Folarin Balogun reveals his conversations with Arsenal manager Mikel Arteta before his transfer to Monaco. Inter and Chelsea also showed interest in the 22-year-old USMNT international before his return to Ligue 1.

No, Wes Anderson hasn't been scrolling on the For You page, as the filmmaker revealed that he has never seen a TikTok - despite there being an entire trend about his films. The 54-year-old is widely known for his distinctive cinematic style in terms of cinematography, colour design and composition, and some of his films include The Grand Budapest Hotel (2014), The French Dispatch (2021), and most recently Asteroid City (2023) and many more. Earlier this year, a TikTok trend emerged where people filmed their mundane activities with symmetrical shots and quirky music and it all began with TikToker @avawillyums who filmed her train journey emulating the movie director. Sign up to our free Indy100 weekly newsletter The hashtag "Wes Anderson Trend," now has over 216m views, however despite the virality of the trend, Anderson himself still hasn't seen a single TikTok. @avawillyums With a good imagination, everything is symmetrical. Let a girl day dream! #wesanderson Speaking to The Daily Beast, he confessed when asked about the emergence of AI-generated trailers that reimagine classic movies such as Star Wars, Lord of the Rings, and Dune in his cinematic style. "I’ve only been exposed to it verbally. I haven’t seen any of it," he said. "Obviously, it’s easy for me to go to the right web page and see it. I choose not to really engage. I guess it’s because I don’t want to get distracted by that." He added: "It’s a bit like if you’re told, 'Your friend does a great version of you.' Maybe you say, I’d really like to see it, and maybe you say, I don’t want to see a version of me, even if it’s good. It can be like, “Is that me?” That’s not necessarily the thing you want." It was after this that he mentioned how he hadn't seen a single TikTok video. Anderson said: "At some point, I’m sure I’ll go in there and see. But I’ve never seen a TikTok, for instance, of anything. I’m not going to start with me. [laughs]" Meanwhile, Anderson's latest film Asteroid City (2023) is set to be released on June 19 and stars Tom Hanks, Scarlett Johansson, Jeffrey Wright, Tilda Swinton, Bryan Cranston, Adrien Brody, Edward Norton, Steve Carell, Hope Davis, Live Schreiber, Rupert Friend, Hong Chau, Maya Hawke, Stephen Park, Willem Dafoe, and Margot Robbie. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

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The nefarious potential of digital technology has never been of greater concern. Artificial intelligence is already outsmarting us, and doxxing and deepfake are now firmly part of the common lexicon, so it’s no wonder we live in fear of what lies ahead for our kids. We already lament that young people live their lives as much on social media as they do in the real world, but to what extent can we blame these platforms for everyday mistakes and, even, tragedies? To answer that question, we must turn to two words which strike fear in the hearts of parents around the world. They are: “TikTok” and “challenge”. Sign up for our free Indy100 weekly newsletter To the uninitiated, trends and challenges are the lifeblood of the video-sharing app. What began as a lighthearted stage for lip-syncing and dance routines (originally called Musical.ly), is now a hive of endless hashtags, each one encouraging a new stunt or craze. TikTok’s algorithm is a formidable and unpredictable beast, with the power to propel content creators to global stardom and seven-figure earnings and churn out entire new brands. But while most of us can forgive the platform for inviting pink sauce and Charli d’Amelio into our homes, we will not forget its more sinister capabilities. Indeed, mums and dads not only have to contend with the influence of certain notorious brainwashers, but they also face the prospect of losing their child to a dangerous prank – all for the sake of a few likes and the fleeting respect of their peers. A number of serious injuries and deaths have now been attributed to misguided attempts at “trends” on the app, with the so-called “blackout challenge” alone deemed culpable for the deaths of at least 20 children aged 14 or under in the past two years, a Bloomberg Businessweek investigation found. Archie Battersbee, 12, was widely reported to have taken part in the self-choking craze before he was found unconscious by his mother back in 2022. He’d suffered a catastrophic brain injury and died four months later. Then, in April this year, 13-year-old Jacob Stevens passed away in hospital six days after taking on the “Benedryl challenge,” according to his grieving dad. And less than a month ago, 16-year-old Mason Dark was left “unrecognisable” with burns after creating a makeshift blowtorch as part of an alleged TikTok stunt. Yet, there is scant, if any, proof that the platform had any part in fuelling the tragedies suffered by each of these particular kids. In the case of Archie, an inquest found that there was “no evidence” to back up his mum’s fear that he’d been doing the blackout challenge. A police report concluded that the 12-year-old had accessed TikTok on his mobile phone on the day of his fatal accident, but officers had been unable to pinpoint exactly what he’d been watching. However, photos and videos downloaded from the device offered no indication that he’d expressed interest in any auto-asphyxiation material. Similarly, TikTok took centre stage in reports on Jacob’s death, but a spokesperson for the company told indy100: "We have never seen this type of content (meaning the Benadryl challenge) trend on our platform and have blocked searches for years to help discourage copycat behaviour.” And although it was almost universally reported that a "TikTok challenge" had inspired Mason to created his near-lethal flamethrower, no outlets were able to provide any details on this. Could it be that he got the idea from another source or platform? Indeed, YouTube hosts numerous make-your-own blowtorch videos, some of which date back a number of years –meaning many of these fad projects were around before TikTok even existed. Still, although TikTok claims that it carefully monitors hashtags so that it can block potentially damaging content, a quick search of “flamethrower challenge” by indy100 yielded at least five examples of creators brandishing dangerous homemade devices. Admittedly one of these was captioned: “Don’t try this at home,” but doesn’t that sound like a challenge in itself? Social media companies are under mounting pressure to protect their young users from online harms and to better enforce age restrictions. And yet, even with the employment of increasingly sophisticated AI and tens of thousands of human moderators, they seem to constantly fall short in their duties. Yet, just look at recent headlines and it’s clear that TikTok seems to be shouldering most of the blame. Perhaps this is because it is the platform of choice among the very young and impressionable – it’s the most popular app in the US, used by almost 70 per cent of 13 to 17-year-olds, according to one survey. But perhaps it’s also because TikTok’s biggest rival launched a major campaign to tarnish its reputation last year, and it's still suffering the repercussions. Meta hired one of the most influential Republican consulting firms in the US to turn the public against the platform, driving home the idea that the app was a danger to American kids and society. The firm, Targeted Victory, used a nationwide media and lobbying push to spread the message that TikTok was a “threat”, according to leaked emails seen by the Washington Post. Among its tactics was to promote dubious stories about alleged “TikTok trends” that, in fact, originated on Facebook, the paper noted. In another email, a staffer for Targeted Victory asked one of the company’s partners: “Any local examples of bad TikTok trends/stories in your markets? [The] dream would be to get stories with headlines like ‘From dances to danger: how TikTok has become the most harmful social media space for kids’”. Following the Post’s investigation, Meta spokesperson Andy Stone defended the campaign saying: “We believe all platforms, including TikTok, should face a level of scrutiny consistent with their growing success.” TikTok responded by saying it was “deeply concerned” about “the stoking of local media reports on alleged trends that have not been found on the platform.” And yet, for all its protestations of innocence when it comes to the housing of high-risk content, TikTok was essentially the architect of its own problems. Back in 2016, Alex Zhu – the co-founder of what was then Musical.ly – boasted that his app was different to its competitors thanks to its promotion of "daily challenges". Every day, the company set users a new task – whether that be a dance routine or a weight-lifting mission – each of which typically spawned more than one million videos, according to Bloomberg. When Musical.ly was bought by Bejing-based platform ByteDance in 2017, and the two merged to become TikTok, the challenges came with it. These trends struck a particular chord with teens stuck at home during the first wave of the Covid pandemic, and so TikTok staff did everything they could to boost interest, for example, by getting influencers to encourage involvement. When more and more dangerous crazes started to crop up (remember the “milk crate challenge”?), TikTok established a “harm spectrum” to help its moderators decide what should be removed, Eric Han, the company’s US head of safety told Bloomberg. Nevertheless, children may be naive but they’re not stupid, and they soon found ways to circumvent the filters and restrictions. Participants adopted new names and hashtags for the dares, in some cases using deliberate typos or code names to signpost their content. The challenges were also carried over to different platforms, infesting social media as a whole with the weird, whacky and outright life-threatening. And so, we come back to our original question: to what extent can we blame these platforms – and, more specifically, TikTok – for the mistakes, injuries and even deaths of the young? The answer is, this shouldn't be about apportioning blame but about taking responsibility and collectively doing everything we can to protect our children. The likes of Facebook, Instagram and, yes, TikTok, too, all need to do more to impose age limits and remove harmful content, and stop putting growth over the safety of their young users. However, we must also accept that kids will always find ways to break the rules, and it's up to us as family members and friends, to remind them that a cheap thrill in your social life isn’t worth losing your whole life over. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

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PHOENIX--(BUSINESS WIRE)--May 17, 2023--