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Donald Trump’s criminal trial over a stash of White House documents recovered from his home in an FBI raid may not take place until November. That was the request that Department of Justice Special Counsel Jack Smith filed late Friday evening with Judge Aileen Cannon, who is overseeing the prosecution of the former president. ABC News first reported the filing, which cites the need for prosecutorial staff to obtain security clearances as one of the key reasons for their requested delay past the original trial date in August. A second motion requests that Ms Cannon prevent the release of a list of witnesses for the trial whom the Justice Department will seek Mr Trump be barred from contacting. Among other crimes, the ex-president is also charged with witness tampering, and has been ordered not to be in contact with one of his close aides: Walt Nauta. The development means that any trial will likely begin after at least the initial GOP primary debate this summer and could very well continue through voting in early primary states next year. Mr Trump has plead not guilty to all 37 counts, and loudly decried what he calls a witch hunt against him. But senior officials from his own administration have undercut that defence, unwilling to propagate the fantasy that Mr Trump had the authority to retain classified documents that pertained to national defence or the nonsense theory that the trove is somehow comparable to much smaller batches of presidential records recovered (without resistance, unlike in Mr Trump’s case) from the homes of Mike Pence and Joe Biden. His allies have claimed without evidence that the Justice Department is coordinating with the White House on the case, and have held strong to the idea that their leader did nothing wrong. But new evidence obtained by news outlets indicates that Mr Trump even spoke to reporters about a document in his possession which he verbally acknowledged was still classified. Mr Smith’s case exploded into view last year with the FBI’s raid of Mar-a-Lago; now, it is one of more than a half dozen criminal and civil legal fights bearing down on the former president. Aside from being accused of violating the Espionage Act with his trove of (allegedly) stolen documents, Mr Trump is also accused of 34 counts of falsifying business records in New York; in addition, the actions of the ex-president and his legal team are thought to be at the centre of a grand jury investigation in Georgia over the efforts to change the election results in that state. Read More Trump claims he ‘doesn’t want any help’ fighting federal indictment after he struggled to find attorneys willing to represent him Trump calls on Congress to help him wriggle out of federal charges Fox News’s Bret Baier hits back at Trump conspiracy theorist after ex-president appears to incriminate himself in interview New recordings of Trump revealed in classified papers investigation, documents show ‘I’m very proud of my son’: Joe Biden defends son Hunter Biden after deal with DoJ to plead guilty to federal charges Democrats downplay Hunter Biden's plea deal, while Republicans see opportunity to deflect from Trump

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Kamille has established herself as one of the most successful women in the music industry. As an Ivor Novello, BRIT and Grammy Award winner, she is behind some of the biggest hits of the last decade, working with the likes of Little Mix, Dua Lipa, Stormzy, RAYE and Kylie Minogue and in 2017, released her own debut EP – ‘1. my head’s a mess’. But now 2023 has been a year of metamorphosis for the 35-year-old - otherwise known as Camille Angelina Purcell – who is spreading her wings as a solo artist with her new mini album ‘K1,’ a personal process especially since she was pregnant with her first child while working on the project. “I'm still juggling right now between making music and being a mom and everything but it's just a beautiful, crazy time. I'm loving it,” she told Indy100 about her simultaneous solo music and motherhood journey. Upon chatting to Kamille on the phone last month, it was clear to hear her excitement about the approaching September 8 release – an eight-track mini album that includes notable features from Chic legend Nile Rogers and R&B belles Tamera and Bellah. When she asked for my thoughts on the album (which is a bop), I mentioned the second track and second single “Options ft. Tamera and Bellah” as one of my favourites. The empowering R&B tune is the ultimate girl's anthem, created entirely by women to empower those currently in a relationship who are being treated like an ‘option’ – a predicament that’s “probably happened to all of us in some contexts.” “I'm happy with my husband. I'm happy in my friendships, but I think I've learned to walk through life like I am the main option. I'm the lead character in my life and so should everyone else be and that's what this song is all about,” Kamille said. “[It’s] Just a reminder, like don't let anyone treat you like an option. Never ever, ever. You're always the first choice to have a first pick.” The R&B influences, synth-pop production, and catchy chorus all contribute to the song’s memorability, as Kamille discussed the sound she created. “Oh my gosh, I don't feel like I found it [the sound], I think it found me,” she said, with a laugh. “I've loved 80’s music all my life. It's what I've grown up on and been inspired by and I don't know it just made me feel so throwback when I was playing around with some of those sounds,” with the song reflecting the Motown Classics and funk hits she listened to with her parents growing up as her artistic influences such as ABBA and Pharrell. “It was giving me like Gloria Estefan when I was playing synths that are on ‘Options,’ and added it gave her the “nostalgia that [she] wanted across the whole album. The musician also described how a lot of the songs she made for the album, “felt quite collaborative,” and explained the creative process for this particular track. “I'd written a chorus verse which was ‘Options’ but I was very early on in the stages and I was like, I feel like this is giving me like girl anthem, like girl empowerment but and I was like, I need to reach out to R&B Queens for this because only they can make it right.” All it took was a slide in the DM’s for both Tamera and Bellah to be on board. “And then next thing you know, we were all in the studio and it happened really fast. Just finished it off together and it is what it is; it's just become this crazy thing.” Since ‘Options’ was released back in June, it became BBC Radio 1’s Track of the Week which Kamille called “incredible,” as well as the “lovely feeling” to receive messages from fans saying they’ve heard the song on the radio. “I have a Telegram account specifically just to speak to [fans], I can go in and we talk every day we're like besties.” Another highlight from the album is ‘The Sun,’ a touching tribute from the singer to her son whom she was pregnant with when making the album last year she described both experiences as a “labour of love.” “‘The Sun’ is actually about my son, which is really cute. I love that he's got a place on the album because he definitely inspired the whole thing for sure,” Kamille said. “For me, it’s a standout song just because I remember writing it or thinking about him and I didn't even know I was having a boy at that time I wrote the song about feeling like shining like the sun but now it's tending to like the sun so and in my mind. She added: “It's so weird how that worked out. But yeah, hopefully this is back and remembers how much I loved him in that process even though he was giving me all kinds of help.” If you’re wondering whether there are any similarities between recording an album and having a baby, Kamille would say so. She explained how making music is “very similar to when you have a baby - you don't remember the pain.” “You remember the fact you now have a baby - it's a weird thing, music and babies are very similar.” Becoming a mother has also reinforced the artist’s passion and “hunger” for success in her music career. “It definitely kind of switches things up a gear for you as a human being you want to provide for your child and I think in any aspect you'll just want to work even harder for them so I definitely noticed that when I'm in the studio.” Going into her solo mini album, Kamille had quite the C.V. working with Little Mix – described as their unofficial ‘fifth member’ – as well as Dua Lipa, Stormzy, RAYE, and Kylie Minogue and more, all artists she has been “inspired by” and that contributed to discovering her own sound. “Being that close to [those artists] has only been a benefit to me because we set the bar so high,” she said describing this influence. “I think it's just made me feel even more that I can achieve it for myself. So yeah, it's been a beautiful thing to be so close to such successful artists as those and only just want to try and get there myself as well.” When it came to her own album, Kamille had a hands-on approach, using her experience to write and produce the album herself and working with “prolific” mixing and mastering engineer Manon Grandjean who is “mixing probably every pop record you can think of at the moment.” The collaboration on K1 was a “full circle moment” for them after meeting years back when they worked on Stormzy’s music and then continued to work together with other artists. “It's been beautiful having just women across the production side of my projects,” Kamille said and she hopes to “inspire other women as well.” There is no denying the disproportionate gap when it comes to women’s representation in music. Only 18 per cent of headliners at the UK's biggest festivals this year are women a Sky News study found, while behind the scenes, less than 5 per cent of audio engineers are women too. Kamille believes there is “so much more that can be done,” to address this issue. “I make it so people know that I've produced my music. I love that when people, for example, go on Spotify, and look at the credits. They just see my name there,” and she hopes it can “point to other girls that you can do it as well.” Last year, she alongside producer, singer and DJ Fred Again– otherwise known as Fred Gibson – ran a workshop called ‘Next Up,” from the nonprofit organisation She Is The Music where only female producers for a whole year went to their music studio every month, attended workshops, and got their songs heard by the two musicians. “Me and Fred love doing that so much because we've seen how much they developed just from having that help and advice from us and it was incredible,” she said and is keen to do another program with Fred this year. All in all, listeners can expect K1 to be a moment of fun with the tracks bringing “good vibes and positive energy,” something that an “empowered” Kamille is radiating at present. But the hard work doesn’t stop there as she admitted new music is always on the horizon. “There's so much more to come. I mean, I'm making music all the time,” she said. Kamille has also announced her first-ever headline show at London’s Omeara on Thursday, 12 October where you can hear K1 live. “It's been a really long journey and I think people are just now probably starting to find out more about me and my music and that it's so incredible for me, and I'm just very grateful for anyone who has been touched by anything I've written for others or for myself,” she concluded. “I just want to say thank you so much and there's so much more to come as well.” 'K1' TRACKLIST Muscle Memory featuring Nile Rodgers Options featuring Bellah and Tamera Don't Waste My Time The Sun Time To Kill Fancy Wine All My Love Manifesting - Part 1 Kamille’s debut mini album ‘K1’ is out now, get tickets to her headline London show here. Sign up to our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.