Head to Google’s homepage today and you’ll see its primary-coloured logo transformed into an elaborate floral display, accompanied by an imposing, androgynous face. This face belongs to the pioneering British artist known only as Gluck, who is celebrated both for their iconic portraits and picture frame designs, and for their bold rejection of gender norms. Google has used its Doodle design to pay tribute to the trailblazing visionary on what would have been their 128th birthday. So what do we know about Gluck? And why was their work so important? Sign up for our free Indy100 weekly newsletter Gluck was born Hannah Gluckstein in London on 13 August 1895 to a wealthy catering family. However, as they grew older, they rejected their full name – asking to be referred to simply as Gluck. They attended the prestigious St. Paul’s Girls’ School in Hammersmith before moving on to St John's Wood School of Art. During World War I, they moved to the village of Lamorna in Cornwall, which was known for its buzzing artists' community. There, Gluck began to defy gender norms and fashions, donning men’s clothes and sporting barbered hair. According to the Royal Academy of Art, they refused to identify with any artistic school or movement and so exhibited their work solely in “one-man shows”. They also wrote on the backs of publicity photos: “Please return in good condition to Gluck, no prefix, suffix or quotes.” And, as Google notes, when one art society identified Gluck as “Miss Gluck” on its letterhead, they immediately resigned. Still, despite what would have been eyebrow-raising practices at the time, Gluck earned popularity among their peers and the wider public. In 1932, Gluck designed and patented a three-tiered picture frame, which later became known as the Gluck frame. This traditionally matched the colour of the wall on which it hung, giving the illusion that the painting was part of the wall itself. But perhaps their most famous work was a double-portrait of Gluck and their lover Nesta Obermer, called ‘Medallion’. Gluck referred to the 1936 piece as the “YouWe” picture, which symbolised their spiritual, marital union with Obermer. They later explained that, on 23 June 1936, the couple had attended a production of Mozart’s Don Giovanni at Glyndebourne. Gluck felt that the intensity of the music fused them into one, inspiring the “YouWe” painting as a public declaration of love and commitment. “Now it is out,” they subsequently wrote to Obermer, “and to the rest of the Universe I call Beware! Beware! We are not to be trifled with.” Up until their relationship with Obermer, Gluck was better known for their still-lifes of flowers, which were inspired by arrangements created by their former lover, florist Constance Spry. After this affair ended and their relationship with Obermer blossomed in its place, Gluck’s subjects and style evolved, with the focus shifting to their alliance, which they saw as a true meeting of souls. In 1973, Gluck held their final exhibition, which debuted more than fifty paintings from across their career. As Google points out in the blurb to its Google tribute, Gluck refused to compromise artistically and personally, and their legacy continues to inspire artists to express themselves freely today. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

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Erik ten Hag says Manchester United must keep calm and in control of their emotions if they are to emerge from their ‘Welcome to Hell’ experience at Galatasaray with their Champions League hopes alive. It is 30 years since the Red Devils’ first trip to the Istanbul giants, who progressed on away goals from that highly-charged encounter punctuated by hostility and intimidation. United have visited Galatasaray twice in the Champions League since then and are now preparing for a huge clash for both sides amid an ear-splitting backdrop at Rams Park on Wednesday. The Turkish champions are well placed to qualify having won the reverse fixture 3-2 and Ten Hag knows his side will be unable to reach the knockout phase if they lose the Group A encounter. “We know we can (win away in Europe) and we are confident,” Ten Hag said. “The last games away from home in the league were also very hostile environments. We played very well. We were very calm and composed. “This team also last year in Barcelona (in the Europa League did well), so we know how to deal with it and I’m sure it will be tomorrow a confident team on the pitch.” Asked if he will stress to his players to keep their heads and remain disciplined, Ten Hag said: “Absolutely. You have to stay calm in your head and don’t get too emotional. You need the emotions but you have to control it. “That you don’t give them anything, that you don’t give the referee as well at that moment that they’re going to take, so you have to stay away from such moments. “We know how to deal with it. You have to play confident and you have to make it your game, so it’s not that important how the opponent is playing. “It’s important how we are playing, how we are dealing with possession, how we are dealing with out of possession, so normal stuff. We will make a good plan but then, at the end of day, the players have to decide, they have to manage the game.” United have failed to so much as score in their three visits to Galatasaray, who have embraced the ‘Welcome to Hell’ phase made famous in their 1993 meeting with Sir Alex Ferguson’s side. There are few more hostile environments in European football and Ten Hag was asked by a Turkish journalist what his plans were “to get out of hell” on Wednesday. “We have to make it our game and it’s the history,” the Dutchman said. “Obviously Manchester United has a great history, but you can’t take any guarantee from it in the future, so we have to make our own future. It’s the past, so tomorrow, it’s about the future, so we have to make it our game. It’s on us.” The last games away from home in the league were also very hostile environments. We played very well. We were very calm and composed Erik ten Hag United head to Istanbul without a variety of first-team players, with Casemiro, Lisandro Martinez and Christian Eriksen among those injured. Jonny Evans, Mason Mount, Tyrell Malacia and Amad Diallo are also sidelined, while Jadon Sancho remains banished from the squad and Donny van de Beek was not registered for the Champions League. Marcus Rashford serves a one-match ban for his sending off in the 4-3 loss at Copenhagen earlier this month, but striker Rasmus Hojlund and winger Antony are available. Ten Hag confirmed “they are in the squad” after missing Sunday’s 3-0 win at Everton through injury – a match in which Kobbie Mainoo shone on his first Premier League start. The highly-rated 18-year-old put in an eye-catching display at Goodison Park and Ten Hag would have no hesitation throwing him in again. “No, we don’t have fear (of starting Mainoo again),” Ten Hag said. “If players are good enough, then they are old enough.” Read More Tom Daley back on British Swimming’s World Class Programme in Olympic boost ECB boss admits challenges remain for cricket after positive impact report Former Sheffield United and Everton defender Phil Jagielka announces retirement Bruno Fernandes excited for ‘amazing’ atmosphere at Galatasaray Man City unveil statue of club greats Mike Summerbee, Colin Bell and Francis Lee Football rumours: Juventus eyeing swoop for Thomas Partey

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