed by industry inventors. Notable pieces by Alexander McQueen like the razor-clam shell dress from the 2001 “Voss” spring/summer collection and the mesmerising butterfly dress from Sarah Burton’s first collection at the fashion house in 2011, will be featured. Overall, “Sleeping Beauties: Reawakening Fashion” intends to dig up tangible pieces of history, some of which were put to rest years ago, to motivate conversation about natural elements and emotion, as well as pay homage to the intimacy between a garment and its wearer with the transformative power of current technology. Based on the aim of the exhibit, we can expect to see the A-listers attending the Met Gala – the annual Costume Institute benefit held on the first Monday in May – in custom-made or revived period pieces that channel all or one of the sections. Designers often collaborate with celebrities to come up with renditions of past runway looks, but this time they’ll most likely be imagining traditional structures, built with organic fabrics and materials. The looks should implement a historical aspect, reminiscing on the evolution of fashion in tandem with conversations and feelings about climate and landscape. We may see a lot of creatives tap figures from Elizabethan times, playing with long and full silhouettes. But one guarantee for the Met Gala every year is stars dressing with absolutely no intention of being on theme. So, who knows maybe someone will show up in their matching PJ set. Read More Met Gala officially announces its 2024 theme Karlie Kloss pokes fun at viral Met Gala 2019 dress: ‘Looking camp right in the eye’ We can’t bash or boast billionaire Kylie Jenner’s brand – yet

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Newcastle United may have had a close-up view of Borussia Dortmund’s two best performances of the season but Eddie Howe rued: “I don’t think Dortmund have seen the best Newcastle.” Paris Saint-Germain have, but that might not be enough to spare his side. The Champions League may not see much more of Newcastle for this season and the group of death might lead to an early autopsy. After Tuesday night’s 2-0 reversal made it twin defeats to Dortmund, Howe conceded Newcastle probably need two wins – away to PSG, at home to AC Milan – to extend their participation beyond Christmas. His downcast air suggested it is unlikely. From topping their pool two weeks earlier, Newcastle prop it up. And there was a death of sorts in the Signal Iduna Park on a night to showcase where, after it went spectacularly right on the night against PSG, it has gone wrong for Newcastle. Callum Wilson had four touches and went off at half-time, Howe citing a tight hamstring, others wondering if an ineffectual performance was the reason. Kieran Trippier, so good for much of the campaign, had a second underwhelming outing against Dortmund, his poor free kick leading to their second goal. Bruno Guimaraes, without Sandro Tonali to share the load, was no better; Newcastle had looked over-reliant on each to conjure something. Lewis Hall’s Champions League debut was curtailed after 45 minutes in which he was booked and because Howe was concerned he might be sent off. Tino Livramento’s bow at this level was more encouraging but he had to play three different positions and Joelinton wasted the chance he made. Anthony Gordon and Miguel Almiron began on the bench, players who are reliant on sharpness suffering from their recent workload, and without Harvey Barnes, Alexander Isak and Jacob Murphy, there were no alternative forwards. The eventual analysis may be that Newcastle were wounded before they suffered a fatal blow. They ran out of players, losing some of those who may have made a difference. Isak played only 14 minutes at home to Dortmund, none away. Barnes has played one minute in the competition. Sven Botman has a lone appearance, and it brought Newcastle’s sole clean sheet. Without Dan Burn, three different players took turns at left-back in the Signal Iduna Park. Injuries have been compounded by another absence, and the prospect of it: but for his impending betting ban, Tonali may have started when Dortmund visited St James’ Park. Their build-up disrupted, that defeat deprived Newcastle of momentum. The Italian was supposed to add Champions League experience. Should the standings stay the same, should Dortmund progress, the knowhow of annual entrants may appear crucial; Newcastle are rookies at this level and Howe did not dispute that his side have not always replicated their domestic form in continental competition. There is a contrast between their fortunes in England and Europe. Edin Terzic had studied the statistics. “We manged to win twice against Newcastle, their only two defeats in 13 matches, every time with a clean sheet,” noted the Dortmund manager. Only Manchester City and Brighton have shut Newcastle out in the Premier League or Carabao Cup; Milan have done once and Dortmund twice in the Champions League. Newcastle have not scored away in Europe. “I think we have had chances in both games,” said Howe. “Maybe haven’t been as clinical as we would like.” Yet they had a lone shot on target in San Siro, from Sean Longstaff in injury time, and if Joelinton was profligate in the Signal Iduna Park, others did not get the opportunity to be. Newcastle felt insufficiently creative. Maybe it would have been different had Gordon been able to set the tone by rousing, riling and rattling. “Anthony played 90 minutes against Arsenal and gave everything,” Howe explained. “The turnaround was too quick for him to start so we wanted to use him as an impact player.” There was reason behind the rotation but it backfired. Yet Dortmund showed what they lacked. Newcastle have no player of the inventiveness of Julian Brandt, no specialist in picking the lock. Their system contains no space for a No 10; their squad has no one with that skillset, though Brandt excels playing off the left for Dortmund. Perhaps European football necessitates more of an artist; maybe a future spending spree should be focused around someone with those qualities. That lack of a genuine creator in the final third is a partial explanation of their inability to score in three of four Champions League games. Some of the goals they did score in the other - Burn’s magnificent header, Fabian Schar’s long-range strike – were the most special because they had the feel of one-offs. In contrast, Nick Pope’s heroics have come to seem the norm. The goalkeeper has been Newcastle’s finest player in three of their other supposed elite players were out of sorts, on the bench or absent altogether, it wasn’t enough. Maybe Newcastle’s efforts won’t be, either: and if this is a learning curve, a lesson may be that overachieving in England is one thing. Doing it in Europe is altogether harder. Read More Outclassed Newcastle left on the brink of anticlimactic Champions League exit What do Arsenal, Man City, Man United and Newcastle need to reach last UCL 16? Borussia Dortmund v Newcastle LIVE: Champions League result and reaction Lascelles hits out at Jorginho after Arsenal star snubs handshake Arsenal decry ‘unacceptable refereeing and VAR errors’ after Arteta outburst How Anthony Gordon became central to Newcastle’s Champions League hopes

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