Premier League leaders Tottenham recovered from a sluggish first half to win 2-1 at Crystal Palace and extend their lead at the summit to five points. Ange Postecoglou’s side found life tough at Selhurst Park initially, but moved through the gears in the second period and went ahead when Joel Ward put through his own net in the 53rd minute following James Maddison’s centre. Captain Son Heung-min made the points safe 13 minutes later with a close-range finish for his eighth goal this season to ensure high-flying Spurs extended their unbeaten top-flight start to 10 matches. Jordan Ayew struck late on for Palace, but victory moved Tottenham five points clear of Manchester City, who visit rivals Manchester United on Sunday, and while that gap is unlikely to remain come the end of the weekend, this latest test passed by Postecoglou’s new-look team will only increase the optimism growing in N17. The Australian made two changes from Monday night with left-back Destiny Udogie unavailable due to muscle tightness, which resulted in Ben Davies making his first league start this term, while Yves Bissouma returned to the starting line-up following his one-match ban. Spurs were poor during the opening exchanges against a Palace side eager to respond to their 4-0 thrashing at Newcastle with Guglielmo Vicario twice called into action early on. Vicario first denied Ayew’s low effort in the sixth-minute before he produced a smart save to thwart the snapshot of Odsonne Edouard, who was leading the line for the hosts. Hodgson would have been pleased with the response to Palace’s thrashing in the North East after Will Hughes and Joel Ward snapped into tackles with Micky van de Ven and Maddison. Maddison’s influence had been limited, but he sliced a tough half-volley chance into the Holmesdale Stand before Richarlison dragged wide from outside the area. The opening half an hour in south London had been stop-start, which suited Palace who forced four corners in a row towards the end of the first 45, but Tottenham survived to walk off at half-time level. Postecoglou had lambasted the second half showing against Fulham and would have been equally frustrated with this display after Spurs failed to have a shot on target despite more than 70 per cent possession. He reacted with Emerson Royal introduced for Davies and while the visitors’ wait for a first shot on target continued, they still managed to break the deadlock in the 53rd minute. Tottenham’s goal came from their right side with Pedro Porro playing in Pape Sarr, who cut back for Maddison and his smashed effort across goal bounced off Ward and into the Palace net. It was tough on Palace but Hodgson’s side immediately searched for an equaliser and Edouard had a shot deflected over by Cristian Romero. Marc Guehi headed wide from the resulting corner before Postecoglou made further changes with Brennan Johnson and Pierre-Emile Hojbjerg brought on. Johnson needed barely two minutes to make his mark with a first assist for the club since a £45million deadline day move from Nottingham Forest. The substitute started the move with a cushioned header into Maddison, who passed back into Johnson and he smartly recycled the ball to Son and the Spurs captain rifled home from close-range in the 66th minute. After Tottenham switched off at 2-0 up against Fulham, there was little chance of a repeat and Postecoglou sent on Rodrigo Bentancur for his first appearance since he suffered anterior cruciate ligament damage to his left knee in February. Bentancur’s arrival on the pitch was met with big cheers by the away fans, but the travelling support endured a nervy finale. Ayew reduced the deficit four minutes into stoppage time when he controlled Joachim Anderson’s cross and fired beyond Vicario, which was eventually awarded after a lengthy VAR check. Palace pushed for a last-gasp leveller and forced several set-pieces before substitute Matheus Franca sliced wide under pressure from Porro to confirm a fourth consecutive win for leaders Spurs. Read More Kyle Walker says Manchester City will be wary of Marcus Rashford in derby Wolves v Chelsea on Christmas Eve means ‘unhappy wife’ for Mauricio Pochettino Tyson Fury: Ngannou fight like Djokovic facing table tennis player at Wimbledon Matthew Mott wary of ‘raging favourites’ as England look to avoid further shame Pep Guardiola condemns Man City fans who sang offensive Sir Bobby Charlton chant Mikel Arteta calls for increased squad sizes as Arsenal suffer fresh injury blow

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Rodri recognises he may have scored the most important goal in Manchester City’s history. The Spanish midfielder tucked home City’s winner as they beat Inter Milan 1-0 in the Champions League final and completed the treble in Istanbul on Saturday. The 26-year-old now hopes City can build on winning the European crown for the first time to establish a long-lasting dynasty. Rodri, who has developed into one of the world’s best midfielders since his £62.8million move from Atletico Madrid four years ago, said: “From my point of view I want to thank the team. It’s a victory of many years of work at this amazing club. “They trusted me to come here, even though the change wasn’t easy. It was a new culture for me and I arrive now scoring the most important goal in the history of this club. “We deserve this. What a season. We deserve it. “I said this before the game it was so important to win against Inter because we can build a legacy for the future. This is what teams like Real Madrid, Bayern Munich, Barcelona, AC Milan – these kind of clubs – did in the past. “We believe we can do it again. I think that’s why it’s so important.” City were not at their sparkling best at the Ataturk Olympic Stadium. With Inter proving obdurate opponents, City could not replicate the swashbuckling football that swept aside Arsenal and Real Madrid recently, or even reproduce the control they exerted over Manchester United in the FA Cup final. They instead relied on their character and quality and Rodri eventually made the crucial breakthrough in the 68th minute with a controlled strike from just inside the area. Rodri said: “I think it was the only time I went forward in the game because Inter were so narrow and I wanted to make sure the two strikers weren’t comfortable. “In that moment I just saw the space. In the first moment I thought about shooting strong but then I realised there were six or seven players in the goal area and I was like, ‘no, I’m going to put it inside the first post’. “The end result was incredible but there was half an hour still to go so it was a big effort from all of us.” The goal capped a memorable season in which City retained the Premier League – their fifth title success in six years – and beat arch-rivals United at Wembley to claim the FA Cup. They are only the second side to win all three of those trophies in the same season, emulating United’s achievement in 1999. Their success was savoured by owner Sheikh Mansour, who had travelled to Turkey to watch a City game in person for only the second time since he purchased the club in 2008. The sheikh’s backing has propelled City from mid-table in the Premier League to the top of the European game and Rodri was keen to pay tribute to the players that paved the way for their success. He said: “I said when I finished the game I don’t want to forget players like Fernandinho, Sergio (Aguero), David Silva, (Vincent) Kompany – many players who worked eight, nine, 10 years at this club to help it arrive at this level. “We take the fruits (of their labour) and this victory is for all of them.” City partied overnight at their hotel in Istanbul before leaving for home on Sunday afternoon. They were flown back to Manchester on a club-liveried Boeing 787-9 Dreamliner. The celebrations will continue on Monday as they hold an open-top bus parade through Manchester city centre.

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Crop tops. Denim cut-offs. Someone else’s wellies. In 2023, festival fashion has officially become a tired sport. Even the words themselves carry connotations that seem to have fallen far out of sync with the sartorial zeitgeist. Is anyone still slathering themselves in glitter? Do we still care about sequins and novelty sunglasses? And surely we’ve all long-tired of neon by now? With Glastonbury Festival underway this weekend, all of this begs one crucial, singular question: Does festival fashion still exist? The fashion industry’s growing environmental conscience might provide an answer. Today, it’s much cooler to source your wardrobe from the likes of Depop and your local charity shop than Asos or Big Topshop (RIP). We fell out of love with fast fashion some time ago and, as a result, generally far more considerate consumers when it comes to our clothing. This is, of course, a very good thing. But it’s also completely at odds with the concept of festival fashion. Few modes of dressing revolve around disposability quite like it. Think about it. A typical festival lasts one weekend, during which time you will inevitably be camping in a wide range of weather scenarios, sweating and dancing for hours on end without access to showers. You’ll also be surrounded by scores of people who may or may not raid your tent for all of your belongings. In short, you don’t exactly want to bring items you care about. Hence why fast fashion and festivals made so much sense; flimsy, cheap, tacky garments comprised the optimum capsule wardrobe. At least they did, anyway – until everyone wised up to the environmental consequences. Nonetheless, if you’re going to a festival this summer, it’s a universally accepted truth that you will probably have to wear some clothes. Where, then, does that leave you? And what of festival fashion trends? Is there space to tap into the latest cool, new thing when you’re trying to shop sustainably and save money? Can we still have a hot girl (festival) summer? “The cost of living crisis is having a huge impact on young peoples’ purchasing patterns, particularly when it comes to ad hoc events, so second-hand buys are proving a big hit for festival season,” says Emily Gordon-Smith, content director and sustainability lead at the trend and insights forecaster Stylus. “This means tapping into more personalised looks, not straight off the high street, and often with a nod to iconic festival-ready styling that definitely includes Kate Moss in her Glasto heyday.” As any seasoned festival-goer will know, few outfits have stood the test of time quite like Moss’s from the early Noughties. One quick Google search will bring up hundreds of infamous shots of the model stomping through the muddy fields in micro-shorts, leather trousers, waistcoats, belted mini dresses, and other understated, utilitarian looks that couldn’t be further from the festival fashion aesthetic du jour. Other style mavens for the era? Alexa Chung in a silver mini dress with a jumper tied loosely around her waist. Sienna Miller in yellow sunglasses and a studded belt. And so on. They weren’t so much dressing for festivals as they were just dressing for a day of drinking beer and watching live music. Yes, they looked amazing, but it wasn’t because they were soaking themselves in lame co-ords. It was because they weren’t trying very hard, and it’s this modus operandi that has established itself at the centre of festival fashion now. Kate’s festival looks are still being recreated on the runways, with key items like the waistcoats and flat knee boots appearing in many collections Emily Gordon-Smith It’s also at the root of the Y2K trends reigning supreme on catwalks across the globe for the last year. “The Nineties and Noughties continue to be eras of stylistic fascination for those not even old enough to remember them, so of course style icons like Kate Moss are a major reference point,” adds Gordon-Smith. “Her festival looks are still being recreated on the runways, with key items like the waistcoats and flat knee boots appearing in many collections including those from Celine and Stella McCartney.” As for how to incorporate all this into your own festival wardrobe, it’s obviously not as easy as popping into a high-end luxury store and snapping up a £700 waistcoat. But if you want to follow in Moss and Co’s footsteps, the way to do it is to actually do the exact opposite and try and find something unique. It might sound counterintuitive but, ultimately, that’s what made their outfits so memorable in the first place; you couldn’t easily replicate them. That’s not to say you can’t look for key items, like tinted sunglasses and mini dresses, but you can find standout ones by taking your search onto secondhand shopping platforms, where you’ll find limitless options and one-off pieces. On Depop, some of the most searched-for items reflect a wide range of trends for festival season, spanning from “silver” (21 per cent increase in searches) and “lace cami” (37 per cent) to “mirror” (65 per cent) and “parachute pants” (1,200 per cent). If you do find yourself wanting to follow the crowd, though, the leading trend of the season is “Western”. According to money-saving platform WeThrift, searches for the “cowboy aesthetic” have increased by 40 per cent on Pinterest in the last 90 days. Meanwhile, over on TikTok, the #cowboyaesthetic hashtag has surpassed more than 4.3 million views. The hashtag #cowboyboots has more than 920.9 million views. Similar data has been found by retailers, with Pretty Little Thing reporting a 57 per cent increase in searches for cowboy boots in the last month, while “Western” searches have surged by 49 per cent. So long as you wear it right, it’s a look that reflects the boho chic image of the early Noughties Glastonbury set. Our suggestion is to pair some brightly coloured boots (we love these ones) with a secondhand slip dress and a pair of yellow-tinted shades. Throw on an oversized cargo jacket and you’re all set. Alternatively, if the sun is shining you might find yourself wanting to opt for a pair of statement trainers (these ones are very Nineties), which would work well with some classic Adidas tracksuit bottoms, a lace cami and some tiny sunglasses, amounting to a very Bella Hadid look. If you must do the crop top and denim cut-offs combo, there are ways to reinvent it a little. Try a knitted option from sustainable Australian brand MNK, for example, and there are plenty of secondhand denim shorts available across the web. All of it is easy to do – and far more comfortable than the festival outfits of yore – if you know what you’re doing. Just remember, though, that if you’re channelling Moss, less is always more. Don’t be afraid to take risks. And stay very far away from the glitter. Read More Glastonbury 2023 – live: Immigration enforcement officers spotted near festival site at Castle Cary station Flip-flops, nudity and ‘up the vajayjay!’: How the red carpet became a platform for protest Subversive? Dangerous? Boring?: How the red carpet became a barometer for modern masculinity

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