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On 24 August 2019, Elijah McClain was walking home from a convenience store, listening to music and wearing a ski mask, in Aurora, Colorado when a 911 caller reported him as “looking sketchy” — a call that would lead to the death of the 23-year-old and a social uprising against how race plays a role in policing. Police spotted McClain — who was not armed and had not committed any crime — and put him in a neck hold. Paramedics then arrived at the scene and injected the young man with ketamine. He died three days later. Now, just over four years after the incident, jury selection began on Friday for the trial of two Aurora police officers — Randy Roedema and Jason Rosenblatt — who had interacted with McClain. The trials of a third officer and the two paramedics are also expected to happen later this year. Why is the trial happening now? The first coroner’s report in November 2019 said that the manner of death was “undetermined,” contributing to a local district attorney’s decision against pursuing charges against the officers involved in the incident. In response, Mari Newman, the lawyer representing McClain’s family told Denver7 ABC, “Whatever the report says, it’s clear that if the police had not attacked Elijah McClain, he would be alive today.” But the incident generated significant public backlash. In June 2020, an online petition demanding that the three officers involved be held accountable circulated, garnering nearly 6 million signatures. A GoFundMe page for McClain raised over $2m. Then, in June 2020, Colorado Gov Jared Polis signed an executive order designating a special prosecutor to determine whether “the facts support prosecution, criminally prosecute any individuals whose actions caused the death of Elijah McClain.” The coroner provided an amended version in July 2021, writing that she believed the “tragic fatality is most likely the result of ketamine toxicity.” Shortly thereafter, in September 21, a grand jury indicted three officers and two paramedics involved. A Colorado district judge ordered three separate trials for the five defendants, and now jury selection is underway for the trial of Mr Roedema, a suspended officer, and Mr Rosenblatt, who was fired in the wake of the incident. Who was Elijah McClain? McClain was a 23-year-old massage therapist. He had reportedly earned his GED from Emily Griffith Technical College in Denver and became a massage therapist at 19. Friends and family described him as a gentle person — to humans and animals. He taught himself to play guitar and violin, and would play his violin for cats in a rescue shelter during his lunch breaks, The Cut reported. “I don’t even think he would set a mouse trap if there was a rodent problem,” his friend Eric Behrens told the Sentinel. Another friend — and former client — Marna Arnett called McClain “the sweetest, purest person I have ever met,” she added, “He was definitely a light in a whole lot of darkness.” “He wanted to change the world,” his mother, Sheneen McClain, told the outlet. “And it’s crazy, because he ended up doing it anyway.” Who were the officers and paramedics involved? A grand jury indicted five involved in the incident. Two Aurora Police officers, Randy Roedema and Nathan Woodyard, and one former officer, Jason Rosenblatt, as well as former paramedics Jeremy Cooper and Peter Cichuniec were each indicted on charges of manslaughter and criminally negligent homicide. According to the 32-count indictment, Mr Woodyard placed the 23-year-old in a carotid hold, while Mr Roedema, the senior patrol officer on the scene, placed him in a bar hammer lock; he said he heard McClain’s shoulder pop three times as a result of the movement. Mr Roedema and Mr Rosenblatt were each indicted on one count of assault and one count of crime of violence. Mr Rosenblatt was fired not for his interaction with McClain directly, but for laughing at a photo sent to him from a fellow officer reenacting a neckhold that resembled the one used on McClain. Mr Woodyard was also allegedly sent the photo, but didn’t react to it and deleted it. He stopped McClain for supposedly looking suspicious and is set to go on trial later this year. The paramedics were each indicted on three counts of assault and six counts of crime of violence. Neither Mr Cooper nor Mr Cichuniec took McClain’s vitals, try talking to the 23-year-old, or touch him before diagnosing him with a widely disputed medical condition called “excited delirium,” prompting them to administer ketamine, according to the indictment. They have all pleaded not guilty. In May, a national organisation of coroners became the latest to denounce “excited delirium,” which is often cited as a cause of death by police in instances of violence from officers against community members. The National Association of Medical Examiners (NAME) announced they would cease recognising the condition. What happened to Elijah McClain? Bodycam footage which was released months after the encounter captured the officers interacting with the 23-year-old. An officer approached McClain, who was listening to music, and demanded he stop walking. Eventually, he complied, as an officer apparently said he was stopping McClain for looking suspicious. When the officers tried to grab McClain, he resisted, saying, “I am an introvert. Please respect the boundaries that I am speaking.” The officers repeatedly told McClain to “stop tensing up.” Moments later, McClain was brought to the ground and held in a carotid hold. He can be heard moaning, sobbing, repeating that “it hurts” and pleading with the officers to stop. McClain then tried to turn to his side to vomit, prompting an officer to say: “If you keep messing around, I’m going to bring my dog out here and he’s going to bite you.” The 23-year-old vomited, and apologized. “I wasn’t trying to do that,” he says. “I just can’t breathe correctly.” According to a report from an independent panel, the paramedics “waited almost seven minutes after arriving to interact with Mr. McClain, and their first contact was to administer the sedative ketamine.” He suffered from cardiac arrest on his way to the hospital and died a few days later. The autopsy revealed that he was 5ft 6in tall and weighed just 140 pounds. The coroner’s amended report said, “Simply put, this dosage of ketamine was too much for this individual and it resulted in an overdose … I believe that Mr. McClain would most likely be alive but for the administration of ketamine.” The aftermath McClain’s parents reached a $15m settlement with the city of Aurora. “I hope Elijah’s legacy is that police will think twice before killing another innocent person,” his father, LaWayne Mosley, said after the settlement was announced. “There is nothing that can rectify the loss of Elijah McClain and the suffering his loved ones have endured,” Aurora Police Chief Vanessa Wilson said at the time. “I am committed to learning from this tragedy.” The 23-year-old’s death occurred around the same time as the deaths of Breanna Taylor and George Floyd, who were also Black Americans killed at the hands of police. Together and separately, the deaths propelled protests and sparked demands for police reform. And at least in Colorado, some policies were reformed. In 2020, the state banned police from using neck holds. The Colorado health department prohibited paramedics from implementing ketamine for those supposedly experiencing “excited delirium,” like in the case of McClain. Read More Trial begins in Elijah McClain death, which sparked outrage over racial injustice in policing Elijah McClain cause of death quietly ruled as ketamine as police face charges for violent 2019 arrest Elijah McClain: Colorado city to pay $15m to family in historic police misconduct settlement

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I can’t lie. I felt famous during New York Fashion Week. With my focus oscillating between Google Maps and the cobblestone streets of Tribeca, I had no time to stop and think about the scene I would be approaching. The thing with runway shows is they never start on time. Who shows up early these days anyway? For me, someone constantly late but willingly accepting every opportunity, NYFW’s schedule worked to my advantage. Still, inklings of doubt mixed with the rush of not knowing how late would be too late – leaving me with little room for mental preparation. In the case of the Brandon Maxwell show, I anticipated an intimate setting. I was told the guests were close friends, family, and a few high-profile fashion moguls who were asked to refrain from using recording devices during the presentation. It was a trusted circle of less than one hundred. I knew there’d be paparazzi outside impatiently awaiting the elite attendees. However, I didn’t foresee the vast amount of turned heads and focused cameras crowding the corner of Walker Street and Cortlandt Alley, all readily directed at me. Suddenly, I was someone to be noticed. Through the white flashes and crisp calls for attention, I approached the threshold of the Andrew Kreps Gallery. I presented myself to be checked off a list of people deemed special enough to see inside. Camera personnel and event staff had no clue who I was or why I was there – the irony. I wasn’t Julia Fox, Anna Wintour, or Blake Lively-level distinguished or expected. But I, Kaleigh Werner, was presumed worthy of being photographed and granted access based on proximity, invitation, and seating. It was thrilling. I felt as though I’d made it. In the literal form, yes, I’d arrived at my destination and found my chair. But metaphorically, I was on the cusp of something sensational that surpassed the rush of being realised through an entirely new lens. As a reporter, someone invited to review these presentations, it’s easier to block out the A-list noise. My attention remains locked on the intricacies of each collection, and figuring out how they mirror the thoughts of a designer. Whether sitting in the front or standing in the back, I’m concentrating on how a designer’s societal impression can be contextualised in fashion, while still adhering to the temperature regulations of the season. I’m in a gallery or a museum to perceive art, not at a red carpet event. I’m not being dressed by the brand. I’m not worried about how I look. The runway demands my attention. So, my gaze is directed there. This year I attended three shows: ADEAM, Atelier Ndigo, and of course, Brandon Maxwell. For ADEAM’s spring/summer 2024 show, hosted inside a warehouse on the west side of Manhattan, creative director and CEO Hanako Maeda effectively fused her longtime love for the ballet with her desire to “juxtapose the performance art as a sport”. “I think the collection combines the romanticism and couture-like craftsmanship that you see in ballet costumes with a more modern, sporty mood. I also added a touch of rock ‘n’ roll edge with the accessories,” Maeda told The Independent. Through tulle skirts, corsetry, ribbon, sheer Ponte, mixed media knits, and tailoring, Maeda - who designed the costumes for New York City Ballet’s Fall Fashion Gala in 2015 - reconfigured ballerinas to be models replicating a facile silhouette on the street. By using the specific material and intentional shape often associated with ballet, she harnessed the “athletic prowess” a performance artist displays and weaved it into everyday wear. Atelier Ndigo played with personal inspiration by utilising vibrant colours, textured fabrics, and structured pieces. From a bumpy white two-piece to balloon short sleeves, brand founder Waina Chancy once again proved to be an architect in dainty yet outspoken fashion. The white-washed walls of Spring Studios, complete with a backdrop of block brand lettering, only made every shade of red, purple, pink, and orange louder. Back at Andrew Kreps Gallery, Brandon Maxwell strayed from the eccentricity of his past spring collections to construct an ethereal response to the power of love. To him, that response is seen through sheer and natural beauty, along with coding that only added a breath of elegance. On the catwalk, gusts of chiffon, leather, knits, and denim blew past the few guests who sat in the studio. With flourescent lights and white ambiance, it felt as thought Maxwell had called upon angels to introduce a new wave of purity and innonence. Yet, the see-through materials mixed with belted pieces reminded us of the allure of form. The Brandon Maxwell spring/summer 2024 runway presentation wasn’t just the launch of a new line, but a visceral discussion on freedom and restraint - being simutaneously aware of both independence and determinism. From the distant eye, minimalism was triumphant. But upon closer look, the details were unveiled. Spliced sleeves turned biker-esque jackets and blazers into capes; sheer layers over and under long, fitted jackets transformed signature workwear into chic formalwear; and ripped, patchwork denim paired with slouched sweaters or unbuttoned button-ups brought an air of luxury to street style. As I exited down the steps to return to the reality of a typical work day, I stuck around to see who I could spot leaving the venue. NYFW has assumed a certain social stigma and media blitz. As much as it’s known for the inspired collections crafted by the minds of upcoming and distinguished talents, the seven-day affair has been hit with criticism, as more participants and curious observers are blinded by its social scene. After an animal rights advocate and PETA supporter stormed Coach’s spring/summer 2024 runway to protest the brand’s use of leather, discussion errupted around influencers increased presence at NYFW. Famed creators like Taylor Hawkins have been quick to point out how “dead” some events can get, due to the amount of brands that prioritise seating and dressing social media stars based on their online presence. Kelly Cutrone, best-selling author and CEO of People’s Revolution, echoed these sentiments in conversation with Dear Media during NYFW in February. “It’s just like, because you’re good at marketing yourself on the internet doesn’t make you a fashion expert,” she said about influencer being invited to shows. “Don’t pretend that just ‘cause you come here for a week that you’re in the fashion business.” For industry representatives - who are devoted to furthering the conversations that are evoked in fashion collections - their experiences are entirely separate from those who are invited to sit and make content about what they saw. These professionals are behind-the-scenes, speaking with the creative directors and producing copy to candidly honour their own work. “You know what I really don’t get, and what I don’t have much time for anymore. The fact that so much of the fashion content around the show that I see, especially on Instagram with these influencers, it’s really all about them,” fashion journalist Mosha Lundstrom Halbert said on her podcast, NEWSFASH. “It’s all about the fact that they got to go to fashion week - okay, cool. The fact that they’re being dressed by the designer - great, I’m happy for you,” she went on. “No editors get dressed by the designers, that’s really just influencers. And the fact that they’re going to show you where they sat and who they’re friends with...” But, there’s an advantage to having paparazzi feed off the unpredictable swarm of A-listers and influencers, and an obvious benefit to designers who decide to fill their front row with them. At ADEAM, Lana Condor, Elsa Husk, Poppy Delevigne, Harry Shum Jr, and Anna Cathcart were among the photographed VIPs. Meanwhile, Brandon Maxwell hosted Henrik Morten Lischk, Lisa Aiken, Eva Chen, Camila Alves McConaughey, Kat Collings, and Alex Badia. From a brand perspective, visibility is everything. In order for clothes to sell, the pieces need to be represented and observed by the right people – the “Emily Ratajkowskis” who generate buzz, or the social media influencers who inspire fads. It’s worth noting that, even though the production, styling, and individual garments speak volumes to the attractiveness of a collection, desire is often born from those who are adored and admired. Designers will develop their seasonal lines in tandem with a muse or inspired concept, like ADEAM’s spring/summer 2024 being motivated by the ballet or Brandon Maxwell’s being an answer to the impasse of freedom and restraint. Then there was Dolce and Gabbana’s famed spring/summer 2023 show curated by Kim Kardashian, after both Domenico and Stefano were galvanised by the reality star’s “it girl” essence. High fashion runway can be viewed as a melting pot of celebrity image and designer conception. While the relationship between famed figures and name brands is pertinent to Fashion Week criticisms, the focus shouldn’t be on celebrity sightings or social climbings. Although I observed a clear presence of exclusivity hovering over runway presentations and after-parties, I found the purpose is not to be seen but to step inside the minds of imaginative designers and celebrate the execution of their visions. Read More London Fashion Week 2023: All the highlights from day two British Vogue appoints Chioma Nnadi as Edward Enninful’s successor London Fashion Week: Jourdan Dunn walks in emotional Richard Quinn show

Toyota will invest another $2.1 billion in an electric and hybrid vehicle battery factory that’s under construction near Greensboro, North Carolina

Russian president Vladimir Putin said that if necessary Russia would use weapons with depleted uranium in response to reports that the United States would supply such weapons to Ukraine. The Wall Street Journal reported earlier on Tuesday that the US was set to approve depleted uranium tank rounds for Kyiv. Depleted uranium is a dense by-product left over when uranium is enriched for use in nuclear reactors or nuclear weapons. The rounds retain some radioactive properties, but cannot generate a nuclear reaction as a nuclear weapon would. In March 2023, the UK said it would supply armour piercing munitions containing depleted uranium to Ukraine to help destroy Russian tanks. Putin falsely claimed that these weapons had a “nuclear component.” Meanwhile, Russia launched a “massive” attack overnight on the central Ukrainian city of Kryvyi Rih, killing at least ten people and wounding 28 others. “As of 1300 (1000 GMT) 10 people have been killed,” city mayor Oleksandr Vilkul said in a Telegram post, adding that another person was under the rubble and a further 28 were injured. Read More Russia losing 900 soldiers a day during counteroffensive, Ukrainian officials claim Putin mixes threats of new offensive in Ukraine with offers of peace talks UN nuclear chief says large Ukraine atomic power plant held by Russia faces 'dangerous situation'

Crystal Palace boss Roy Hodgson admits his side are in the thick of a “serious injury crisis” with midfielder Eberechi Eze becoming the latest player set for a lengthy spell on the sidelines. Eze’s hamstring issue ruled him out of selection for Gareth Southgate’s latest England squad after he featured last month, with the 25-year-old joining an ever-growing list of Palace players unavailable for Saturday’s home encounter with Nottingham Forest. Despite the latest blow, Hodgson made clear he had no intention of courting pity, pointing to the bigger picture as he sought to assure concerned supporters. Hodgson said: “There is no sympathy in the world of football for injuries and there is no point seeking sympathy. It happens to all teams. “We happen to be in the middle of quite a serious injury crisis at the moment, but we have to learn to deal with it and accept the situation and look forward to the time when our squad is bigger again when these players return. “OK, it’s not going to be in the next week or two, but the season doesn’t end until May so we have to keep that in mind as well.” Palace sit ninth in the Premier League table after seven matches and enter Saturday’s contest bolstered by their 1-0 victory over Manchester United last time out, with defender Joachim Andersen providing the decisive strike. Hodgson, aware of his dwindling resources, said: “We are going to be dependent now, really, on the players who have come in to take their places in doing a good job, which to be fair they have been doing. “I’m very satisfied with the way the team has been playing, and we’re a squad, so there is no point complaining about injuries. They do happen and you must never feel sorry for yourself. “One or two of the players who have come in, in the last two or three weeks, who have not necessarily played from the start, have come in and done exceptionally well. That is the way we have got to look at it.” While Hodgson refused to set a timeframe for Eze’s return, he did concede that the injury was “serious” and “the severity of the injury might suggest it’s as long as that.” Michael Olise, among Hodgson’s other key attackers, has not played this season as he continues to recover from a hamstring injury of his own, while summer signing Jefferson Lerma – also out with same problem – remains ruled out. Odsonne Edouard, yet another member of Palace’s hamstring woe-club, has progressed and could start against Forest at Selhurst Park, while Brazilian Matheus Franca is still working his way back to match fitness, but is “no longer injured”. Dean Henderson, James Tomkins and Naouirou Ahamada all remain unavailable. Read More Ollie Watkins extends stay at Aston Villa with new long-term contract Mikel Arteta: Arsenal must be at best in every department to beat Man City We’re not top-four contenders: Unai Emery plays down Aston Villa’s strong start Chelsea boss Mauricio Pochettino knows importance of Burnley game after two wins Manchester City boss Pep Guardiola ponders how to replace Rodri against Arsenal Ange Postecoglou accepts Liverpool denied ‘legitimate goal’ by VAR error

Julen Lopetegui has parted company with Wolves just days before the start of the new Premier League season. “The head coach and club acknowledged and accepted their differences of opinion on certain issues and agreed that an amicable end to his contract was the best solution for all parties,” said a statement from the club. “Talks have been ongoing in recent weeks, held with the utmost respect and cordiality, affording the club time and space to begin work on finding a successor, while also ensuring that Julen and his backroom staff could continue their planned preparation to ensure the playing squad would be in the best possible condition for the start of the Premier League season.” Here, the PA news agency looks at what went wrong for the Spaniard. Wasn’t the appointment of Lopetegui considered a coup and wasn’t he doing well? Yes, when Wolves brought in the former Spain and Real Madrid manager last November, with the team in the relegation zone, it seemed the club had made a smart appointment. Given that Lopetegui had initially turned them down too, they had shown great determination to recruit him. He repaid them by comfortably guiding the club to survival. It was not spectacular but he steadied the ship and form in the spring was a clear uplift on the football of his predecessor Bruno Lage. So, the foundations were there to build on. Where did it start to go wrong? At the end of last season there were rumblings that the club would need to match Lopetegui’s ambition in order for him to stay on, despite having signed a three-year contract when he arrived. That meant strengthening a squad that fell short in many areas last term, particularly in the goal-scoring department. Yet, with the club also concerned about balancing the books, it appears they were unable to satisfy him and relations soured. What have been the problems with the squad? Wolves signed 10 senior players last season and brought in a further two on loan. Having posted a loss of £41.6million in their last set of financial results, this obviously suggested some sales would be required to prevent further deficit and to comply with Financial Fair Play regulations. Subsequently captain Ruben Neves left for Saudi Arabian side Al-Hilal for a club record £47million and Raul Jimenez also moved on, with Matt Doherty the only notable arrival on a free transfer. What was said about the situation? Lopetegui voiced his frustration over the summer, saying that transfer activity had been a “big disappointment” and he was unable to enact his ideas. “We were excited by this new plan, but now we don’t have this plan because we don’t have any new players,” he said. Wolves chairman Jeff Shi put out his side of the story in an open letter to supporters last week. “We are also working hard to make sure the club have a long-term robustness and sustainability,” he wrote, adding that it was important to “maintain a sustainable balance of both sporting performance and financial strength”. It seems this only succeeded in bringing matters with Lopetegui to a head. What happens next? Given his track record and reputation, Lopetegui is not likely to have trouble finding his next job. Clubs will need to be wary his services come with high demands, however. Wolves are reportedly lining up former Bournemouth manager Gary O’Neil as his replacement. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Wozniacki returns to tennis and new Man Utd threads – Tuesday’s sporting social Ollie Wood and Mark Stewart claim Madison silver in thrilling Glasgow finale Chelsea face Premier League probe over alleged financial breaches – reports

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