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Anti-discrimination body Kick It Out received a 65.1 per cent rise in reports of discriminatory behaviour during the 2022-23 season – with reports of sexism and misogyny up 400 per cent. Figures released by the organisation show 1,007 reports were made during the campaign from the grassroots and professional games and across social media, which Kick It Out puts down in part to an “increased awareness” of reporting procedures and fans becoming “less tolerant” of discriminatory behaviour. Reports of online abuse rose by 279 per cent, with the organisation receiving 207 more reports related to online forums and social media than in the previous 12 months. The significant leap in reports highlights that discrimination is still a serious issue within the game Kick It Out statement Racism was the most common form of discrimination, accounting for just under half (49.3 per cent) of all reports, while reports related to sexism and misogyny represented the largest rise in a specific discrimination type – up from 16 to 80. Faith-based discrimination fell slightly due to a 29.5 per cent drop in the number of reports received of an antisemitic nature, but Islamophobia (300 per cent) and sectarian chanting in the professional game (15.8 per cent) were both up. Discrimination reports in the professional game rose by 27.4 per cent to 484, which represents those received from the Premier League, English Football League and National League, domestic cups, European and international competition, Women’s Super League and Women’s Championship. A statement from Kick It Out referred to the rise in reports as a “significant leap” that “highlights that discrimination is still a serious issue within the game”. It added: “The record figures could also be attributed to an increased awareness of reporting procedures and fans becoming less tolerant of discriminatory behaviour.” Racism continued to account for more than half of grassroots reports (50.8 per cent) and 43.4 per cent of overall grassroots incidents received were from under-18s or younger age-group games. “Research conducted by Kick It Out suggests these numbers are the tip of the iceberg with many incidents still not reported,” the statement added. Social media abuse comprised a much larger proportion of overall reports compared to previous years, making up 28 per cent of all reports received, up from 12.1 per cent last year. Kick It Out chief executive Tony Burnett said: “The significant increase in reports across the game is alarming and strengthens our resolve to tackle discrimination in all areas of football. “Behind each of these statistics is somebody who has sadly experienced discrimination, and supporting the victims of abuse remains Kick It Out’s utmost priority. “While we continue to work tirelessly to Kick It Out, we call upon fans, clubs, leagues and governing bodies to help us with this cause, and we are encouraged that the number of reports per incident continues to increase, suggesting that people are becoming less tolerant of discriminatory behaviour and more likely to report abuse when they see it. “Our figures provide a snapshot of what is happening across the game, but we still don’t know the full picture because clubs, leagues and governing bodies aren’t currently mandated to share their reporting data. “This underscores why football urgently needs a centralised reporting mechanism to collate and monitor reports. Only once that happens can we understand the full extent of the problem within football and tackle it with the full force of the sport.” Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live Haverfordwest CEO preparing for Europe after ‘devastating’ Arsenal redundancy West Brom partner with The Jeff Astle Foundation charity for coming season ‘Long live the captain!’ – Lewis Dunk boosts Brighton with new three-year deal

Joe Joyce will bid for revenge against Zhilei Zhang this weekend, as the heavyweights meet in a rematch in London. When the pair clashed in the English capital in April, Zhang secured a stoppage in Round 6 after battering Joyce’s eye to the point of closure. The Chinese heavyweight, 40, will look to repeat the trick at Wembley Arena on Saturday, while his British opponent, 37, is aiming to get back to winning ways. A bout with Oleksandr Usyk could be on the cards for the winner, who will leave London as the WBO heavyweight champion – a status that Zhang took from Joyce in April. Here’s all you need to know. We may earn commission from some of the links in this article, but we never allow this to influence our content. This revenue helps to fund journalism across The Independent. When is the fight? Joyce vs Zhang 2 is set to take place on Saturday 23 September, at Wembley Arena in London. The main card is expected to begin at 7.30pm BST (11.30am PT, 1.30pm CT, 2.30pm ET), with ring walks for the main event due at around 10.30pm BST (2.30pm PT, 4.30pm CT, 5.30pm ET). How can I watch it? In the UK, the event will air live on TNT Sports (formerly BT Sport). In the US, ESPN+ will stream the action live. If you’re travelling abroad and want to watch the event, you might need a VPN to unblock your streaming app. Our VPN round-up is here to help and includes deals on VPNs in the market. Viewers using a VPN need to make sure that they comply with any local regulations where they are and also with the terms of their service provider. Odds Joyce – 21/20 Zhang – 17/20 Draw – 18/1 Full odds via Betway. • Get all the latest boxing betting sites’ offers Full card (subject to change) Zhilei Zhang (C) vs Joe Joyce 2 (WBO interim heavyweight title) Pierce O’Leary (C) vs Kane Gardner (WBC international super-lightweight) Anthony Yarde vs TBA (light-heavyweight) Sam Noakes vs Carlos Perez (lightweight) Zach Parker vs Khalid Graidia (super-middleweight) Ezra Taylor vs Joel McIntyre (light-heavyweight) Royston Barney-Smith vs TBA (super-featherweight) Moses Itauma vs Amine Boucetta (heavyweight) Tommy Fletcher vs Alberto Tapia (heavyweight) Aloys Youmbi vs Erik Nazaryan (cruiserweight) Sean Noakes vs Lukasz Barabasz (welterweight) Read More Joe Joyce on heavyweight knockouts, oil painting, and teaching 60-year-olds to swim Heavyweight boxing is decaying before our eyes – no other sport would survive this idiocy Eddie Hearn: ‘Ask someone to name three people in boxing, they’ll say: Tyson Fury, Anthony Joshua, me’ Who is fighting on the Joyce vs Zhang 2 undercard this weekend? What time does Joyce vs Zhang 2 start this weekend? Joe Joyce on knockouts, oil painting, and teaching 60-year-olds to swim

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When the Apple Watch first launched back in 2015, there were 10 Watch faces. Now, there are more than 50. The newest among these is the Snoopy Watch face, designed in conjunction with the Charles Schulz Studio. The Independent sat down to talk to Gary Butcher, human interface designer at Apple, Eric Charles from Apple Watch product marketing and Paige Braddock, chief creative officer at Charles M Schulz Creative Associates to discover everything about the new Watch face. This is not the first time Snoopy has been on watches and he’s even appeared on high-end models like the Omega Speedmaster. As Eric Charles explains, “There’s a deep horological legacy of Snoopy appearing on watch faces from his early as the 1950s, and on Apple Watch, we’ve been able to bring Snoopy to life in whole new ways.” There 148 different animations for the Watch, which would run for 12 minutes if you played them one after the other; it’s tempting to try. They were all developed from an intense brainstorming session. Braddock, who was hired back in 1999 by Charles Schulz himself to work as an illustrator at the studio, reveals the creative dynamic: “Both Apple and peanuts have strong identities and a strong desire to connect in an authentic way with fans. “At the Schulz studio, we wanted to be authentic to Snoopy’s DNA and simultaneously explore the Apple Watch technology. Everyone knows that Peanuts is a comic strip that exists in a different decade: there are no smart phones or iPads in the comic strip. “But with mutual respect, it is possible to coexist as a modern tech company and a comic strip with a rich historic legacy. I always feel like a true collaboration is not one thing eclipsing the other, it’s finding a balance and working with contributors’ strengths.” As Braddock points out, there’s something about Snoopy for the Watch that’s a great fit. “If you look at a comic strip like this, it’s basically a four-panel storyboard. Even the aspect ratio from the comic to the watch face is almost the same. We sourced numerous animated sequences directly from Schulz’s original comic strips.” Snoopy’s look has evolved over the decades, from the fifties when he walked on all fours, to the sixties when he discovered he could do it on two legs. The shape of his canine head also changed. The collaborators had to decide whether the animation should be two-dimensional like the comic strip or 3D like the Snoopy Show. This led to a style that looks anything but electronic. Braddock again: “Ultimately, we chose to keep the watch animations as close as possible to the original Schulz drawings. Charles Schulz had a very specific and rare pin nib that he used. It was a nib that you had to dip in the ink bottle each time to fill it with ink and it meant he could create a varied line from thin to thick. “This sort of active drawing gives the character life. It’s obvious when you see these drawings that they’re handmade and not digital, and this is the feel that we wanted to preserve in the Watch animations.” But then Apple’s engineering kicks in. When you look at Snoopy on the Watch face, there’s a level of subtlety that you only notice after a while. Sometimes his activity is based on the weather, sometimes on what you’re doing. For instance, when you go swimming, so does Snoopy. Sometimes he even interacts with the Watch face itself, specifically with the minute hand. Gary Butcher expands on this: “One of the things we were especially excited to do is to have Snoopy and Woodstock interact with the minute hand of the watch. He can lean on it, He can throw things that bounce off of it. He can kick it when he wants to be fed. And he can jump up on it to wave to Woodstock on the other side.” This is one of the things that might mean you find yourself checking the time more than you actually need to. One time, he’ll peep out from behind the minute hand, his body magically hidden. Next, he’ll be skating and bounce off the minute hand because it’s in just the wrong place. Another time, a flying Woodstock will drop a bone for a recumbent Snoopy, which will bounce off the minute hand into his mouth. Then… look, you’re going to have to discover these things for yourself. On your birthday, Snoopy will celebrate. He’ll decorate his dog house for Christmas, or dress up for Halloween. In the creative process, they realised that with a little ingenuity, they could make these animations appear at different times. “To maximise the chances you’ll see those animations,” Butcher says, “we figured out we could simply rotate certain animations. I say simply rotate but under the hood is a really sophisticated scene layout engine being driven by an equally sophisticated decision engine.” Sometimes the rotation only needs to affect certain frames of the animation. If Snoopy is standing on the minute hand, he’s affected only when he’s up top, and his free fall into leaves below is unchanged and he falls naturally downwards, otherwise he’d shoot off sideways. “Each animation is only five seconds long, but by looping the whole animation or even just a few frames at the end, We’re able to keep certain scenes alive for much longer,” Butcher says. There’s more detail yet. Look closely and you’ll see the backgrounds are made up of dots – just the way it used to look in newsprint. Monday to Saturday has a half-tone dot background, but then bursts into colour for Sundays, again, just like it appeared in newspapers. This is called the Sunday Surprise. Eric Charles comments, “What I love about the way we’ve designed this watch face is that you may never see all of them. Because I live in California, I may not see the winter animations. I may never see the icy ones. I hopefully will never see the stormy ones either.” The team wanted to surprise and delight. Charles goes on to explain that they sought to find more and more content, all day long: “Those two words, surprise and delight, were basically the mantra of how we looked at this project. A certain animation can show up at 10.09 but when you raise your wrist again and it is still 10.09, what else can we serve you? What else can we present to you?” The mission to present Snoopy to the world was key to the endeavour, it seems. Paige Braddock says, “I don’t want the generation that uses modern devices to miss out on this really fantastic character. And I think Apple Watch is a bridge for some of those fans to discover – or rediscover – Snoopy.” Read More The Apple Watch has a major issue but Apple is working on a fix Don’t believe your eyes: how tech is changing photography forever Police to trial use of drones as first responders to emergencies Don’t believe your eyes: how tech is changing photography forever Police to trial use of drones as first responders to emergencies SpaceX launches world’s most powerful rocket – and then it disappears