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England boss Gareth Southgate stressed Harvey Barnes is “a player we like a lot” while also emphasising the competition he faces amid talk of the winger possibly switching allegiance to Scotland. Barnes is reported to be considering a switch three years on from winning his sole England cap to date in a friendly against Wales. At a press conference ahead of Tuesday’s friendly clash with Scotland at Hampden Park, Southgate said of the 25-year-old: “He’s obviously a player who has played for us. “We’ve got a lot of competition in that area of the pitch. He’s a player we’re always monitoring and he’s a player we like a lot.” Southgate was asked about on a potential swap of allegiances for Barnes and Newcastle team-mate Elliot Anderson, who has played for both countries at youth level and received a call-up to the Scotland squad last month, only to be forced to withdraw due to injury. Southgate said: “Both very good players. With Elliot, again I think he’s a player that has progressed really well. We’ve previously spoken with him, but of course he was named in the squad here, so assumed that was that. “I thought he had an excellent pre-season with Newcastle, you could see that evolution that he’s got as a young player and the potential he’s got. I know Newcastle rate him very highly. “I don’t know is the answer to the ultimate question for either player, but there are going to be more and more of these sorts of situations. He’s a player we’re always monitoring and he’s a player we like a lot Gareth Southgate on Harvey Barnes “There are so many players with dual or triple nationality now, it is very complicated for every country, and sometimes you can’t offer the player something as quickly as they’d like. “We’ve benefited from it and lost players because of it, and I think that’s always going to be the case.” Southgate was joined at the press conference by Newcastle full-back Kieran Trippier, who said of Anderson: “As the gaffer said, in pre-season he’s been unbelievable. It was good for him last year to stay with us and not go out on loan again, to gain that experience. “He’s a great lad with great potential. We’ve had talks, but he went away with Scotland. That’s his decision, it is ultimately up to him.” Read More Gareth Southgate: England over-experimenting in Scotland would be ‘ridiculous’ Southgate hails Ferguson and confirms England interest in Newcastle starlet Gareth Southgate twice talked Kyle Walker out of international retirement Gareth Southgate looking forward to tough examination against Scotland ‘Brutal’ Marines training helped Gareth Southgate pick Harry Kane as captain Gareth Southgate felt England did not ‘quite click’ against Ukraine

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Head to Google’s homepage today and you’ll see its primary-coloured logo transformed into an elaborate floral display, accompanied by an imposing, androgynous face. This face belongs to the pioneering British artist known only as Gluck, who is celebrated both for their iconic portraits and picture frame designs, and for their bold rejection of gender norms. Google has used its Doodle design to pay tribute to the trailblazing visionary on what would have been their 128th birthday. So what do we know about Gluck? And why was their work so important? Sign up for our free Indy100 weekly newsletter Gluck was born Hannah Gluckstein in London on 13 August 1895 to a wealthy catering family. However, as they grew older, they rejected their full name – asking to be referred to simply as Gluck. They attended the prestigious St. Paul’s Girls’ School in Hammersmith before moving on to St John's Wood School of Art. During World War I, they moved to the village of Lamorna in Cornwall, which was known for its buzzing artists' community. There, Gluck began to defy gender norms and fashions, donning men’s clothes and sporting barbered hair. According to the Royal Academy of Art, they refused to identify with any artistic school or movement and so exhibited their work solely in “one-man shows”. They also wrote on the backs of publicity photos: “Please return in good condition to Gluck, no prefix, suffix or quotes.” And, as Google notes, when one art society identified Gluck as “Miss Gluck” on its letterhead, they immediately resigned. Still, despite what would have been eyebrow-raising practices at the time, Gluck earned popularity among their peers and the wider public. In 1932, Gluck designed and patented a three-tiered picture frame, which later became known as the Gluck frame. This traditionally matched the colour of the wall on which it hung, giving the illusion that the painting was part of the wall itself. But perhaps their most famous work was a double-portrait of Gluck and their lover Nesta Obermer, called ‘Medallion’. Gluck referred to the 1936 piece as the “YouWe” picture, which symbolised their spiritual, marital union with Obermer. They later explained that, on 23 June 1936, the couple had attended a production of Mozart’s Don Giovanni at Glyndebourne. Gluck felt that the intensity of the music fused them into one, inspiring the “YouWe” painting as a public declaration of love and commitment. “Now it is out,” they subsequently wrote to Obermer, “and to the rest of the Universe I call Beware! Beware! We are not to be trifled with.” Up until their relationship with Obermer, Gluck was better known for their still-lifes of flowers, which were inspired by arrangements created by their former lover, florist Constance Spry. After this affair ended and their relationship with Obermer blossomed in its place, Gluck’s subjects and style evolved, with the focus shifting to their alliance, which they saw as a true meeting of souls. In 1973, Gluck held their final exhibition, which debuted more than fifty paintings from across their career. As Google points out in the blurb to its Google tribute, Gluck refused to compromise artistically and personally, and their legacy continues to inspire artists to express themselves freely today. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

The San Diego Padres activated star third baseman Manny Machado from the 10-day injured list and slotted him to start and bat fourth against the Chicago Cubs